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The Art of Being Self-Aware
Let’s say you’re writing a horror story set in what’s meant to be the real world—that’s a world where horror stories exist, right? So it stands to reason that your characters might have seen some of these horror movies or shows. As a storyteller you have to make the choice whether to have your characters say, upon walking into an abandoned abattoir full of meat hooks, “Hey, this is the kind of place where people usually get horribly murdered in horror stories!” And once you’ve done that, you need to make the choice to either fulfil the expectation that a knowing audience will have, or not to fulfil it, thus demonstrating the story’s awareness of the genre it exists in and playing with the tropes you, your characters, and the audience know are going to come up. It’s a multi-layered delightful mess, and is sometimes done better than others.
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