Sep 13, 2025
time looping in the wrong universe. ponyboy looping 1965, a soc pretending to be a greaser.
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time looping in the wrong universe. ponyboy looping 1965, a soc pretending to be a greaser.
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OK LETS ALL LAUGH AT THE IDIOT WHO DELETED THEIR PINNED POST
May or may not secretly be a Victorian ghost child
Ao3 can be found here
Artfight is here
You can call me Oliver, Oli, or something else. I like ghosts a normal amount please please please ask me about ghosts or tell me about ghosts I’m so normal about ghosts
For these reasons, I will opt for a middle way. I propose to examine a large number of films (more than 50) which, although they share a specific narrative design, have so far been discussed under different labels, most notably as ‘forking-path,’ ‘multiple-draft,’ ‘loop,’ ‘repeated action,’ or ‘multiple personality (branched) plot’ films. The common feature of my selection is that their narration constructs a fictional world in which a certain period of time occurs more than once, allowing one or several characters to experience specific events in more than one way. Excluded from my sample are instances in which this kind of repetition is only an imaginary product of one of the characters (as when the protagonist of the screwball comedy Unfaithfully Yours [USA 1948] goes mentally through the various ways he could react to his wife’s infidelity). Excluded are also examples of multi-perspectivity such as the flashback structure in Rashomon (Japan 1950), where the repetition and variation only pertain to the level of narration and not to the events in the story.
I will use the term ‘loop film’ as an umbrella term for all the variants of this narrative setup, knowing that my broad understanding of the term contrasts with the more restricted use preferred so far by most film scholars. As the title of this article indicates, I will also consider some literary examples, but my focus will be on loop structures in film narration.
— Loop Structures in Film (and Literature): Experiments with Time Between the Poles of Classical and Complex Narration, Matthias Brütsch
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time loop but you’re just making dinner, washing dishes, making breakfast, lunch, washing some dishes, making dinner, washing the fucking dishes again, making breakfast
saturday is the only day when a time loop should be allowed. it can’t be any other day because i guarantee there would only be one iteration of the loop. if i woke up on a monday twice i would not hesitate, i would absolutely find a way to break the loop by committing an act so heinous that every single fringe universe and every time stream would feel the repercussions of my action
i like time loop stories for the Drama but actually it is horrifying to imagine all the memory build up that would result from being stuck, unable to take notes or keep track physically of little details means everything just stacks and stacks on top of each loop, eventually you wouldn’t be able to tell what’s pre-loop, what do you really remember, what will you retain if you ever escape, everything is always happening over and over and you have to layer it on and the layers keep going. who are we without true memories, what would you become if you could only remember bits and pieces of your real life and everything else is just noise nobody remembers but you