#thoughtsonbooks

Hello fellow readers!

I just finished Colleen Hoover’s Verity! Before starting it I heard such great things about it and I thought I should probably just take the plunge. It didn’t disappoint. If you are not interested in spoilers, please stop reading.

The book’s protagonist is called Lowen Ashleigh. She’s a small-time thriller writer. She doesn’t want fame and or to make it big like many writers aim to. She prefers a quiet life and avoids being the center of attention. This is the reason she doesn’t do book tours or communicate on social media. She’s a loner and an introvert. She recently lost her mother and needs to get back on her feet. This leads Lowen to accept an in-person interview. This prospective job offer is something she needs, so she goes.

The book begins at this point. Lowen is on her way to the building when she witnesses an awful accident. This leads her to be comforted by unknowingly the person who she’s supposed to be meeting. This chance meeting had an endearing effect on both Lowen and Verity’s husband, Jeremy. Lowen gets the job offer and she agrees to go to the Crawford house to collect notes and create outlines for the next three books. Lowen’s agent, Cory, advises her to get in and out because of the tragedies the Crawford’s have recently gone through. Lowen is offended by Cory’s insinuations.

One of the greatest things about this book is when Lowen discovers Verity’s autobiography. Just like that she’s drawn to this strange world inhabited by the Crawfords. Lowen becomes enchanted and is seemingly unable to break away from the text. At first, Lowen dismisses it as nothing more than insight into the writer she’s trying to emulate: “I need to see how Verity’s mind works to understand her as a writer” (60). It’s a reasonable point, one that becomes moot the moment Lowen keeps diving deeper. She does this regardless of all the private moments she becomes privy to. 

Lowen not only tries to understand and get into Verity’s head but begins to get closer and more infatuated by her husband: “...it’s not the worst thing. Being forced to step into Verity’s shoes and visualize Jeremy for the next twenty-four months as I write” (99). Earlier in the book Jeremy claims that he wasn’t interested in reading Verity’s books because he didn’t want to get in her head. This is exactly what Lowen starts to do. She is literally reading about this woman’s deep and confessional moments and it is changing her. And just like what Lowen says: “things lurking around inside the mind can be just as dangerous as tangible threats” (150). In this book, the real threats are the ones inside the character’s minds specifically Lowen, Verity, and Jeremy. At this time, Lowen has descended into icy depths the slippery slope has plunged her in and she doesn’t even realize it.

Lowen tries many times to “stop” but she always ends up back with the manuscript in her hands. She keeps reading, becoming more and more disturbed and more involved in Jeremy’s relationship with his invalid wife, Verity. Hoover creates two different versions of Verity in this book, there’s the Verity that Lowen first meets when she arrives under the guise of Laura Chase: “Verity’s eyes are vacant, uninterested in her surroundings. She’s unaware of the nurse. Unaware of me” (51).  This Verity is vulnerable, childlike, and innocent. In this form, Verity is a far cry from the Verity contained in her So Be It manuscript. Lowen is visibly staggered by how far Verity has fallen from the successful and published author known to the world: “I try to cover the chills that have appeared on my arms” (52). Lowen is uncomfortable by Verity’s helplessness and mentions that she wouldn’t want to be in her position. She pities her, Jeremy, and Crew.

The other Verity is the exact opposite of the former. She is vivacious, proud, and emotional. The readers learn early on that even though she is over the moon for her partner, Jeremy, she has her limitations. Those limitations are what keep the action going in this story within the story. Verity is wildly jealous, irrational, and neurotic. All of these traits tied to the other facets of her personality mentioned earlier, create an explosive person with maladaptive tendencies. Eventually, these tendencies become impulsions that Verity cannot and does not want to keep in check. One of the biggest sections in So Be It is the moment Verity narrates her first pregnancy. In just this area alone Verity reveals her controversial thoughts on Jeremy’s love for their unborn babies: “being forced to love the one thing Jeremy loved more than me...I was suddenly not okay with being the third most important thing in Jeremy’s life” (107). This Verity openly speaks about her she feels and stands by it. In this instance, she is not okay with being a mother. The news that she’s having twins is received negatively. Up until here, Verity is happy with it being just her and Jeremy. The fact that they conceived on the day of their engagement puts a damper on Verity’s plans. 

Verity’s relationship with Jeremy according to her story is toxic, a charade, and codependent. She’s obsessed with Jeremy and is not honest about her real hangups about motherhood. When the twins are born, this obsession only grows. Verity feels threatened by her children and Jeremy’s unconditional love for them. She attempts to cause miscarriages all because she wants to drop the dead weight she views her daughters as. The violence doesn’t stop there either. It gets worse. Lowen denounces and starts to hate Verity for her resentment and murderous actions. Ultimately, Lowen’s ability to read and finish this book is what compels her to keep getting closer to Jeremy. Her coveting of Jeremy and eventual attainment make her a mirror image of Verity. This doubling is apparent from the beginning until Lowen’s transformation is complete at the end.

Hoover’s decision to include the unpublished manuscript of Verity’s So Be It, is great. She was able to give a voice to a character that doesn’t utter a word until the end of the book. Hoover also employs good use of pacing throughout the book. She doesn’t use jump scares but suspense and doubt as tools to drive Lowen’s anxiety and paranoia. Hoover’s decision to leave such a big question as a cliffhanger is awesome and I tend to respect ambiguous endings. We as readers will never completely know which was the real Verity. But that is beside the point because Jeremy has found another woman to take her place and Lowen is fine with how things turned out.

Rating: 4 stars

Keywords: Shocking, ambiguous, addictive

P.S. This book gave me V.C. Andrews vibes specifically of Flowers in the Attic variety. Creepy house, check. Unhinged woman fallen from grace, check. Secrets and family drama, yup. 

     I thought that The Book Of Lost Things by John Connolly was a steady story that worked its way slowly and thoughtfully to its end. I liked that it wasn’t afraid to explore some darker ideas even though it was aimed at a younger audience (teens) and was told through the eyes of a young boy. These darker tones gave me a sense of progression, reflective of the journey a child might take as they move from child to teenager to adult.

     The Book Of Lost Things also celebrated storytelling and traditional fairy tales, which was something I enjoyed a lot. There were some wonderful new spins on classic fairy tales. Some were even darker in nature than their predecessors.

     As I read, I was reminded of Patrick Ness’s A Monster Calls. Both novels looked at what a story is and what it is supposed to do (both also had a boy fighting is inner demons). I love this kind of internal critique. I think it’s quite special when a story knows that it’s a story. Not so much in a forth wall breaking kind of way, just in a subtle feeling of consciousness—if that makes any sense? I felt like The Book Of Lost Things accomplished this literary consciousness quite nicely. It was aware of its power as a story and wasn’t afraid to through its weight around.

     The best way I can describe Big Fish is to say that it’s a novel that reminds me very much of a short-story. I say this because the book unravels such a wonderfully complex and complete narrative in such a short time. I don’t think I’ve ever read a more powerful 180 pages.

     Big Fish celebrates the life of Edward Bloom, an extraordinary man who was loved by people and animals alike. He was a hero, a life-saver and he could outrun anybody. They said there wasn’t anything that he couldn’t do—and do well.

     Or at any rate that’s what he told his son, William.

     Now, as his father lays dying, William is desperate to discover the truth in these fable-like stories. He is desperate to learn who his father really is.