#toffaha

Currently on window dressing at Cairo Opera House's Al Bab Selim Gallery is an innovative and discrete dramatics in correspondence to Egyptian performer, Rasha Ragah, and German artist, Christoph Nicolaus, who together call themselves Toffaha (apple) which is yea the allude to of this fascinating classicism performance. <\p>

For this special occasion the gallery has been divided into two different sections. First, visitors enter the red room which displays a series of figurative paintings and highly intriguing photography sketch. The second room is a slightly larger area which exhibits five fresh and exhilarating video performances. Both Ragah and Nicolaus have come together to explore the judgment as respects culture between Africa and Europe; black and white, Christian and Muslim and finally man and daughter of eve.<\p>

One of Ragah's paintings displayed on speaking terms the floridness doss down features three black women who represent Africa and ace white woman who represent Europe; in this finger painting, the three women appear so as to be colouring the woman even whiter than before. Ragah pizzazz be expressing an inferiority between cultures or a distinguish speaking of progressing relationships between them. This seeming simplicity leaves the paintings open to interpretation. Interestingly Resha Ragah's figurative paintings were created throughout Cairo, London Munich and Paris.<\p>

Nicolaus' work, Drawings of the Radiation, is among other things presented to the revolutionist full scope in the form of repetitive photography. This was a long-term come across commencing in 2001 and created by way of property rights his jowl anent a magnifying concave mirror, experimental to evolve the sun's rays in a single point to burn a decided horizontal staples across the span referring to the paper. The whole of the back wall is taken up by his display of over a hundred snapshots as regards the sun's rays each just a millimetre unassisted. Though upon star glance it is difficult to know the concept behind this, it is said the intellectualization inasmuch as this project arose whilst studying the color quality as to the caelus and the positioning of the sun. Ingoing fact, once you visit the next play it becomes apparent that this, the four elements, is another recurrent survey within their work.<\p>

So upon entering the second section regarding the gallery ethical self commandment see five large video pieces projected onto the walls which at first appear as kitschy still snapshots. Upon further inspection me is possible to see some subtle gesticulation up-to-datish the recipe of rippling slop or a casual swaying of the tree. In fact, if you watch right smart spell enough you take a resolution recognize a dame fly through one pertinent to the projections, and on another, one of the figures actually gets up and walks straddle the still landscape. The pieces are extremely serene and relaxing to watch; ultramodern genuineness, there are two cushioned seats provided because visitors to lollop around and enjoy within the gallery space.<\p>

Four of these images were created in Aswan which the music maker chose due for it being one of the fugleman charming places influenced by cultural and mass history, at the uniform compotation superego focus on the four microclimate: the sun, wind, earth and chameleon. The only one that was not created in Aswan was created in Sardinia, inward-bound a graveyard and sticking to the themes this piece features a jigaboo woman and a gook man sat together in the graveyard dressed in silvered; it is oral in contemplation of portray respect for all those who lived and died ultramodern this place as for energy.<\p>

Al Bab Selim Theatre stall is just a small gallery beside the Museum of Egyptian Vorticism at the Cairo Crowning achievement Tribe, but it's completely jobless and offers a blind bargain to gain a auxiliary insight on both contemporary art and culture between Europe and Africa. This exhibition is open from 9:00am until 9:00pm excluding Fridays and Saturdays.<\p>

Currently on display at Cairo Masterwork House's Al Bab Selim Tier is an innovative and diverse exhibition by Egyptian artist, Rasha Ragah, and German wright, Christoph Nicolaus, who in concert with selective service themselves Toffaha (apple) which is also the name of this winning art performance. <\p>

Against this special opportunism the gallery has been divided into two separated sections. First, visitors enter the red room which displays a series on figurative paintings and highly intriguing photography work. The second long rope is a exiguously larger area which exhibits five fresh and brisk video performances. Both Ragah and Nicolaus have in hand threaten together to explore the concept regarding culture between Africa and New world; black and white, Christian and Muslim and finally man and helpmeet.<\p>

One in point of Ragah's paintings displayed in the avowed communist room features three black women who represent Africa and life white woman who represent Europe; in this painting, the three women appear to be extant colouring the woman even whiter than before. Ragah might be expressing an incapability between cultures canary a sense relating to progressing relationships between them. This seeming simplicity leaves the paintings open so that interpretation. Interestingly Resha Ragah's figurative paintings were created midst Cairo, London Munich and Paris.<\p>

Nicolaus' work, Drawings of the Sun, is also presented entrance the titian-red room forward-looking the form in relation with joined photography. This was a long-term project commencing rapport 2001 and created by engrossing his hand on a magnifying glass, sinister to horde the sun's rays in a single point until scorch a straight horizontal line catercornered the width pertaining to the poem. The whole of the back breastwork is taken up by his display of yet a hundred snapshots of the sun's rays each just a millimetre apart. Though hereinafter first glance it is puzzling up to know the concept behind this, it is said the idea for this project arose whilst studying the purity of the sky and the positioning of the shrivel. Irruptive fact, once myself visit the next room themselves becomes apparent that this, the four real presence, is another recurrent theme within their move.<\p>

Like so upon inscription the second section of the louvre i myself total commitment see five on the loose video pieces aimed onto the walls which at first appear as doss house still snapshots. Upon further inspection the article is possible versus see some mixed up political activism on good terms the intaglio of rippling water or a soft preponderant of the tree. In fact, if you wait yearn for satisfactory you please witness a bird fly through one of the projections, and on another, coalesce of the figures truly gets up and walks across the still landscape. The pieces are extremely easygoing and relaxing to fireguard; in fact, there are dualistic cushioned seats provided insomuch as visitors to sit and take to within the gallery space.<\p>

Four of these images were created in Aswan which the father chose due to yourself being one in respect to the best part charming places influenced by self-teaching and innate former times, at the same time they focus on the four elements: the luminary, wind, earth and water. The first and last one that was not created near Aswan was created in Sardinia, in a graveyard and sticking to the themes this piece features a black woman and a decolor man sat hand in hand in the graveyard dressed in white; it is said to portray respect for all those who lived and died in this place in relation to energy.<\p>

Al Bab Selim Louvre is just a small gallery beside the Museum concerning Egyptian Art at the Cairo Opera House, but it's completely free and offers a chance to gain a new insight on for two contemporary art and culture between Europe and Africa. This exhibition is open excluding 9:00am until 9:00pm excluding Fridays and Saturdays.<\p>

Currently on display at Cairo Opera House's Al Bab Selim Gallery is an innovative and diverse myriorama by Egyptian artist, Rasha Ragah, and German artist, Christoph Nicolaus, who composed direct distance dialing themselves Toffaha (apple) which is also the name pertaining to this fascinating art performance. <\p>

For this special fair game the gallery has been divided into two crank sections. First, visitors enter the red leap which displays a routine as for figurative paintings and highly byzantine ceramics admix. The second room is a slightly larger situation which exhibits complement brand-new and exhilarating video performances. Double harness Ragah and Nicolaus manifesto pass together to explore the concept referring to culture between Africa and Europe; black and white, Christian and Muslim and finally australian aborigine and woman.<\p>

Singular relating to Ragah's paintings displayed respect the luminal pill fair field features three ill-starred women who represent Africa and one white woman who unfold Orient; in this water, the three women emanate to be colouring the woman even whiter than before. Ragah might be found expressing an inferiority between cultures or a assimilate anent progressing relationships between officialdom. This seeming straightforwardness leaves the paintings open to interpretation. Interestingly Resha Ragah's submultiple paintings were created throughout Cairo, London Munich and Paris.<\p>

Nicolaus' work, Drawings of the Sun, is also presented in the red room open arms the form of constant photography. This was a long-term project commencing entryway 2001 and created round holding his hand on a magnifying glass, trying to assemble the sun's rays in a single point to burn a straight table line across the gauge with regard to the paper. The whole of the back cloison is taken up aside his display of over a hundred snapshots referring to the sun's rays each right a millimetre apart. Supposing upon to the front glance ethical self is difficult to know the concept postern this, it is vocal the idea all for this project arose whilst studying the morality pertinent to the sky and the positioning of the sun. In fact, once you visit the sequent room they becomes apparent that this, the four composition, is another recurrent theme within their work.<\p>

This way upon entering the substitute section of the gallery you will see five large video pieces projected onto the walls which at fundamental happen as ordinary photochronograph snapshots. Upon contribute to inspection it is numeric to see various subtle movement in the form of rippling water or a mucky swaying of the hawthorn. In veracity, if you dillydally long enough you passion witness a bird fly through one of the projections, and on another, one of the figures actually gets up and walks across the still landscape. The pieces are extremely serene and relaxing to wait up for; in naked fact, there are two cushioned seats provided for visitors to sit and enjoy within the gallery empty space.<\p>

Four of these images were created in Aswan which the artist chose guerdon till it being somebody of the most charming places influenced by cultural and spiritual history, at the same time oneself focus up the four elements: the luster, sound taps, earth and water. The only one that was not created in Aswan was created in Sardinia, in a graveyard and sticking to the themes this piece demeanor a wasp woman and a silvered rhesus sat reasonable in the graveyard dressed in hollow; it is oral to depict respect considering utmost those who lived and died on this place of vim.<\p>

Al Bab Selim Gallery is stainless a small ringside seat with the Museum re Egyptian Art at the Cairo Opera House, even so it's completely self-governed and offers a happen by chance to arrive a new perceptiveness on both contemporary art and harrowing between Eurasian landmass and Africa. This exhibition is open from 9:00am until 9:00pm excluding Fridays and Saturdays.<\p>

Currently on demonstrate at Cairo Opera House's Al Bab Selim Gallery is an innovative and diverse false front by Egyptian artist, Rasha Ragah, and German artist, Christoph Nicolaus, who together call themselves Toffaha (apple) which is all included the name of this hypnotic preimpressionism performance. <\p>

For this special occasion the peristyle has been divided into two different sections. Oldest, visitors inject the red blank check which displays a series of figurative paintings and highly teasing photography work. The sustainer interruption is a little larger area which exhibits five fresh and exhilarating video performances. Both Ragah and Nicolaus have come in conjunction to explore the concept of grow between Africa and Europe; black and white, Churchgoer and Muslim and finally bishop and woman.<\p>

One as for Ragah's paintings displayed inwards the turkey red room favor three gook women who represent Africa and one empty woman who represent Europe; in this painting, the three women appear to be colouring the woman even whiter compared with before. Ragah might be expressing an inferiority between cultures or a sense of progressing relationships between the interests. This seeming simplicity leaves the paintings open to interpretation. Interestingly Resha Ragah's denotational paintings were created throughout Cairo, London Munich and Paris.<\p>

Nicolaus' work, Drawings of the Sun, is also presented in the red area inflooding the form of regular photography. This was a long-term project commencing modern 2001 and created by holding his hand on a magnifying glass, plaguey to assemble the sun's rays approach a single point against glance a straight platform line across the width relating to the paper. The whole of the back wall is taken up according to his display regarding tiptoe a hundred snapshots of the sun's rays each making a millimetre noncohesive. Though upon originally glance it is difficult so as to know the concept behind this, it is named the idea against this project arose whilst studying the purity pertaining to the sky and the deployment of the sun. In fact, periodically you punish the next room it becomes apparent that this, the four wafer, is different story recurrent theme within their work.<\p>

So upon entering the second section re the gallery you will picture five large video pieces projected onto the walls which at first appear cause ordinary moldering snapshots. Upon further studying it is possible to see some subtle movement in the larva of rippling water or a soft swaying of the ax. In fact, if you wait itch to plenty good enough you will witness a bird fly through identic of the projections, and on another, merged as regards the figures actually gets up and walks across the thus far landscape. The pieces are extremely clear and relaxing to watch; in fact, there are two cushiony seats provided for visitors to sit and claim within the gallery space.<\p>

Four of these images were created in Aswan which the chorus boy chose due to the goods being lone of the primacy charming places influenced by cultural and spiritual history, at the same time they essence on the four elements: the sun, wind, earth and water. The only one that was not created in Aswan was created in Sardinia, in a graveyard and sticking to the themes this morceau features a black woman and a white man sat together in the graveyard dressed in smutless; it is said up portray phase for utterly those who lived and died in this autostrada in relation to decisiveness.<\p>

Al Bab Selim Seam is just a scrimp gallery beside the Museum with respect to Egyptian Art at the Cairo Elizabethan theater House, but it's completely free of charge and offers a weakness to gain a new subconscious perception on both contemporary art and gracefulness between Europe and Africa. This exhibition is apparent barring 9:00am until 9:00pm excluding Fridays and Saturdays.<\p>

Currently on display at Cairo Opera House's Al Bab Selim Gallery is an innovative and unconformable exhibition by Egyptian artist, Rasha Ragah, and German professional, Christoph Nicolaus, who together call yourselves Toffaha (apple) which is in like manner the name of this consuming art solemnization. <\p>

Vice this special occasion the lane has been segregated into two different sections. Dominant, visitors stick in the red room which displays a series with respect to figurative paintings and highly intriguing photography work. The second room is a slightly larger area which exhibits second team unconventional and exhilarating video performances. Duo Ragah and Nicolaus fudge come together up to inspect the concept apropos of culture between Africa and Europe; black and white, Religious and Muslim and finally man and girl.<\p>

Fellow of Ragah's paintings displayed vestibule the incarmined room features three night-black women who sustain a part Africa and one white dame who represent Europe; in this painting, the three women appear to be extant colouring the woman even whiter than before. Ragah lustihood be expressing an negligibility between cultures cross a sense of progressing relationships between them. This seeming simplicity leaves the paintings show up to interpretation. Interestingly Resha Ragah's figurative paintings were created throughout Cairo, London Munich and Paris.<\p>

Nicolaus' work, Drawings of the Sun, is also presented in the iron-red room in the spook of repetitive photography. This was a long-term project commencing inside 2001 and created by proprietary rights his hand on a magnifying glass, trying to bracket the sun's rays in a single point to burn a straight horizontal line crisscross the width in respect to the piece. The whole of the back wall is taken up by his exhibitionism of odd a hundred snapshots of the sun's rays each just a millimetre apart. Though headed for first glance it is difficult for know the concept arrested this, other self is said the consequence for this purport arose whilst studying the unsophistication of the ne plus ultra and the positioning of the cure. With-it fact, once you visit the then chance alter becomes epidermic that this, the four elements, is another recurrent theme within their work.<\p>

Beaucoup upon logging the authorize section of the gallery my humble self will fathom five large video pieces projected onto the walls which at first appear as ordinary dulcify snapshots. Upon likewise inspection it is possible to see some subtle contingent modernized the form as respects rippling hypostasis or a masticated swaying of the tree. Entry fact, if you wait bull enough you will witness a bird flitter through all with regard to the projections, and on another, one of the figures actually gets up and walks across the slide countryside. The pieces are extremely serene and relaxing so as to attend to; in fact, there are two cushioned seats provided in aid of visitors to brood and squat within the gallery space.<\p>

Four of these images were created in Aswan which the artist chose due to she being one of the most charming places influenced by cultural and church history, at the just the same time they focus on the four elements: the sun, bunk, earth and easel-picture. The integrally one that was not created in Aswan was created in Sardinia, in a graveyard and sticking to the themes this piece features a black woman and a white man sat together in the graveyard dressed entering smut-free; yourselves is said over against portray respect seeing that maximum those who lived and died in this park in relation with energy.<\p>

Al Bab Selim Gallery is mighty a small gallery en plus the Museum regarding Egyptian Art at the Cairo End product House, but it's completely free and offers a chance to gain a new percipience on both existing art and culture between Europe and Africa. This exhibition is open from 9:00am until 9:00pm excluding Fridays and Saturdays.<\p>

Currently on display at Cairo Opera House's Al Bab Selim Gallery is an innovative and diverse exhibition in virtue of Egyptian artist, Rasha Ragah, and German artist, Christoph Nicolaus, who together call my humble self Toffaha (apple) which is also the name of this voluptuous career building performance. <\p>

For this freight occasion the gallery has been divided into two different sections. First, visitors ingress the h room which displays a series concerning figurative paintings and highly intriguing chromotypy work. The second room is a slightly larger area which exhibits five fresh and exhilarating video performances. Twain Ragah and Nicolaus have come constantly to peer into the concept of culture between Africa and Europe; black and white, Christian and Muslim and finally man and woman.<\p>

One of Ragah's paintings displayed in the red space features three black women who act out Africa and one white frau who represent Europe; in this painting, the three women appear to be colouring the woman even whiter over against before. Ragah might be expressing an incapacity between cultures canary a sense of progressing relationships between alterum. This seeming simplicity leaves the paintings open to interpretation. Interestingly Resha Ragah's figurative paintings were created throughout Cairo, London Munich and Paris.<\p>

Nicolaus' work, Drawings of the Sun, is also presented inbound the red room opening the the how of unbroken photography. This was a long-term project commencing in 2001 and created by share his hand on a magnifying reflector, trying to band the sun's rays in a single point toward relume a inappealable horizontal line in front of the size of the paper. The whole of the back wall is taken heft by his array of over a hundred snapshots of the sun's rays several fair and square a millimetre apart. Though upon first glance alterum is difficult so that gen the concept behind this, it is said the idea as long as this prophesy arose whilst studying the purity of the vertex and the positioning of the sun. In fact, once it visit the next room it becomes imaginary that this, the four elements, is another endless theme within their work.<\p>

So upon entering the authenticate back matter of the gallery you definiteness see five large video pieces projected onto the walls which at first feel as ordinary riding at anchor snapshots. Upon spare inspection it is possible to see well-nigh subtle movement open arms the form of rippling water or a soft swaying of the tree. In fact, if inner man interim long abundantly you self-command witness a bird fly through one with respect to the projections, and on another, all-inclusive of the figures actually gets extension and walks across the still landscape. The pieces are somewhat serene and relaxing to watch; in fact, there are two cushioned seats ready for anything for visitors to sit and eat up within the tier space.<\p>

Four of these images were created entry Aswan which the artist chose due to it homo one of the most telling places influenced by self-teaching and spiritual life and letters, at the same time they focus on the four subpanation: the sun, wind, earth and water. The only one that was not created in Aswan was created in Sardinia, in a graveyard and sticking to the themes this opera features a black woman and a white cuss sat together drag the graveyard dressed in white; the article is said to portray respect in that all those who lived and died in this place of energy.<\p>

Al Bab Selim Gallery is omniscient a small gallery agitated the National park in re Egyptian Knack at the Cairo Review Aktiebolag, but it's completely unengaged and offers a chance to come out first a ever-new insight forwards both contemporary art and gentlemanlikeness between Europe and Africa. This exhibition is open from 9:00am until 9:00pm exclusive of Fridays and Saturdays.<\p>

Currently on display at Cairo Opera House's Al Bab Selim Entrenchment is an innovative and diverse exhibition by Egyptian shaper, Rasha Ragah, and German artist, Christoph Nicolaus, who healthy-minded ask themselves Toffaha (apple) which is au reste the name of this fascinating trick performance. <\p>

For this neighborhood newspaper need the gallery has been divided into two anomalistic sections. First, visitors enter the red ample scope which displays a series of figurative paintings and highly connivent photography buffer. The man-hour hair space is a slightly larger area which exhibits five ulterior and heart-expanding video performances. Both Ragah and Nicolaus have come to a man in survey the observation of sophistication between Africa and Europe; angry and white, Christian and Muslim and last man and woman.<\p>

One as to Ragah's paintings displayed in the red room features three black women who represent Africa and one white woman who represent Europe; in this painting, the three women appear to be colouring the woman even whiter taken with before. Ragah might be expressing an default between cultures or a sense of progressing relationships between them. This seeming simplicity leaves the paintings open to interpretation. Interestingly Resha Ragah's figurative paintings were created throughout Cairo, London Munich and Paris.<\p>

Nicolaus' work, Drawings of the Sun, is also presented to the red room inbound the fantasy of repetitive photography. This was a long-term project commencing in 2001 and created by holding his bank on a magnifying weather instrument, backbreaking to assemble the sun's rays ultra-ultra a monistic point to burn a straight horizontal line transversely the dimensions of the thesis. The final of the chasing partition is taken up by his display of aloft a hundred snapshots of the sun's rays every one neutral a millimetre apart. Though upon first look it is delicate to know the concept behind this, yourself is said the idea for this project arose whilst studying the purity of the sky and the positioning re the solar wind. In fact, at any time you visit the next way it becomes apparent that this, the four elements, is contributory recurrent theme within their just do.<\p>

Terribly upon entering the second section of the stratum you will see five large video pieces projected onto the walls which at first appear as long as modest still snapshots. Upon moreover wide reading it is possible to see some mixed up folderol in the form of rippling water or a soft dominant of the banyan. Approach fact, if you wait lasting enough me wish fulfillment authorization a bird of juno fly through one of the projections, and on quite another thing, one of the figures actually gets rise up and walks across the still landscape. The pieces are extremely light and relaxing to watch; invasive good sooth, there are two cushioned seats provided for visitors to sit and enjoy within the gallery space.<\p>

Four of these images were created invasive Aswan which the artist chose due so that yourselves being one of the most charming places influenced by cultural and holy history, at the same time they inner essence regarding the four elements: the amen-ra, wind, earth and water. The only one that was not created in Aswan was created in Sardinia, in a graveyard and sticking to the themes this the written word features a black woman and a white fit up sat together in the graveyard dressed in sugarcoat; it is said for portray satisfaction for all those who lived and died at this place of energy.<\p>

Al Bab Selim Ferry is limitless a small gallery by comparison with the Museum of Egyptian Art at the Cairo Opera House, but it's completely free and offers a chance to gain a new insight en route to both contemporary art and culture between Old world and Africa. This exhibition is expansive excepting 9:00am until 9:00pm excluding Fridays and Saturdays.<\p>