#tinyozlion pgw

1. The Daily Kingdom Newspaper

It's quite likely that this has already been done, but in the grand spirit of this blog, I have decided to take the path of highest effort for the stupidest reason, and transcribed this paper. This page of After Colony news, ostensibly from July 14th, A.C. 195, appears to be reporting on events that happened towards the end of World War II. It's apparently been a slow news day for the Sanc Kingdom press for several centuries. I found myself getting kind of wrapped up in the stories and was disappointed I couldn't turn the page and find out what happened next. (I mean, I know what happened next, broadly speaking.) Of particular interest were Henri and Camille Dreyfus, Swiss chemists who made a lot of innovations during both world wars. ...They were also apparently noted OZ supporters? Well, what can you expect from a big industrial supplier of*checks notes* acetyl intermediates.

2. The OZ doggy

Pictured below: Treize's well-heeled hunting pet

and a dog is there too *BA-DUM tsch!*

This spotty and behaved hound is a real breed of hunting dog, the German Short-haired Pointer, or GSP! Did you know this, dear reader? I did not know this. This is new Dog Lore to me.

from the wiki: "It is a pointer and retriever, an upland bird dog, and water dog. The GSP can be used for hunting larger and more dangerous game. It is an excellent swimmer but also works well in rough terrain. It is tenacious, tireless, hardy, and reliable. German Shorthaired Pointers are proficient with many different types of game and sport, including trailing, retrieving, and pointing pheasant, quail, grouse, waterfowl, raccoons, opossum, and even deer."

Seems like a perfect bird-hunting companion for Mr. Treize. She'll probably go retrieve the beautiful red phoenix he murdered. I've decided she's named Oscar (after the Rose of Versailles) and she is a very good girl. Braver Oscar! Braver Hund!

3. Luxembourg Castle

This is Treize's abandoned Disney castle in Luxembourg. I owe the background artists of this scene an apology, for in my heart I assumed this was a random assemblage of spare castle-parts they found at Ludwig II's rummage sale. Reader, I was wrong:

THIS is Schloss Viandin, a restored castle in Luxembourg. Look at this place, it's gorgeous! You can hardly tell there's a secret mobile suit bunker in the basement. Frankly, I'm jealous I'm not being confined there, Treize! Stop sulking in the catacombs and go relax in the pretty princess bed until you feel better. Gaze upon the signed picture of Patrick Swayze; let him inspire you.

4. Romefeller's Secret

This one comes to us from the Battlefield of Pacifists manga, which, I've learned, is pretty good actually. (I mean it's not GOOD good, but it contains some interesting stuff). Now, come: I am taking you with me on this journey:

I feel extremely vindicated knowing that there's semi-canonical support for my theory that the Romefeller aristobrats are Austrian. I knew it. I KNEW IT. According to this manga, Romefeller was officially founded in Vienna-- the wording is a little ambiguous in this translation, but if Romefeller had members joining it in 1862, then it had to have existed in some form since then-- which means that the "Glorious Year" of 1956 is something other than its founding date. So what exactly happened in 1956? As I am a hack and fraud, and have been one all my life, I have looked to wikipedia for guidance. Mostly what was happening was the Cold War, colonialism, uprisings, Elvis, research and debate over artificial intelligence, both the hard drive disk and the snooze-button alarm clock being invented, Japan joining the UN, and wait what's this--

COMPUTER, ENHANCE:

...My god...

It's all coming together.

Eurovision is a plot by Romefeller.

The evidence is all here. There is simply no other conclusion we can come to.

--For this, and many other reasons that are well beyond the scope of a fandom blog, you should probably boycott them.

I rest my case.

5. The Romefeller Coat of Arms

I'm no vexillologist, and my heraldic experience is limited to adoptable pixel dragons, but what I am is an insane person with too much time on their hands. And so, to the best of my ability, I have blazoned the Romefeller coat of arms:

Supporters: Two Unicorns Rampant 

Crown: Purpur Crown of Peerage or Lord of Parliament  

Escutcheon: Heater with Two Engrailed Wedge Top - party per pale (halved vertically)

Blazon: Sinister (Right): Argent, Bend Sinister Sanguine; Dexter (Left): Bleu Celeste, Charged with a Ringed (or Celtic) Cross Argent 

Motto Scroll: UPRTUN or UPRTVN

--I don't know what UPRTVN is meant to stand for, but there are truly SO many ways you could play Latin Mad Libs and get a reasonable-sounding answer. At a stab, knowing Romefeller's priorities and values, I would guess it probably contains a, you know, "Unity/Peace/Rule/Tradition/Victory/Necessity", "Unity Through The Rule of Tradition Is Our Victory", or some such deeply worrying thing. Take your pick really.

6. "Herbst" / "Autumn"

The Rilke poem Treize quotes in "Frozen Teardrop" is not terribly difficult to find online, but if you're not sure what you're looking for it can be difficult because he has multiple poems about Autumn, and Autumn Day is perhaps better known; also the internet is absolutely filthy riddled with despicable bots and farmed content that has lost its attributions, so you do have to dig to find where different translations have come from (bless this very Web 1.0 page for carrying on the lord's work in basic html). Here is the original in German, and two complimenting translations:

Herbst -Rainer Maria Rilke Die Blätter fallen, fallen wie von weit als welkten in den Himmeln ferne Gärten; sie fallen mit verneinender Gebärde. Und in den Nächten fällt die schwere Erde aus allen Sternen in die Einsamkeit. Wir alle fallen. Diese Hand da fällt. Und sieh dir andre an: es ist in allen. Und doch ist Einer, welcher dieses Fallen unendlich sanft in seinen Händen hält.

This translation by Horst A. Scholz (linked here so I don't get into trouble) is the most spare and one-to-one translation into English I've found-- I always appreciate having a comparison between the very literal meanings and a more creative reconstruction when I'm reading translated poetry.

Meanwhile on the other end of the spectrum, this translation by Robert Bly is very freeform and agnostic; for my own purposes, I think the use of "Space" instead of "Heaven" happens to fit nicely with the themes of Gundam:

By episode three, we’re introduced to the Tallgeese, a mobile suit that matches all the criteria for being the Big Damn Hero Machine that a protagonist would use: it’s ancient, it’s got a history, it’s the progenitor suit, it’s got no bells or whistles, it demands great strength and skill from the pilot but offers unmatched performance to those who can overcome its challenges. It’s the perfect suit for Zechs, and obviously the next step in his hero’s journey! This is the part of the story where he can finally meet the terrifying, so-far unbeatable enemy on equal footing. 

...But of course, OZ is also introduced in episode 3. So now we know that Zechs works for some faceless, secret military organization– but that’s fine, right? It’s the Alliance military that’s the Big Bad Guy, and Zechs seems to be part of some elite special unit that’s only for brave, self-sacrificing soldiers! OZ hasn’t done anything really bad yet, while on the other hand, the Gundam pilots have been a bunch of mercilessly violent loose cannons who’ll kill anyone who gets in their way.

In episode four, we meet Noin, an immediately likable and equally skilled OZ officer who has a deep personal connection with Zechs. Already this is a power couple we can get behind. We watch as Noin suffers a humiliating defeat and a barrage of misogyny from a Gundam pilot, who kills a bunch of young recruits in their sleep. Definitely not a good look for the Gundam Team! while Zechs and Noin (and Treize, in a more literal sense) come out of this episode smelling like roses. 

Just look at them! They’re going to make such a great team. I hope they give those homicidal Gundam kids what for!

It’s only when episode five rolls around that we finally see what OZ is really about: assassinations, covert schemes, foul play, political manipulation, and the ruthless accumulation of power. Uh oh! 

But surely, Lady Une is the real baddy here, and Treize is no more than a shadowy puppet master whose true motives remain mysterious. Zechs and Noin are still such obvious Good Guy candidates, they really ought to be the main protagonists of this show by now! The big scary OZ that the Colony rebels warned us about seems a far cry from the OZ we’ve seen so far. Even after the point where OZ becomes the new uncontested Bad Guy, Zechs and co. keep their noses pretty clean.

And then! Then Zechs reveals his tragic past, his double-identity, his secret Count of Monte Cristo/ Man in the Iron Mask plot to avenge the ruin of the Sanc Kingdom and the deaths of his family, the noble house of Peacecraft! How romantic, how dashing! His quest continues to best the Gundams, but this takes on the hue of personal enlightenment; Zechs wants to defeat the Gundam pilots to prove he is capable of being a “True Soldier”, worthy of the power he’s been given, worthy of what has been sacrificed to his cause. 

Boy, that’s some hero behavior! And it gets even better: Zechs and Noin leave OZ to begin championing the Sanc Kingdom and its policies of Total Pacifism. No one can say Zechs isn’t one of the good guys now, right? He even dresses up all spiffy in white and becomes an ambassador to promote peace in the colonies! 

–Or rather, he tries to. 

Because despite having gained a reporte with a few of the Gundam pilots, he still hasn’t managed to ally with them. They still view him as an enemy, no matter how hard or how desperately he tries to convince them that he’s turned over a new leaf. 

He can’t beat them, and he can’t join them. Why?

Pictured: the saddest boys in the universe.

The second act of Gundam Wing is a crucible where every character is forced to re-evaluate their place in the ongoing conflict. You can see and feel his frustration building as the future spirals out of control. 

What is the purpose of Zechs Merquise, or of Milliardo Peacecraft?

He has refused to be OZ’s mascot, the Lightning Count. He’s not capable of bringing peace to the colonies by himself. He can’t join the Gundams in their fight against OZ. He can’t even protect the Sanc Kingdom, because the very act of fighting in its name is used as an excuse to wipe it out. 

He bids a heartfelt adieu to his Big Damn Hero Machine, the Tallgeese, and finds himself in possession of its polar opposite: the Epyon, a machine made to scour its pilot and the world of hypocrisy. 

Finally, Zechs has his answer– the reason why his purpose eludes him, why all his best intentions go astray, why the harder he tries to align his moral compass to the Gundam pilots or embrace his pacifistic inheritance, the more lost he becomes: He is not the hero. 

He has been trying and failing to be a hero since episode one because this isn’t a story about noble, heroic, chivalrous warriors doing battle in order to gain personal clarity and strength.

It’s not about man-vs-man conflict resolving in a test of skill. If it were, Zechs would have been victorious and completed his hero’s journey by now, and the show would be over. 

But that was never the role he was meant to play. That’s not what the stage requires. The third act begins as he accepts a new mantle, and becomes the villain history needs in that moment to bring everything together.

“Zechs considers this place his grave. [...]He intends to pay for the sin of purging humanity, all by himself.”

–Not to purge humanity of “violent earthlings”, as his White Fang propaganda speech stated, but to purge the current generation of the means to wage mechanized warfare, and of the desire for combat and retribution itself, in order to finally bring the cycle of war between the earth and space to an end. 

…But of course, nothing ever really ends, does it? History dances forward, with or without you, and all the sacrifices and fail-safes in the world will not stop new challenges from arising. 

Nevertheless, if it is possible to choose, by means of noble principle, to be a villain for the sake of the greater good, in the full assurance of one’s own destruction and revilement, then surely that is also in some winding, definitionally tragic way, a path to heroism– and if this is so, then Zechs is strong (and disillusioned) enough to take it. 

I do not think that the series supports the idea that his actions or their consequences are justified– only that they achieve their immediate purpose: setting the stage for peace. For now.

...And Now, An Important Note on Gundam Meta:

Zechs is what is referred to in the parlance of the Gundam fandom as a “Char Archetype”, or “Char Clone”-- a term I think is of debatable accuracy. For a longer discussion on Char Aznable and his role in MS Gundam, please see the entry: The Char Aznable Problem.  But I want to make it clear that knowing about Char’s backstory IS NOT a necessary prerequisite to understanding Zechs’s story. 

Zechs and Char share a lot of DNA as characters, that’s unavoidable– a masked man in red who poses a threat to the main Gundam pilot is a staple of the genre; he’s deliberately an homage to Char, as much an expected feature of a Gundam series as... well, Gundams. That much is not in question. 

However: Char’s motivations only make sense in the context of the original Gundam series; if you try to apply the same logic within the structure of Gundam Wing, it becomes gibberish. But the gibberish is by design– If you don’t understand the context behind Zech’s late-series genocidal spiel on why “earthlings are the ultimate threat to peace so we must destroy earth, the source of all conflict yadda-yadda blah-blah”, then… yeah, you’re up to speed. No one else listening to White Fang’s broadcast understood it either. It’s MEANT to sound like the ramblings of an extremist madman who poses a catastrophic and unavoidable threat to both Earth AND the Space Colonies he claims to represent. That’s the basic nature of his Ozymandius Gambit: invent something scary enough that everyone has to band together to fight it.

So you don’t need to know about Char to understand Zechs– but knowing about Char does make Zech’s role (and Treize’s role!) in Gundam Wing that much more interesting.

Zechs is not a Char Clone, he is a conversation with the idea of Char, taking a theme and transposing it into a new composition.

--Anyway, it’s a little unfair to try and force a comparison between Zechs and Char, when Char had MS Gundam, Zeta Gundam, and Char’s Counterattack to do everything he did, and Zechs only had Wing. 

Now, I’m not a mathematician or anything, but I’d say that makes Zechs roughly…

Three times faster.

Where did Epyon come from, in the mind of its creator? Everything we see of Treize forms a cohesive aesthetic: Roses, swords, romanticized old-world decadence, heroic motifs, gold, blue, white, red. Where did this thorny, tyrian-purple chimera live in him? Shouldn’t we have seen it lurking somewhere? Or does it seem to come out of nowhere precisely because he designed it to be his antithesis? 

Whether or not “Frozen Teardrop”, the novelized sequel to Gundam Wing, can be considered canon is a source of contention amongst many fans, but looking at it purely as a way to judge script-writer Katsuyuki Sumizawa’s intentions when he wrote the series, I find many parts of it to be informative. 

To paraphrase the fan-translation, it states that Treize found blue and white to be emblematic of heroism, colors associated with victory, and so their complementary opposites, black and red, could be seen as the colors of the defeated, associated with loss. For Treize, defeat and loss are tied inexorably to his vision of the future: “it was the defeated who changed the era and began the next”, as it says in the novel. 

Epyon is meant to negate the ideal of the conquering hero, the counter for a world beset by victorious cowards who command legions of dolls to do their killing and dying for them. As Treize designed it, Epyon has no projectile weapons; it is a suit purely for one-on-one combat, a suit that demands you risk everything when you fight.

No surprise then, that he gives it to the first Gundam pilot he meets– remarkably, the one whose self detonation caused everyone in his orbit to question their involvement in the war-- though one gets the feeling that any of the pilots would do. Treize hopes that Heero will use the Epyon to navigate the chaos to find the true purpose he is fighting for, and determine what course the future will take. 

But Heero has never been concerned with this sort of navel-gazing, and has no interest in discovering whether or not battle itself has a grander purpose or ultimate meaning. He fights the enemy in front of him and will continue to do so until either his life, or the supply of enemies, runs out. Heero does not overthink the future; he does not dwell on consequences. Treize does nothing BUT overthink the future and consider the fractal spread of consequences. They are mutually incomprehensible to each other, but perhaps not at cross purposes. 

Heero enters the cockpit convinced that he is expendable and redundant, that his only goal is to survive. When he returns from his test flight in Epyon, he can barely stand or speak. From that point on, he thinks about the future, about who and what will be important for what comes after the fighting has ended.

Eventually, the Epyon passes to the only person more disillusioned and estranged from his sense of purpose than Treize is– to Zechs, where it seems it was always meant to go.

• How And When Was Epyon Built?

Whew! Now that the metaphysical stuff is out of the way, let’s talk about the physical development of Epyon, and how that must have come about.

As we know, after his confinement by Romefeller, Treize, lurking around with the lights out and questioning his place in the universe, uses his now copious free time to build this gundanium dominatrix using only his laptop and the power of depression.

Now, even if we are to accept that Treize is a programming and engineering savant on top of all his other accomplishments, it would still be beyond even His Excellency’s considerable talents to pull an entire Gundam out of a hat in the basement of an abandoned Disney castle. 

Where did he get the gundanium? The crew? The construction equipment? Isn’t he under house arrest? Why would Romefeller leave him unsupervised to build a demon robot that predicts the future? 

These questions have been annoying the fandom since 1995. But, if you look carefully (VERY carefully, one might even say obsessively), it's possible to find the connective threads that make Epyon’s construction less of a magic trick. 

--Let’s go through the list of these unclarified canonical whoopsie-daisies in order of most to least glaring!:

If Treize is being kept in confinement in the Romefeller headquarters, why is he allowed to design and build a mobile suit?

*:･ﾟ✧ Our princess is in another castle! *:･ﾟ✧

The mansion that Treize goes into during episode 27 is NOT the castle that we see him in during episode 34. This switcheroo would probably have happened sometime in the MIDDLE of episode 27– which I guess might as well be the case, since episode 27 is a dreamlike, nonlinear stroll through Treize’s spiraling existential crisis.

Between Treize being confined in the Romefeller headquarters and developing the Epyon, Treize is in fact liberated by the Treize Faction and moved to the blue-roofed castle in the middle of the forest near the Luxembourg Base, which is where the faction has made their headquarters.

Presumably the crew and equipment needed to actually manufacture a new mobile suit were available at the base.

Treize’s confinement at this point is largely self-imposed; he could rally the factions loyal to him and make a move on Romefeller (as he does later), but he doesn’t believe he has the ability or the right to do so. Instead, he builds Epyon, and just kind of winds it up and lets it loose on the world to see if anything interesting happens.

And it does! The interesting very much happens.

Where did Treize get the gundanium alloy to build a Gundam?

The shipment of gundanium that Heero destroys in episode 4 was being transported on an OZ carrier, and it had to have been going somewhere. This gundanium was ordered WAY before Zechs’s gundam rebuilding project, so its purpose is left unidentified– someone in OZ clearly wanted to experiment with this new material for developing mobile suits. 

Adding to that, the gundanium that Zechs had access to when he was rebuilding the Wing Gundam had to come from somewhere, and that somewhere was probably the very deep pockets of a guy who likes to keep his best friends happy.

Regardless if any given shipment of gundanium made it home in one piece, what it means is that OZ has a way of obtaining gundanium, and if OZ has it, then Treize has it.

How would Treize know how to build a Gundam?

During the process of rebuilding the Wing Gundam from the ground up, Zechs and his engineers would probably have kept extensive records and made new Gundam blueprints that Treize would know about. Also by this point in the series, several Gundams and their pilots have been captured, and the Gundam’s engineers forced to build Vayeate and Mercurius for Lady Une. OZ would therefore have all the data they need to build a fresh Gundam, and once again: if OZ has it, then Treize has it.

Okay, but how would Treize know enough about the ZERO system to be able to reverse engineer it?

As mentioned in the entry about the ZERO system, the AI of the Taurus mobile suits eventually becomes the Mobile Doll AI. This is a predictive battle algorithm OZ already had in the works long before the Wing ZERO was discovered. 

Additionally, Treize is likely to have had access to the data being recorded by Trant while his team was researching the ZERO system, even if he was getting it covertly via a Treize Faction infiltrator, or a member of OZ who was still loyal to him. 

How does Treize know so much about designing mobile suits and their cockpit systems?

One has to remember that Treize was the instructor at Lake Victoria Base (the same position Noin holds when we first meet her in the series), responsible for training OZ’s elite pilots, and (according to “Frozen Teardrop”) involved with crucial tactical developments and improvements to OZ’s lineup. 

Yes, he’s a fancy-pants aristocrat, but you can’t say he doesn’t know his way around a mobile suit. He’s best friends with Zechs, after all– nerds of a feather flock together.

But how would he know to program the security system to accept Heero Yuy?

Well, ever since he was captured and hospitalized Heero’s biometric data would have been on file with the Alliance military, and therefore available to OZ, and therefore (again) available to Treize– so by now His Excellency will have certainly been made aware that Heero’s bones run on a third-party Adobe Photoshop plug-in.

But who cares about that crusty old data? All of the Gundam pilots have been accounted for and fingerprinted and scanned and microchipped up in Fortress Barge! They could probably 3D print Heero Yuy out of PLA and sell action figures if they wanted.

As to why Treize picked Heero specifically, I have two theories:

The first is that he simply programmed the computer to accept any and all Gundam pilots that might want to drop in for tea and assassination (and probably Zechs too, just in case he was in town).

The second is that Dorothy’s presence in the Sanc Kingdom means that Treize has a little bird keeping him informed about everything happening there, including that both Heero and Quatre are attending the Peacecraft’s School for Wayward Radical Pacifists. 

True, Dorothy is technically there to be her grandfather Duke Dremail’s little bird informant, but Dorothy’s loyalties are her own, and she very much likes and respects her cousin Treize. She’s probably beaming news of the Gundam pilots directly to him on their shared eyebrow-frequency the whole time she’s there.

Eyebrow-to-eyebrow communication.

As one final note– I’m aware that the more recent manga adaptation, “Glory of Losers”, contains its own version of events that attempts to reconcile the building of Epyon with other events in the series. However, while I appreciate that they made an attempt to resolve the big, lingering Epyon Questions, I find that like most of their retconned material involving Treize, I… 

I don’t like it. 

Or to put it less personally, I think it creates an even more dubious timeline of events that is somehow less credible than the original. In this version, Treize begins the planning and construction of both Epyon and Tallgeese at the beginning of the series, before the original Tallgeese has even been brought into play and LONG before the ZERO system is introduced– somehow with the foreknowledge that these suits will be vital for the development of the new era. 

I think this is a contrived way of making Treize into an omniscient puppet master who was retroactively steering everything in the correct direction from the very beginning, and was therefore always right and always assured of his role in the future– and I think that does his character an incredible disservice. In a story about the deep significance of changing people’s hearts and minds, the fact that Treize is retroactively scrubbed of his flaws and morally questionable decisions runs counter to the central thesis of Gundam Wing, and what has made it such a memorable story. 

“Glory of Losers” is a beautiful manga and I do think it does an incredible job of presenting the rather garbled narrative of the series in a new light, with some truly masterful tweaks that add depth to the characters and story. But it’s also guilty of some egregious changes to canon that serve no purpose other than to reconcile the main series with the events of “Frozen Teardrop”, and as an excuse to redesign all the mobile suits to be cooler and sell more model kits.

…On the other hand, in this version of the story, Treize was already familiar with Tallgeese from his earliest days in OZ. 

This is obviously another very unnecessary and suspiciously convenient retcon that I feel is in dubious taste– HOWEVER: it does mean that Howard gets to meet young whippersnapper Treize Khushrenada, who just so happened to be the one to ask him to paint it white because he thinks one day he’d like to pilot a Big Damn Hero Machine himself, and he wants it to be a more "elegant color." 

And that is the funniest shit I can possibly imagine. So I’ll give it that.

When he doesn’t have a clear mission objective, he is following his motto: “do what your heart tells you” / “act on your emotions”-- which is way, way less whimsical and than it sounds (see this entry in the Dictionary section). It’s an extension of the Unthinking: You encounter a problem, you find a solution. Does this feel right? If yes, proceed. If no, then don’t. Was it the wrong solution? Well, that’s a new problem.

If you’re Heero’s problem, you have a very limited window of opportunity to change his mind about it. If you’re Relena, you get another chance. If you’re Marshal Noventa, you don’t. If you’re a fellow Gundam pilot, you might be able to hold him off long enough for the problem to become a different problem. 

Heero was built from the ground up several times by the people who found him and turned him into what he is: a weapon that you aim and fire. That’s how he thinks of himself, as a machine with a single purpose that you input instructions into, and when he stops working at peak performance, he’ll die and be replaced. 

But the people who were there for his “training” know that there was a human boy underneath that they buried to make their perfect soldier. Sometimes, you can still see him through the cracks.

There are only a few times in canon when we see Heero laugh or smile; I found it a very interesting case study to track when and where he does so. In chronological order, the first time is in a flashback from Endless Waltz; it’s a very memorable scene, because it’s the most innocent and carefree we ever see him, but the thing he was doing directly before flopping onto the grass and laughing wholesomely was planting explosives in a military base. The outcome of this scene is a defining tragedy of his life, which we know was the cause of his needing to be “retrained”.

The other few times he laughs are sometime after this incident, when he first arrives on Earth.

In episode one, we get to see him smile and laugh. The smile is one of simple relief, because he’s completed his objective– but what he actually considers that objective to be is a bit complicated. The simplest answer is that he’s successfully made it from the Colonies to Earth, so he can start his mission as a resistance fighter, but the more relevant answer is that arriving on Earth has the potential to be his FINAL mission as the person who stole the Gundam in order to interrupt Operation Meteor. The smile is either because he’s made it past the first difficult step of his journey, or because this is where his journey can finally end. 

In this same episode, he laughs after making his first kill; hapless OZ pilots who had no idea what they were up against. Later on, he laughs because he completes a mission after repairing his Wing Gundam with the cannibalized parts of Duo’s Gundam, Deathscythe. Another time, he smiles with an aloof assurance that he does not need to participate in the frivolities of civilian life, as if he’s confirming to himself that he is not like the people he is infiltrating. He’s a robot, disguised as one of them. He doesn’t need to worry about understanding them, or sympathizing with them, or trying to form emotional connections that he isn’t capable of making. He smiles when he cuts down what he thinks is an OZ carrier leaving New Edwards Base.

These are all times when Heero feels like he’s gotten away with something; when he’s pulled off something sneaky and gotten away scot free. It’s a cathartic release of excitement that's a touch mischievous; the surviving traces of his adolescence bubbling up and escaping containment.

Heero doesn’t laugh again after his first failed mission at New Edwards. Even when he cracks a joke, even when he's relaxed, his face remains frozen. There's only one more time when he smiles: when he’s sure he’s on his last mission, the one he won’t come back from, and he knows he has someone he wants to protect. 

It is such a simple, kind, naive thing that lets Heero unlock the capacity to feel; he’s never had someone be on his side before. Just… decide that they care about him, for no reason in particular– indeed, after he’d given them ample reason NOT to. It’s not perfect, not a clean process, not all at once. He gets feelings back one at a time, in broken pieces that are sharp and don’t make sense at first. A girl who he thought he would have to kill decided that she would trust him absolutely and have his back no matter what, and that made everything uncertain. 

It’s more complicated to live with danger when there’s something to live for, when someone insists that you’re worth saving. It means you have to think about the future sometimes, and that means dealing with consequences, and disappointment, and worry, and pain. It means having to develop a sense of compassion, without which it would be so easy to just turn off, and listen to the comforting absolutes of a machine that tells you how to win and who to kill. 

Having something, someone, to lose is frightening– but it gives you a fixed point in the sky to follow, so when you’re facing down ultimatums, and sacrifices, and uncertainty, “winning” becomes less important than keeping who you care about safe.

It makes your heart a much better compass to follow. 

Char from Char’s Counterattack is a complex, disillusioned, flawed man who is trying to make the earth uninhabitable for complex, flawed reasons that he genuinely plans on carrying out.  

Milliardo is a complex, disillusioned, flawed man pretending very hard to want to make the earth uninhabitable because it’s an Ozymandias Gambit intended to galvanize all remaining forces to take part in a war that will ultimately burn through all of their military resources.

 Char from Char’s Counterattack exists in a timeline where the earth is a polluted wasteland, and the space colonies are pristine, self-sustaining eutopias with ten billion people living in them. 

Gundam Wing is a timeline where the earth is pristine, and the space colonies are oppressed dystopian slums with marginal populations still largely dependent on earth’s resources. Staging the KPG 2.0 in this context would be a death sentence for the colonies as well as the people on earth.

Char believes it’s his destiny to punish the people of earth for their selfishness and their inability to change or allow future generations to evolve. Milliardo believes the only thing he’s good for is to rid the world of people like himself, SO that the future generation has a chance to change for the better.

I’ve found that the more I know about MS Gundam, the deeper an appreciation I have for what Wing chose to adapt and where it diverged; I think that some of Wing’s greatest achievements are born from the moments it purposefully broke from its predecessor, and some of its greatest flaws come from when it chose to adapt things that just don't make sense outside of their original context-- I don't necessarily think that Milliardo pretending to be Char is one of those moments.

On the whole, what Wing feels like to me is a poignant echo of the Universal Century, as if we are seeing the reflections, the shared rhythms, of people and struggles across time and reality. Zechs is like a variation of the Char leitmotif transposed into a new composition.

…And anyway, Zechs isn’t even the Char Clone of Gundam Wing. Zechs AND Treize are the Char Clone of Gundam Wing. 

The Red Comet is an ace pilot simultaneously admired and hated for his abilities and the respect he commands as a soldier. He has the luxury of being chivalrous on the battlefield because no one can compete with him, and because his ultimate goals differ from those of the ruthless organization that holds his reigns. He has the burden of a spotless reputation hiding a dark, secret purpose. He eventually turns coat and becomes Quattro, a mentor figure to the talented pilots who idolize him and walk the same path he does. The complexities of war erode his confidence and understanding of what is right, of what is actually worth fighting for in a world where the grind of battle never stops, and the same points have to be made over, and over, and over again, paid for in the blood of young people– people just like him, who he encouraged to fight, who had bright futures ahead of them– each and every time.

The glorious Neo Zeon leader is a wheeling and dealing homme-fatale who can play the game of politics, who knows how to put on an inspiring show for the adoring masses, all while getting what he wants through deceit, charm, treachery, abuse of his charisma, even his sensuality. He is willing to do anything for what he views as the best future for humanity– particularly for the humans he thinks are worthy of that better future, all while knowing he is not one of the chosen ones. He will always carry a seed of self-loathing and insecurity with him. He knows that the version of him that people idolize is only a mirage, but he is willing to use that mirage to steer the future where he believes it should go, sacrificing whoever he needs to for an end that justifies any means.

Zechs is the ace pilot. Treize is the glorious leader. They’re both variations on theme of Char.

Char’s story takes place over the course of his lifetime, spanning multiple series-- Zechs/Milliardo simply doesn’t have time to be everything Char was in the time frame of Wing. Instead his influence is played by two people, representing different eras of his life, existing simultaneously and in coordinated opposition to each other.

--at least in a very animistic sense that assumes all things leave behind an impression. But Newtypes in particular seem to leave behind very distinct presences after they die, which can interact with other Newtypes and retain their individual identities for a long time before returning to the universe, presumably at will. 

The idea of oneness and harmony underlies the concept of Newtypes and their role in the world: they can instinctively understand with each other because they are not different entities in the grand scheme of things; they persist after death because all things persist after death; they can connect seamlessly with their environment because they are not separate from their environment; they can grasp the future because all time exists simultaneously.

 This ties in with the idea of a greater cosmic collectivism, or a pervasive animism in the universe that retrieves and emits the energy of life in perpetuity. It is not a force that is necessarily guided by some greater will, but is simply a natural principle, responsible for guiding people inexorably towards a more harmonious future if they are willing to stay in tune with it– and, being a part of nature, this guidance is lost when nature is not respected. This goes hand in hand with the idea that whenever things have been thrown off balance, because of greed or pollution or strife, humanity will be doomed to suffer. 

It’s a concept that’s found across lots of Japanese media, to say nothing of the religions and philosophies across the world that feature similar concepts. It’s perhaps not the first thing that people think of when they think of the Gundam franchise, but Tomino’s creation wouldn’t be what it is without this incorporation of hope and spirituality at its heart.

This is why Newtypes are lauded as the “next phase” of human evolution– not because they have “superpowers”, but because they have the ability to transcend the human instinct towards violence and competition by virtue of their capacity to understand and empathize instantly with each other. 

Newtypes are adapted to living in the stars, free from the “pull of gravity” which represents the limited and violent instincts of earth-bound mankind; attuned to a greater universal spirit, they are the harbingers of a peaceful utopia for future generations.

–At least, that is the hope for them according to the doctrine of those desiring independence for the emigrants in space.

The tragedy of Newtypes is that they are a generation of young people, uniquely endowed for exploring the potentials of space in total harmony with each other– and they have almost without exception been co-opted by competing military factions eager to exploit their latent talents as superior mobile suit pilots. Their abilities are forced out of them in combat; they are manipulated from infancy, brainwashed and conditioned to be easier to control by their handlers; their brains are studied and crudely adapted to create artificial Newtypes in labs whose sole purpose is to become elite soldiers. Even when they are not being actively abused by a military authority, Newtypes are still most frequently encouraged to use their potential in service of war before any other path they might choose. 

What to do about the generational divide between Newtypes and “Oldtypes” within the bleak reality of a wartorn era where talented young people are forced into military pipelines to die for governments that fear them is a central dilemma of the Universal Century timeline, spanning many series.

…But you don’t have to worry about any of that! Because there are no Newtypes in Gundam Wing. 

Oh sure, there are strangely Force-sensitive people like Quatre! But that boy’s just touched is all. And sure, people sometimes have mysterious premonitions that turn out to be correct even when all evidence points to the contrary, but that’s just a wacky coincidence! Do mobile suits sometimes start moving on their own because they “sensed” the will of their pilots? Don’t be silly– machines just do weird shit sometimes! Don’t worry about it. In this timeline, if you want to see the future and have a mental breakdown because people are feeling too loud, you gotta do it the old fashioned way by plugging into the ZERO system, or trying some of Howard’s special strain.

There are no Newtypes in Gundam Wing– that is to say, there are clearly some gifted individuals who have a set of undefined empathic and psychic abilities, but those people aren’t called “Newtypes”. They’re not called anything, because they’re not a thing, there is no in-universe explanation for them. We know Quatre has “the shine”, but other than him, we have no strong evidence that there is a new breed of space psychics emerging in the Colonies that will lead humanity to the next phase of its evolution (whatever that means).  

EXCEPT: along comes the White Fang, and its self-appointed representative of the Colonies, Milliardo Peacecraft, spouting some extremist fringe theory about how people born in space are inherently superior to people born on Earth because they’ve transcended their inner chimp and are destined to carry on the species when the old breed of earthlings die out. 

…If this sounds like some radical Zeon-pilled podcast nonsense, that’s because it is. There is NO established basis for these claims in AC 195. It is pure manufactured conspiracy theory horseshit. It’s a scare tactic, designed to sound like the deranged manifesto of an absolute maniac who NO ONE agrees with, and NO ONE wants in charge of a planetfucker-class space battleship pointed at earth. And that’s the point. 

For more on this topic, see the entry on The Char Aznable Problem.

…But hold on, what IS up with Quatre then? Are there empathic space psychics or not? There’s obviously at least one, but does that mean there are others? 

Maybe. There’s definitely SOMETHING going on that’s making people just a little bit special, a little bit faster and more durable with better reaction times, who are extra in tune with their surroundings, or have a heightened ability to sense the emotional states of other people. It’s not limited to people from space either– Zechs seems to have inherited a suite of enhanced reflexes, and increased physical endurance that allows him to fuck around with G-forces that ought to turn his brain into soup; meanwhile Relena got all of the personal charisma and the ability to sense people’s intentions that her brother lacks. 

But way more significantly, the most perceptive characters seem to have a kind of future compass pulling them in the direction of a particular future that they sense is “correct”. While it’d be tricky to prove that this is distinct from regular old fashioned intuition, what IS certain is that this intuition plays a significant role in the universe of Gundam Wing.

This strong intuitive pull towards connectedness and (just wild beat?) communication does seem to suggest that there could be a distant, animistic cosmic force at play that the more empathically gifted characters can sense to varying degrees, just like there is in the universe of Mobile Suit Gundam.

That would mean Quatre isn’t the only one of… whatever he is, it's MOST of the cast! Again, what exactly constitutes a Newtype is mysterious; it’s more than a set of abilities, it’s the attunement to a collective human spirit and the universe. The Newtype-equivalents in Gundam Wing may be what they are simply because they have an awareness of it. 

So what’s “the soul of outer space” that Quatre talks about? Well, that distant, cosmic force that’s drawing people together and towards greater harmony, I’d say!

And the person who finds themselves acting as an inciting catalyst for a cascade of events drawing everyone forward would be at the center– the heart, one might say– of all those connected destinies converging in space.

…Or maybe that’s just the open puncture wound talking.

…Right?

Surely he would stop her, admonish her, make her face serious consequences for the atrocities she was willing to commit. He’d leave no room for doubt that she had failed him and disappointed him.

...Right?

Yeah, that’s right, a firm slap on the wrist oughta do it. Tell her to try a little harder next time to understand the value of human life. Just do better! It’s alright to use mobile suits to attack a school, but we’re going to put a stop to it because I’ve changed my mind about killing a teenage girl, as a personal favor to a friend. 

–Friends of His Excellency would certainly like to believe that he would never knowingly sacrifice civilians, but he sure doesn’t seem to mind benefiting from someone else doing it for him.

How well do Treize’s friends really understand him, when they seem unaware of how wide a margin of error he finds acceptable in pursuing his ideals? 

Well, ideals are fine and all, but war is war, and some amount of pragmatism is necessary to stay on top. Treize isn’t the one calling all the shots (yet), and the organization he reports to expects results. You have to break a few eggs to make an omelet, right? That’s why it pays to have a Chief Omelet Maker working for you, so she can break all the eggs, and murder school children, and threaten nuclear assault, and you can come away still smelling like roses. 

…But what sort of effect does that have on her? 

It’s better for a ruler to be feared than loved; being hated is the perfect motivation to stay strong; fighting will never disappear from the world, so the strong should rule it for the sake of damage control; God was too lenient when he gave mankind the free will to rebel; people find comfort in being controlled by the powerful. 

--These are some of Treize’s stated ideals. 

So Lady Une devotes herself to fulfilling those ideals unflinchingly, no matter how much blood ends up on her hands. Better her hands than His. OZ has to be the strongest. OZ has to win. OZ must be victorious at any cost. Damn the Colonies, damn the politician’s daughter who made herself a liability, damn the wounded soldiers left behind at New Edwards Base– she’s going to make OZ so absolutely unfuckwithable that their enemies shit themselves at the mention of its name, and she’ll do it herself if no one else will. Because THAT is what His Excellency wants. She understands him. 

...So why does he keep telling her– ever so gently, ever so gracefully, that she’s wrong? If making sure the strongest rule and the weak obey isn’t what pleases him, then what will? 

Killing is simple– anyone is capable of killing anyone, so you mustn't abuse that capability. The Earth is fragile and infinitely beautiful. Human life is fragile and infinitely beautiful. One must always take responsibility for the fates of those who fight for you, and honor the sacrifice of those who die. Tragedy in war is inevitable. 

--These are some of Treize’s stated ideals. 

So Lady Une devotes herself to fulfilling those ideals with grace and empathy, to bring an end to needless bloodshed. The world needs a strong, compassionate leader, who is capable of loving humanity and guiding them to a peaceful future, where loss and war are tragedies of the past. Order and peace can be maintained without sacrifice, by using technical advancements to replace soldiers on the battlefield and keep them out of harm’s way. That is what His Excellency wants. She understands him.

...So why does he tell her– so sadly, plaintively, that she is wrong? That he is not who she thinks he is, that the future she has so carefully laid out for him is a fantasy of her own making? Why does he plead with her to come back to him, as the person he once knew so fondly?

Civility and honorable conduct on the battlefield is worth more than victory. To fight for something one believes in with perfect clarity is the purest endeavor of mankind. The tragedy of loss is what gives a battle meaning. Honoring the sacrifice of those who have died for your cause means being willing to die for it yourself. To fight, to lose, to die for a noble cause is to move the hearts of all humanity, to touch immortality. 

--These are some of Treize’s stated ideals. 

And so she does– she sacrifices herself to save the Gundam pilots and turn the tides in outer space, rejecting Romefeller, rejecting the Mobile Dolls. At last, she understands him. 

…But didn’t she always?

Except perhaps in the case of using Mobile Dolls to replace soldiers (an idea that was easily manipulated by its inventors to fit into her worldview at the time), her understanding of Treize’s ideals wasn’t ever wrong, just fragmented. She focused on a single facet at a time, each time excluding the contradictions of the other sides– light bouncing off a solid plane without revealing the rest of the prism’s convoluted geometry. 

She isn’t mistakenly interpreting him– HE is a mess, and she is representing him accurately, one dimension at a time. 

What is more significant is that he finally understands this about her.

Treize is mortified to realize what sort of effect he has been having on someone he cares about, during a period where he is questioning the validity of his own beliefs and significance. He may mistakenly believe that he is responsible for having fragmented Lady Une’s personality– which is not how the condition she has operates– but he is not mistaken in taking responsibility for her distress, and the danger he has put her in.

Losing her, or believing that he has lost her, is devastating. Rather than moving him to action, it moves him to inaction; aware that he has come to represent ideals that are too easily manipulated by people who he fundamentally disagrees with, that the idea of him is too powerful to be used responsibly by the current rulers, he withdraws. 

Treize cannot switch off the magnetic field of his charisma or its continuous pull on the soldiers who take inspiration from him, but he refuses to willingly lend himself to a cause that he finds irresponsible. In fact, he refuses to join any cause until one presents itself that he can have complete faith in– and complete control over. 

The people whom Treize considers his True Friends are the ones who “understand” him– this includes his enemies, the ones who oppose him but nevertheless espouse values that he can respect. In fact, ANY strongly held ideal, even ones in opposition to him, and ANY display of courage, is more admirable in Treize’s estimation than lip service to his own ideals or those of his organization. The “fighting spirit” that is of paramount value in his worldview is not limited to combatants– he expresses immense respect for Relena Peacecraft, more so even than his respect for the Gundam pilots, who he comes to idolize. What matters is the strength of conviction. What matters is courage.

He respects and admires Lady Une, even when her errors in judgment have megaton consequences, because she is so singularly and ferociously dedicated to her goals. He tolerates the violence and inhumane actions of the Specials and OZ soldiers because they are fanatically ambitious and ready to die for their ideals. As long as the ultraviolence isn’t cowardly or self-serving, then Treize can and will overlook the body count– noble sacrifices, all. He’ll memorize their names later on today.

Treize’s ideals are flawed and contradictory. There is a tipping point in the series where he gains enough self-awareness to recognize this fact. This does not stop him from believing in his ideals– he can’t simply turn away completely from what he values and loves about humanity and its “fighting spirit”– but it does allow him to appreciate those who see his hypocrisy for what it is, and who despise him for it. 

“You’re only capable of looking down on others; you’re only fighting to satisfy your ego. How many people have died because of you?”

The fact that Treize has memorized the names of all 99 thousand people who have died for him does not do anything to improve Wufei’s opinion. For Treize, that number is a sacred personal burden; to Wufei, it is evidence of offensive, monstrous egotism. 

Wufei, of all the Gundam pilots, is best acquainted with how wide the margin of error is in Treize’s ideal of chivalry. Nataku herself, the namesake for Wufei’s gundam, fell neatly into that margin and died in it. Long before they met and dueled, Wufei knew of Treize as the OZ official jointly responsible for an attack on his Colony. While General Septem of the Alliance (then in control) would have murdered everyone on the Colony indiscriminately with biological weapons, Treize’s solution was more sporting: OZ sent in Mobile Suit troops to directly eliminate the rebel element, who were armed with nothing but a single decrepit prototype Leo and an unfinished Gundam with no ammo-- a much more chivalrous way of sterilizing a Colony, allowing the largely unarmed group of dissidents to die fighting rather than be killed with the push of a button.

Would the deaths of the Long Clan have been meaningful sacrifices in Treize’s eyes? Was exterminating civilians for the sake of convenience a noble cause to fight for?

One could argue that the existence of the then-in-development Gundam was enough of a threat to justify an attack, but at the time the idea of gundanium mobile suits was no more than a rumor. Could Treize, back on Earth, have reasonably predicted its invention? 

Not if we are to believe his own words, which clearly indicate that the Gundam’s existence was unknown to him until reported after the attack.  

For those who fall outside of his cult of personality it is easier to see past the charisma to the reality: no matter what his soldiers think of him, Treize is not a god. He is only a man, and no one person has the right to decree some deaths necessary to the future. 

–And Treize, for his part, would agree. He is a single individual, whose ideals people put too much faith in without fully realizing the essence of what they mean. But the belief people place in him gives Treize a level of power that must be acknowledged and used responsibly, and to the best of his ability, he tries to use it for the good of Earth and humankind. 

As a symbol, he is far more influential than he could ever be as a man, and his awareness of that fact leads him to choose the path of martyrdom, knowing that his very existence is a threat to peace. The only way he can neutralize his own power as a military icon is to join the sacrifices to the cause. And what more iconic way to do that than with a duel?

Treize may have resigned himself to being an anachronism and a dreamer, but if he is going to die for the sake of the future, he will at least go out according to his ideals: gracefully, nobly, at the hands of an enemy he respects. 

For personal and aesthetic reasons, Milliardo is Treize’s hopeful first choice as a dueling partner, but Milliardo had his own role to play in their final performance, which prevented him from participating in a duel for their mutual actualization. So Wufei is the right choice; Wufei both understands him and has a justified reason to want him dead. Besides, it’s an elegant, symmetrical solution– the continuation of a duel that he predicted they would be destined to finish in mobile suits.

--And what effect does that have on Wufei? Perhaps expectedly, a fracturing one. 

It shouldn’t be surprising that Treize’s ideals resonate so powerfully with someone who was raised in a warrior culture, especially someone who only knows how to express his beliefs and sense his self worth through combat.

Wufei, too, lives with contradictions that he cannot fully unify. 

Treize Khushrenada cannot live in the world he wishes to see realized. 

 If he were to win the war against White Fang, the cycle of oppression and resentment would continue. Even if he were to immediately relinquish his power to Relena and demilitarize the Earth Sphere, the end result would lead to more conflict; his refusal to take control of the Colonies would be seen as capitulation, and a betrayal of those who fought for him against the threat of annihilation from space. Even the considerable power of his charisma would evaporate overnight if he were to appear to be turning his back on the soldiers whose fanatic loyalty had allowed the unified mobilization of Earth’s military forces under his banner. But, as a general leading from the front lines in a noble defense of Earth, dying gloriously in battle for the sake of peace lends all that charisma to the future he fought for. 

--The message left to the surviving soldiers is not: “His Excellency led us into battle and then abandoned us when he won”, but instead: “this is the peace His Excellency died protecting.” 

Indeed, after his death, Treize’s name IS used in an attempt to lend legitimacy to the argument that soldiers have been devalued in a time of peace, and that continuous war to determine the strongest victor to lead humanity is his true legacy. But it doesn’t stick– the would-be dictator who tries to use Treize’s name in service of his military takeover is killed by a nameless soldier, whose change of heart is motivated by the memory of what Treize actually died for. 

--It is not a victor who moved the hearts of the people, but a glorious loser.