#those two fools

They look around at other heroes for ideas, throwing out the idea of handsome (Saitama’s budget being too low for plastic surgery -- ouch, Genos), mascots, and finally settling on cute.  As cats are eternally popular, how about some cat ears.   Saitama immediately procures some and yes, they do attract attention but keep slipping off.  He asks, nay demands, that Genos get him some duct tape to keep them on his head.

It’s at this point that I stopped feeling sorry for Saitama.

As far as costume goes, heroes who have an athletic physique to show off like Tank Top Master and Superalloy Darkshine are very popular.   Saitama has an athletic physique.  So... and this is 100% Saitama’s idea... how about all the physique?  But for his cape,  Saitama strips himself naked,  painting himself in the colours of his uniform.   Genos has grave misgivings. Sadly these misgivings don’t rise to the level of saying ‘no’ and he keeps adding fuel to this fire.

You have got to listen to the section where the pair are workshopping what descriptors to add to Saitama’s introductory speech.  It’s when you realise that a lot of the words are in English and that Genos knows what they all mean, but is tossing them in anyway that the full madness of this segment becomes clear.  ONE is also having a poke at Engrish -- English words tossed in for the ‘coolness’, the equivalent of gratuitous French appearing in English. 

And so is born the ultimate new hero: “The collapse of the final strength gestalt with endless possibilities - The lone wolf Saitama, the boiled egg (Terror! The monster-devouring cat man)”    Yes, that is his new hero name.    All that’s left is to find an actual monster.

 This being City Z, monsters are never far away and one duly appears. The plan is for Genos to take it on, pretend to lose so that Satiama can swoop in, introduce himself with suitable bombast and send the monster to Kingdom come.  Three problems. First, Genos turns out to be an outrageously shitty actor, which quickly turns this showing into farce.  Second,  Saitama has lost his notes and is fumbling around for them rather than acting.  Third, the monster turns out to be actually strong meaning that playing around isn’t actually an option.

And then it starts to rain.  The bodypaint isn’t waterproof. Technically it should be as otherwise it’d run when we sweat,  but I guess that’s Saitama being a Saitama and going with what’s cheapest.  So it is that having finally found his notes, with a horrified crowd and incredulous monster alike watching as paint drips off his bits,  Saitama does his best to read the soggy notes that were supposed to mark his triumphant entry...  heh heh

Meta: Don’t Fake It

Hoo hoo!    I’m sorry, if you’ve still not read it, go read it.  It’s so full of evil, evil zingers and the summary really doesn’t do it justice.

Let us establish that any endeavour that starts with the phrase ‘with the help of Genos...’  is not going to be a good one.  Dude is like a chainsaw with no guards -- all enthusiasm, no safety.

Despite how disastrous this episode in Saitama’s life was, it’s also quite touching for me that he’s human.  He sees the enormous disparity between the way he is treated and the way Genos is and he minds.  Saitama doesn’t want to be rich and famous but being recognised and thought well of is important for him.  It’s the biggest reason he joined the Hero Association in the first place and so far, it’s not been working out for him.   So his grabbing at the chance to set his reputation properly ahead of getting a formal hero name made a lot of sense.  It’s good to see that he gets envious, proud, irritated, can say cruel things in the moment -- he’s a person, a good person, but not a saint.

Authenticity is a theme that ONE comes back to frequently.  Another is competence -- even if you’re competent in one thing, that doesn’t automatically carry over into other fields.  He makes a lot of hay out of the fact that people often over-rate their abilities in areas they know little about.  It’s almost axiomatic in OPM that if you hear someone bragging about an ability they have, they’re all but certain to be shown up.  And when you put inauthentic and incompetent together, well... it’s funny to watch.   So it is that Saitama, who fancied himself a creative, ended up naked in public in the rain.  With bodypaint dripping off him. I’m sorry, the image has been indelible for months.

If you’ve ever wished you were less sensitive, look at Genos and be comforted.  He has a legitimately thick skin and the way he lacerates Saitama with his words while not being in the slightest bit offended at Saitama’s comebacks is the opposite of life goals.  His sharp-eyed notes on the whimsical and superficial nature of public opinion?  Spot on.

Genos refusing to read fan mail on the basis that it’s not informative was an ‘oof’ moment for me. Fans often slam heroes for being too keen on public notice and admiration, but the converse is also painful.  It’s sad to think that if the little girl he saved from the Deep Sea King sent him a thank you letter, he threw it away unread.  It feels like he’s missing half the point of being a hero.   

Speaking of the hero name specifically, the requirements that Saitama had for a hero name are actually satisfied by One Punch Man.  But it’s not an obvious thing to hit on.  All things considered, it’s just as well the Hero Association doesn’t appear to have heard of these antics, or at least not taken them into account when naming him.  Or he’d have been Cat-Eared Baldie.