He spent the last three nights painting, cursing, and yelling at himself, the universe, and the slow loss of his artistic abilities. Eventually, however, the painting is ready. The hands that created it aren't as talented as they used to be, but its eerieness is the same as the one of Johnny's old creations. Black swirls, eyes staring into the real world, spyrals threatening to drag anyone to the abyss. This is what he's now handing to Salice, after wrapping it in old wrapping paper. (1)
happy birthday, salice! â @thmaniacâ.
He offers her a crooked smile - slightly unwillingly menacing even when trying to be completely friendly. âHappy birthday. Sorry if itâs a bit late, but⌠uhm.â He looks slightly confused. âI think I lost track of time. What day is today?â
âUh⌠ah? WhâŚâ at first, Saliceâs no less than baffled. Sheâs surprised to see that Johnny is gifting her somethingâbut before she can ask what this present is for, as she hesitantly grabs it by the edges, she finds herself frozen, with her eyes widened in pure, sheer shock. For⌠her birthday?    What exactly is going on? What the fuck?    With a couple of blink, Salice snaps out of her silent trance: but even with the best and most convinced of efforts, she finds herself unable to properly understand the situation at hand. Her eyes fall on the gift she had been handedâwhich, despite having a familiar weight, is of overall mysterious nature. Her head turns to Johnny, then at the package again. What is it? What is it? Sudden, violent curiosity assaults her instincts like it never did before. Saying sheâs dying to know is not only correct, but also an euphemism, not accurate enough to truly describe the almost animalistic instinct that prompts nails to roughly scrape against the wrapping paper. Despite wearing her usual, neutral expression, itâs clear that something is happening in Saliceâs mind: it slightly shows in the way she pulls at her lips, frowns, and the way her eyes threaten to start sparkling of that brilliant tealâan indicator of something dangerous.
âWell, IâmâŚâ she loses her words before she can continue, but she canât just stop there. So, she attempts again after violently shaking her head; to the left, to the right, and then: â⌠Iâm just gonna open this.â and so she does. Impatient claws cut across the paper, which easily strips awayâthe rash movements and tugs cause loud, scratchy sounds, the flapping of paper resounding in the air as itâs thrown into the air, revealing something that literally steals her breath away.    Eyes widen, even more than before.    Itâs a painting. Itâs a painting made by Johnny himself, she immediately catches sight of the signature. At first, she assumes itâs from his old stash of canvases and, for a moment, she lingers on the pleasant possibility of that being the case. (If it were true, thatâd mean he remembered her telling him about wanting more of his work⌠and it would be flattering, sure. Itâd mean he does listen to her, even between his own distraught moods.) Her grip on the canvasâ wooden skeleton tightens, ever so slightly. (Itâs comfortable, Salice thinks, because that means he doesnât see me as a complete assholeâhe somewhat tolerates me, at least.) In that thought, she finds some sort of solace. HoweverâŚÂ    Her nose seems to be of a different opinion. It unexpectedly scrunches and her nostrils flare, sniffing what seems to be the odor of something fresh. This doesnât match that usual smell, she muses, puzzled, that smell of rotten and old, unkempt things. This is⌠new. And with a bit of analysis, scanning through the surface of the picture, admiring the lack of dust and the unusually tight pull of the canvas (which is not at all similar to the one of the painting sheâs hung in her bedroom: she had to ask the framer to fix the loosened sheet), Salice eventually comes to a very concise conclusion, which her stomach quickly greets with a few churning turns, and the ever-so-unwelcome sensation of dread.
So he painted this for me. This is a gift made for me.    In this moment, Salice does everything in her power not to scream. She wishes the black swirls of the painting would just absorb her into another dimension entirely, so she wouldnât have to deal with thisâunexpected bout of kindness, out of Johnny, of all people. Not only does she find herself wordless out of complete shock, but it seems all the opinions and calculations and analysis sheâd ruminated over and over and over on were wrong. Horrendously so. Salice had thought Johnny was simply (so to speak) a homicidal maniac too busy trying to figure out his shit amidst violent impulses, a messed up, unknown past, and his own demons. She didnât doubt the chance of there being other sides to himâafter all, even if quite the odd kind, he is still human. No humanâs merely two-dimensional. But until today, she wouldâve never thought that she would be able to witness herself one of those aforementioned âother sidesâ.    If Johnny ought to be kind to someone, in his own way, she was firmly convinced that she wouldnât be there to see it, much more that she wasnât to be that someone.     This giftâs proving her wrong, wrong, wrong. And honestly?    She does not know how to react. Hence why sheâs standing there, stiff as a codfish. Itâs an almost comical scene, if considering the completely out-of-place expression thatâs pulling her features.     How⌠should she emote? Should she emote? What should she say? Should she say anything? These questions are running through her head as gradually, her brows begin furrowing, and her mouth begins turning into a frown, tugging at her cheek muscles with enough tension to almost hurt. Then she blinks, one, two times, realizes that she is still looking at the spirals and the strokes that fill the canvasâŚ
⌠And snaps back to reality as soon as a loud thump resounds in her ears. Sheâs not sure whether or not that was an actual noise she heardâbut in any case, itâs enough for her to jump on her feet and turn her head away from the painting in her hands. âAhâŚâ she mutters, almost as if disappointed to find out that, after all her mental spiels, she will have to actually do something instead of mulling over it. Thereâs something thatâs crawling through her ribs, trying to get out and spread across her bodyâit makes her eyes flicker an iridescent teal, and, soon enough, without fully realizing it, her lips curl up in a tentative, small smirk.    âWellâŚâ what is going on? Salice does not understand the unexpected feeling that is grotesquely snaking inside of her stomach, causing it to twitch and twist, she doesnât get why she so suddenly feels content. Itâs not new, but itâs rare. Rare and little to not at all explored. An unknown land. One she doesnât know she wants to walk through further⌠âI donât mind itâs late. Thatâs fine. I guess Iâm⌠touched you even bothered in first place.â her words come out slowly and with a bit of a lag to themâshe feels like a fawn trying stumbling in its first steps. But at this point, backing off is not a viable option. âI already know where Iâll put this.â and itâs true: she can already see it hanging along the walls of her bedroom, just right above her bed. Perfectly placed, situated, for mornings reminded that the worldâs full of shit, and filled, made of many horrible thingsâbut not only. Thereâs also good things. Like this. And itâs easy to get lost in societyâs awfulness. Itâs important to have something, even if small, to hang on to, that will help you remember that not everything is shitty, you donât have to be constantly cynical. Saliceâs reality is desperately needy of that tiny, yet essential beacon of hope.    Perhaps thatâs why her smile lacks its typical viciousness.
âThank you, Johnny.â    Sheâll have to treat him with the most disgustingly sweet drink ever, in order to make it an even deal.















