I think in its final arc and finale episode, Lower Decks proved it understood the appeal of Star Trek fandom ā as unique from Star Trek itself ā better than any show Iāve ever seen. By exemplifying that we will care about Garak and Bashir even if one of them is a hologram, we will laugh with the universe where Harry Kim got promoted, we will cheer TāPol talking to Curzon Dax after her 63-year marriage to Trip Tucker, we will adore a Lily Sloane with a very different mission from what we seen before, Lower Decks proved the value and appeal of transformational fandom in a way that very much felt like a love letter.
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(Something I like to keep in mind when we compare the two series, Andor and The Mandalorian.
At this point there are a lot of films, series, and other media about the Galaxy Far Far Away during the time of Palpatine. Written by a variety of people, with a variety of styles, sometimes for different audiences.
I like to think about how there are also a lot of really interesting films and other fiction set in Ancient Rome in the time of Julius Caesar and Augustus Caesar. And they vary wildly, from humorous approaches like Monty Python's Life Of Brian, to blockbusters like Gladiator, and so on.
In Episode 174, āThe Classification of Fandom,ā Flourish and Elizabeth break down some of the broad categories people use to define types of fans, starting with a foundational meta that proposed distinctions between āaffirmationalā and ātransformationalā fandom. Why do we create these categories, and are theyāor have they ever beenāmeaningful? They also welcome the first Fansplaining Fellow, Pepper Campbell, onto the podcast to introduce her upcoming research project: an ethnography of fans who use Discord for fandom activity.
Click through to our site to listen or read a full transcript!
My paper Affirmational and Transformational Values and Practices in the Tolkien Fanfiction Community is up in the Journal of Tolkien Research! It is an open-access journal, so anyone can read it for free.
Although I didnāt know it at the time, this article really started with my first forays into fan studies, particularly those focusing on fanfiction. My fan studies texts are littered with marginalia proclaiming things likeĀ āNot true in Tolkien fandom!ā andĀ āNot Tolkienfic!ā As a newcomer to fan studies, I assumed I was just missing the texts that described or were about us.
Years and many books later, I know that they donāt exist. Not in any significant sense. Tolkien-based fanfiction has been woefully understudied given its longevity and sustained popularity within the past two decades. The focus in fan studies has been toward media fandoms, yes, but even that doesnāt fully explain it. Harry Potter and Sherlockian fandoms--both of which have dominating bookverse communities--have received significant study and discussion. One cannot open a book on fanfiction--or even fandom that mentions fanfiction--and not see both discussed, whereas there are entire books on fanfiction that donāt even mention Tolkien-based fanfiction, with its six-decade history and 100,000+ fanfics.
(There has been scholarship done. I donāt want to sideline the scholars who have done this important work. There is a list of Tolkien fanfiction scholarship onĀ āTolkien Fanfictionā article on Fanlore.Ā But for the size and duration of the fandom, there has not been enoughĀ done, and most has been done by Tolkien studies--not fan/media studies--scholars. Like me, incidentally.)
Anyway, over the years of thinking about why my own experiences in a major mixed book-media fandom donāt match with so much of what I read in the scholarship, I was led to obsession_incās affirmational/transformational theory about fandom. (Affirmational fandom tends to centralize canon and the original creatorās authority, while transformational fandom locates authority in the fan to manipulate and interpret texts according to their own interests, needs, and experiences.) And it started to click. This idea that fanworks are mostly transformational, which was being picked up and amplified in the scholarship also (or being discussed in similar terms, though not necessarily referencing obsession_incās ideas), simply was not my experience. Tolkien-based fanfiction relies significantly on affirmational fandom values and practices as well. With this, I set out to see if the evidence supported my ideas.
This paper uses data from my Tolkien Fan Fiction Survey, as well as primary fan history sources and Tolkien fan studies scholarship, to make the case that affirmational and transformational fannish elements exist in a much more balanced--if complicated--relationship for Tolkien-based fanfic than a lot of the fan studies scholarship asserts. Negotiating affirmational and transformational values shapes not only individual fanworks but the communities Tolkien fanfic writers have built, and it is far from a binary. Individual authors, as well as communities, may display affirmational values in one area and transformational in another in ways that, even after fifteen years in this fandom, still surprised me to discover.
The Official Abstract(tm) is posted below the jump. And hereās the link to the article, one more time. :)
Fanfiction based on the legendarium of J.R.R. Tolkien has existed for at least six decades and has been, within the past two, one of the most consistently active online fanfiction communities. Despite this, the fandom has been relatively unstudied by fan studies scholars. This paper considers how Tolkien-based fanfiction corroborates and complicates current theories of fanfiction, focusing especially on a theory proposed by obsession_inc that proposes two types of fandoms: affirmational and transformational. Current thought places fanfiction at the transformational end of the continuum. Using quantitative survey data of authors and readers of Tolkien-based fanfiction, this paper offers evidence that Tolkien-based fanfiction contains significant affirmational components that are an intentional and valued part of many Tolkien fanfiction communities. Authors and readers regard authority, critical functions of fanfiction, and reparative purposes for fanfiction differently than the more commonly studied media fandoms. Yet one cannot say simply that authors of Tolkien-based fanfiction are more affirmational than other fanwriters; instead, evidence shows that authors and readers of Tolkien-based fanfiction navigate transformational and affirmational elements in complex ways, and community cultures often center upon membersā values and practices.
Thought: I have not seen or read Ready Player One, but it seems to me from what I have heard that it and the Magicians (which I am in the middle of season 3) are mirrors of each other in how they present fandom. Ready Player One is curational fandom and The Magicians is transformative fandom. You have to know the fandom in the Magicians but you also recognize the parts that arenāt great and seek to fix them. Thatās part of Quentinās journey in the first season. He realizes that itās not enough to know everything. You have to look for the holes and thatās part of appreciating the text. In Season 3, they are all confronting the way the story has been framed and how a different frame can change how you see it.
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Colin Sallow is a character I created sometime ago but he also came from a dream, he could be seen as the Dio Brando of the story (yellow clothing and knife-throwing antagonist who stops time), eveā¦