oh and I can't stress it enough: never ever get back with someone who cheated on you. 99/100 times, the cheater doesn't regret cheating, but being caught! They never respected their partner before, why should they suddenly after? I never get people who write about cheating hcs and then getting back together lol.
I can't stress this enough either. I've seen so many people absolutely broken due to their partners cheating. I know, story wise, it may be a bit romantic to have the characters realize their mistakes and come back to 'their senses', but that's only in fiction. If someone cheats on you in real life there isn't a good reason.People cheat to hurt their partner not to make their relationship stronger. It's only to cause hurt.I've seen news of a viral video going around of a woman confronting her ex on why he cheated with her, and as she cried he just was calm and not caring whatsoever that he had hurt her so horribly. I think the reasons he gave was because he was bored, or just because he wanted to hurt her. He didn't care.I know I have younger followers on here, so please keep this in mind for future relationships.If someone cheats on you it's not for love, it's to hurt. It's not them trying to follow those love novels/movies you watch, it's not to make a statement that they will love you through someone else, it's purely just to cause you pain and nothing else.On a slightly different note, if I did get asks persisting on them getting back together, I would only write it ending badly. Like them getting together, realizing MC is just someone who will forgive them for anything, and them ending up pushing the limits of that, because man. There is no happy ending with cheaters, and I ain't writing that.
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Hi Rue! ty for asking for Shumika, they're a bit of a special case bc there's not a lot of songs i do asociate with them even though i love them <3
There's one song "I Belong To You / Mon CÅur S'ouvre Ć Ta Voix" by Muse that is the default shmk song to me:
These being the opening lines, "I'll owe everything to you", i like to think they're on Shu's pov since without Mika's support after Valkyrie was defeated by Fine, he wouldn't be where he is currently.
Followed by these, now on Mika's pov. I do think this reflects Mika's feelings towards Shu back then but "You're my guiding lightning strike" is the one i think fits most, since at that moment he would follow Shu's every direction. No matter if he was harsh as a lightning strike
Then these lyrics:
I don't think it was ever hard of them to acknowledge they had feelings for each other but i do think they couldn't really express it on the past. The words were overdue until Raison D'Etre, i think
+ "I've traveled half the world to say I belong to you" fits them soooo well considering either one or the other are constantly going back and forth from Tokyo to Paris
+ Later this part is repeated with some changes, at the last line there's a missing part (because the singer doesn't really end the word) but it's implied it's "muse". I think they decided to cut it short because it would be cheesy to say the band's own name lmao.
It reallyyy does fit though! They are each other's Muses after all.
Lastly, this song's bridge is almost entirely in french. I like to imagine Shu singing this :)
Translation (with google tl):
Ah! Answer, answer my tenderness
Pour me, pour me intoxication
Answer my tenderness
Answer my tenderness
Ah! Pour me intoxication
Pour me, pour me intoxication
Answer my tenderness
Answer my tenderness
Ah! Pour me intoxication
"Answer my tenderness, pour me intoxication" -> I do asociate these with their kinda toxic attachment and the way they keep seeking it. "I belong to you alone".... yeah
As a last note, more of a coincidence: This band has done a lot of conceptual albums and does have a teatrical sound much like Valkyrie.
To celebrate women in games, list your top 10 favourite ladies in video games and tag 5 people to do the thing too. Letās spread the love of gaming women.
OH DEAR this sounds difficultā¦ but fun! :D Iāll give it a try, but Iāll limit myself to two characters per series, or else FE ladies would probably take up half the list, ahaha.
- Maribelle (Fire Emblem): Iāve explained my love for her so many times that Iām not sure itās necessary at this point, haha.
Sheās not what you expect her to be, and thatās part of why I like her ā many dismiss her as abrasive and snobby, but she genuinely cares for people. Sheās blunt to a fault and often doesnāt realize her bluntness is off-putting to others, but when itās pointed out to her, she has no problems admitting sheās made a mistake. Sheās a very hard worker and not afraid of tackling the challenge of become the first woman in Ylisse to take up becoming a judge.
And, finally, her dependency issues appeal to my personal biases and make her feel like a considerably more layered character! While she appears to be independent, as it turns out, sheās not; sheās got a lot of issues buried underneath her prim and proper ladylike exterior.
- Sanaki (Fire Emblem): another character Iāve discussed plenty before! In short, I tend to be pretty fond of female royalty in fiction, and Sanaki is no exception in this regard. But sheās also a child, and I appreciate that sheās portrayed as such? Yes, sheās extremely intelligent for her age, but at the same time, sheās prone to acting rather immature from time to time, and it makes for a fun duality!
- Koshoushou (Samurai Warriors): I think a lot of people assumed she was going to be yet another seductress character, and while she does fit into that archetype to some extent, thereās way more to her character than that and Iām so pleased by the way her character develops!
Most of her (rather entertaining, I might add) personality is just an act on her part to hide her feelings, and while she seems proud of her reputation as a herald of unluckiness at first, itās made pretty clear that it bothers her and that she feels terribly lonely. Watching her go from thinking of her poor luck as being an unchangeable fate to actively trying to do something about it is very inspirational! :D
- Nouhime (Samurai Warriors, 3 and onwards): another seductress I canāt believe this
Nouhime is pretty cold and prone to looking down on others, and honestly, she can be rather petty sometimesā¦ but I get the impression itās mostly a defense mechanism to keep others from trying to get close to her, because she doesnāt trust people.
Sheās almost always pushing people away by keeping up her image of being uncaring and mean, but itās not who she really is ā and sometimes, you (or the other characters!) get to see past that. Those moments show and unexpected side to her, and I like it a lot!
Sheās a very sad character, but thatās understandable, given her circumstances. (honestly Iād be pretty angry with the world too if I had been forced into a marriage with someone who was literally incapable of assigning a personal worth to people and who would later go on to murder my family)
- Elize (Tales of Xillia): Elize is adorable, and her tragic backstory hit me very hard. Throughout the course of the story, she slowly becomes the main partyās adoptive daughter of sorts, and itās very sweet! I love familiar relationships like those (even when, or maybe especially when, theyāre not bound by blood), and Elize has plenty of them.
An important thing to note about Elize is that she acts her age, and this is important because writing children who act like children isnāt easy. I was half expecting her to be a ~token loli character~ or something, but Iām so relieved that wasnāt the case!
- Colette (Tales of Symphonia): Iāll try to keep it short: Colette is memorable to me because she starts out as a person who hides her feelings and problems from everyone. Later, she learns how to rely on others, and that itās never good to bottle everything up and suffer through life on your own, and seeing her overcome all of these things feels inspiring. Her character development is very empowering, in a way!
- Zelda (Skyward Sword): by far my favorite incarnation of Zelda! I think SS did a great job of making you care for Zelda as a person, rather than just a damsel in distress ā and I feel sheās the more rational, emotionally strong person compared to Link, which is a nice example of gender role reversal.
- Lucretia (Suikoden): probably a controversial choice for the few people familiar with her, but sheās essentially a female version of Zhuge Liang and I love seeing female geniuses in fiction :D Sheās eccentric in a way thatās not too over-the-top, and I appreciate that, too. (Also sheās a yuri)
I know a lot of Suikoden fans complain that sheās too perfect, but thereās a conversation late in the game which implies (to me, at least) that Lucretia wants to project an image of perfection because she realizes it helps morale immensely.
- Luna (Virtueās Last Reward): I have a thing for genuinely, 100% selfless characters, and Luna fits that very well! Really, sheās a saint. Considering The Spoiler about her, this makes sense, but itās possibly the best way of delivering this type of storyline Iāve seen. (Also her relationship with Sigma is heartbreaking)
Luna is perhaps the one of the only truly non-malicious characters in the game, which is probably part of why itās easy to get attached to her.
- Melia (Xenoblade): Melia is a proud, determined princess, and I tend to enjoy characters like those in general, but one thing that makes her stand out a bit from others of that particular archetype is that she goes through some pretty bad things over the course of the game and yet she manages to stay strong in spite of that. Sheās so determined!
Oh, and I canāt help but to feel for characters with unrequited crushes on other people, THEY MAKE ME SO SAD
and it made me realize that even though almost every play that I audition for I have never once gotten the part that I wanted, it's okay. Mostly because it has helped me cope with disappointment and helped me to find ways to look at the brighter sides of life. Even just in my time in high school I've grown so much. For example, my sophomore year I cried when the Alice in Wonderland cast list went up because I had a pure dance part and wasn't going to sing or talk or anything even though I had a solo in my dance part and there were people older than me with much smaller parts. As well as just in my Senior year, I have tried out for a total of 3 shows (not counting the one at my church that I didn't have to audition for, I just got the part) and have gotten the part that I wanted in none of them: In Kiss Me Kate, I was bitter about the cast list because I was straight chorus and people with less experience than me had even gotten small parts. In Rumors, I didn't know the show at all trying out and at first I was just glad to have gotten in, until I got the script and saw that it was THE smallest part in the play, but it was going to be okay because since I was only in the end of act 2 I only had to go to about half of the rehearsals and could come late to the ones that I did have to be at, which really helped my sanity and just being able to be a part of it was a good thing. Now last night when the call back list for the crucible went up, I looked at the list and was fairlyĀ disappointedĀ that I didn't get called back for either of the parts I had wanted and the part I was called back for is a 10 year old little girl- which is ironic as I'm the oldest girl in the cast and she is the youngest part, but I decided to go in with a good attitude and just try my best at whatever was thrown at me because really, this play is pretty equal when it comes to stage time. And I realized that Betty was actually a really fun part to play because people tend to call her "Little,Ā SnivelingĀ Betty Parris" because since she is so young, she cries, a lot. Which, believe it or not, sobbing and freaking out in character is actually really fun to do. So, now that I've seen the cast list, I'm really happy to say that I have been cast as "Little, Sniveling Betty Parris".
