#to.research

https://duckduckgo.com/?q=brassai+language+of+the+wall&t=osx&iax=1&ia=images&iai=http%3A%2F%2Fmedia-cache-ak0.pinimg.com%2F736x%2Ff6%2F39%2Fd8%2Ff639d87d1bdd306437665f246b03224f.jpg

http://www.thedailybeast.com/articles/2016/08/22/the-strange-saga-of-jt-leroy-inside-the-greatest-literary-hoax-of-the-20th-century.html

http://untappedcities.com/2012/11/20/photography-walker-evans-subway-portraits/

http://www.beatstreuli.com/ikon-birmingham.html

http://grinch.lofter.com/post/f6086_bd8a063

https://books.google.com.au/books?id=uNhGAgAAQBAJ&printsec=frontcover&redir_esc=y&hl=en#v=onepage&q&f=false

https://translate.google.com/translate?hl=en&sl=zh-CN&u=http://grinch.lofter.com/&prev=search

Pearce suggests that Ern Malley affair ("Fact and fiction, history and lies could be happy bedmates in the current modernist climate." — p. 31) was a leading factor to the Ned Kelly series << that super-duper excites me.

"Nolan told Brian Adams's that during the Ern Malley affair he was taunted by someone who said, 'I suppose the next thing you'll do is paint Ned Kelly'" 

Nolan links the black square of Kelly's mask to Malevich, Max Ernst (but uses it principally as a formal device) p 32. Pearce then links it to Moholy-Nagy, the curved heads of Albert Tucker, and Joy Hester.