A small comic that is heavily inspired by @radiobugso's posts (specifically these two posts!) where Mac and Wukong, both, got imprisoned under the mountain and therefore both do the JTTW!
The comic, specifically, is about brainrot on what maybe could have happened after the two gay monkeys got freed from under the mountain and got their shiny new "crowns"!
Also I just really like drawing Tang Sanzang as a b@stard (sm Angst potential) >:]
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what do you think of maybe an enemies to lovers with bucky and reader where they are forced to go on a mission together and they get trapped and are forced to deal with close proximity and deal with all the tension and resolve their hatred for each other and pass the time? angsty, maybe a little steamy, hurt comfort (maybe one of em gets injured or something idk lol)
yeah so i actually think of this every minute of every day
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They stick you with him on purpose.
You know it the second Fury finishes the briefing and looks between you and Bucky Barnes like a man lighting a fuse and stepping back.
âExtraction is simple,â Fury says. âIn and out.â
You snort. Bucky doesnât look at you. He never doesâunless itâs to glare like you personally ruined his life.
âSimple,â you echo. âSure.â
The mission goes sideways in under ten minutes.
The building collapses inward after the explosionâconcrete screaming, steel buckling, the floor giving out beneath you both. You barely have time to grab onto him before the world tilts and slams you down into darkness.
When you come to, your ears are ringing and your ribs feel like theyâve been rearranged. Dust coats your tongue. It takes a second to realize youâre pinnedâhalf under a slab of concrete, half under him.
Buckyâs weight is solid, unyielding. Warm. Too warm.
âGet off,â you gasp, shoving at his shoulder.
He groans, pushing himself up with one arm. âReal welcoming.â
âGet off me,â you repeat, sharper.
He does, rolling to the side with a curse. The movement sends a spike of pain through your leg and you bite down on a cry. The ceiling above you has caved inâno clear exit, no signal, no light except what leaks in through a crack in the wall.
Trapped.
Of course you are.
âYou hurt?â he asks, clipped.
âNo thanks to you.â
His jaw tightens. âYou grabbed me.â
âYou were falling on me.â
âCouldâve let me.â
You look at him then, really lookâdust-streaked face, blood at his hairline, eyes too blue for how dark everything feels. âAnd watch you splatter? Yeah. Real tempting.â
Silence stretches, thick and suffocating.
Youâve hated each other for years. Ever since that mission in Bucharest where he ignored your call and you took a bullet meant for him. Ever since he apologized onceâstiff, hollowâand then never again. Ever since every briefing turned into passive-aggressive warfare.
He breaks the silence first. âYour leg.â
You follow his gaze. Your pant leg is dark with blood.
âShit,â you mutter.
Heâs already moving, kneeling in front of you, hands hovering like heâs not sure where heâs allowed to touch. âI need to check it.â
âYou donât needââ
âYouâre bleeding.â
Something about his voiceâlow, steadyâcuts through your instinct to push him away. You let him carefully roll the fabric up. The gash is ugly, angry red.
His fingers brush your skin as he wraps it, gentle despite the metal hand. You hate how it makes your chest tighten.
âYou couldâve died,â he says quietly.
âSo could you,â you snap. âBut you donât seem too bothered by that.â
He stills. Slowly looks up at you.
âThatâs not true.â
You scoff. âYou never listen to me on missions. You donât trust me. You donât even look at me.â
âThatâs because if I do,â he says, voice rough, âI remember the sound you made when you got hit. And I donât know how to carry that.â
The words land heavy between you.
You swallow. âThen why do you act like you hate me?â
His mouth twists. âBecause itâs easier than admitting Iâm terrified of screwing up again.â
For a long moment, all you hear is the distant groan of settling concrete.
âI donât hate you,â you admit, quieter. âI hate that you decided I was expendable.â
His shoulders sag like youâve finally hit something raw. âYou werenât expendable. You wereââ He stops. Exhales. âYou were everything in that moment. And I failed you.â
You donât realize youâre crying until he reaches out, hesitant, and wipes a tear from your cheek with his thumb. The touch lingers. Too long. Charged.
âYouâre shaking,â he murmurs.
âItâs cold,â you lie.
He shifts closer, the space between you disappearing. Thereâs nowhere to go anywayâjust stone and shadow and him. His arm comes around you, careful, like heâs afraid youâll break. You should pull away.
You donât.
His breath ghosts your temple. Your heartbeat stutters.
âIf we donât make it out,â you whisper, âI donât want this to be how we end.â
His forehead rests against yours. âThen donât let it be.â
Itâs not a kissânot really. Just a brush of lips, tentative, like asking permission. When you donât pull back, it deepensâslow, aching, restrained by everything unsaid.
You break it first, breathless. âWhen we get outââ
âWe talk,â he says immediately. âWe fix it. Or try.â
A distant rumble cuts through the moment. Light spills in as debris shifts above you.
Rescue.
Bucky helps you to your feet, arm firm around your waist. Before they pull you out, he leans in and murmurs, âIâm not losing you again.â
House of Penumbra: Madness and Mercy - UnsortedSoul - E, 26 chapters, Words: 107,379 - After the fall of the Order, Hermione Granger is no longer a symbol of lightâsheâs a hunter, hollowed and vicious, set on killing Voldemort with or without her soul intact. Draco Malfoy, Voldemortâs most feared lieutenant, hides a secret rebellion: heâs planning the Dark Lordâs murder. But when he saves Hermione in a moment of weakness, theyâre both pulled into the House of Penumbraâan ancient, sentient place that traps them together. The House doesnât speak. It watches. It remembers. And it wonât release them until something deeper than vengeance begins to bloom. Surrounded by living murals, shifting shadows, and their own buried grief, Hermione and Draco must do the one thing they were never taught: feel. Heal. And care about someone other than the dead. In a world where survival meant becoming monsters, maybe the only true rebellion left is learning how to love again. Because the House was built for a single purpose: to choose who is worthy of saving the worldâand to make them bleed for it. A gothic, psychological, slow-burn Dramione.
Dark magic. Enemies to reluctant allies. Emotional devastation.
Healing as resistance. And a house that wonât let go.
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Fandoms: Kamen Rider - All Media Types䝎é˘ăŠă¤ăăźăŹă´ | Kamen Rider Gavv (TV)
Relationship: Raage9 | Rakia Amarga/Nyelv Stomach
Published: 2026-02-10
Words:5,769
Chapters:1/1
https://archiveofourown.org/works/79225996
This is my first fic that I've posted for others to read. I'm nervous but trying to remind myself that what matters is I had fun writing it. Eddie was kind enough to make some art to go with the fic. -Damien
broken up Buck and Tommy in the same vehicle for some reason and they get stuck in unexpected traffic - which lengthens their expected 10 minute commute to almost an hour due to roadblocks and detours. they go through various emotions both unspoken and in words. questions get answers but also arise new questions, no closure and no way forward due to perceived or unknown lies and continued miscommunication.
are there any forced proximity trope fics u could rec for me please? preferably ones that take place after season 2 but iâm really not fussy either way :)
i tried searching for the forced proximity tag on this page but i couldnât find it so im really sorry if this has already been asked for!!!
thank u <33 much love to u all!
Hello! We have a #trapped together tag with a couple of posts, so check that. Here are some post-series two fics to add...
Nightingale's Lament by midnightdragons (G)
Crowley has to drive Aziraphale somewhere in the Bentley. They aren't talking.
The Bentley is not going to stand for that.
(Season 3 speculation. I love the forced proximity trope, and by Neilâs âthey arenât talkingâ, it seems that that may be where weâre headed. And so I raise to you, a thought I had while driving and pulled over to write out.)
Confession Box Revelations by sentientsky (T)
After Aziraphale returns from Heaven, tensions run high. Sick of their unspoken angst and desperate to get them to actually TALK to one another, Maggie and Nina lock Crowley and his angel (ex??) husband in the record shop's office. Both of them forget that they're supernatural entities who could just miracle the door open.
waiting for something to fall from the sky by findmebythemilkyway (G)
âDown, you need to go down,â Crowley growls, one hand on the D button. âDo you know what down is? Itâs â itâs fucking down!â
The elevator stills, shakes one last time like a dog after leaving water and its doors practically throw themselves open. An even brighter landscape greets Crowley. Heaven.
âAre you shitting me?â Crowley grumbles and proceeds to return his attention to the treacherous D button.
âHold the elevator!â a familiar voice exclaims from the outside. âI wonât be a moment, please!â
Crowley freezes. This canât be happening.
Or, Crowley uses the elevator to go to Hell. The faulty thing sends him Upstairs instead, just as Aziraphale needs to use its services.
7 minutes in heaven by waddlesthejoghog (T)
"If Crowley and Aziraphale couldnât figure it out, Muriel would have to take a different approach. It wasnât enough to put them in the same location. They had to plant some seeds of conversation. They had to come to a conclusion naturally, but with a push."
OR
Muriel reads every book in the shop, then comes up with a plan to get Aziraphale and Crowley back together.