#tippett

Creepy Dragon I meant to finish before Halloween 😔

Happy Birthday, Mike!

@tippett-in-a-robe

07/31.

Recorded after Keith Tippett’s 50-piece orchestra project Centipede, Blueprint couldn’t make a stronger contrast. This scaled-down session would become the starting point for the pianist’s free improvisation career. His piano playing was still under a strong jazz influence and he had not started to use the instrument’s bowels yet. Bassist Roy Babbington and vocalist Julie Tippetts accompany him almost throughout. Percussionists Frank Perry and Keith Bailey occasionally join in, providing mostly chimes and cymbals. The session, supervised by Robert Fripp, opens with “Song,” a delicate jazzy number. With “Dance,” things get more serious. Tippetts provides a steady rhythm guitar motif while everything around her breaks loose. Some numbers like “Glimpse” and “Woodcut” play more on silence than sound, exploring very quiet realms. At these points, the music is completely freed from any jazz references.

“I’m home.”

Some doodles I did while on vacation.

Little redesign on a character of mine… of course I just had to add Chucky 😂