#thia bl

You may want to go hunting anyway!

Seven Days

Seven Days: Monday-Thursday

Seven Days: Friday-Sunday

Japan 2015

Never doubt my ability to recommend this show. One of the best live action yaois ever made, with perfectly structured angst, fantastic characters and acting, and no problematic tropes (rare in Japanese BL). The leads have excellent chemistry although it’s low heat there’s still some really cute mutual kisses.

Cherry Magic AKA 30-sai made Dotei Da to Mahotsukai ni Nareru rashii

Japan 2020

The sweetest fluffiest magical realism BL, packaged as a pinning office romance, very low heat (practically chaste) but the cutest. It’s truly great.

Cherry Magic Thailand

Thai 2024

A soft charming warm hug of a show about crushes and mind reading and self worth, with no-fuss execution from a consummate team and an OG lead pair proving why they remain eternal and deserve to grow up. Look, here’s the thing, Cherry Magic is a great Thai BL in its own right not comparing it to any other iteration. But even when I do compare (and I've seen all the Cherries and read the manga) it still stands. I personally like it slightly better than the Japanese live action, but I think that’s because I just really like Thai BL and I LOVE TayNew. Also all the kissing was both present and better than any other iteration. As it should be from Thailand.

I Feel You Linger in the Air

Thai 2023

IFYLITA is an exquisite BL, from filming techniques to narrative framework (much like Until We Meet Again). Steeped in history and family drama it edges into lakorn (but no as much as To Sir With Love and with way less scenery chewing). This is an elegant and classy BL... from Thailand which normally doesn't even try for classy. The main couple (both as a pair and individuals) were excellent, particularly Bright (Yai) whose eye-work acting style is a personal favorite of mine. Pity about the ending. Oh it wasn’t that sad but it wasn’t good either. This show could easily have earned a 10/10 from me except that it fumbled the… erm… balls in the final quarter. Argh. Whatever.

All about the ecstasy and the agony here.

Restart After Come Back Home AKA Risutato wa tadaima no ato de

Japan 2020

Atmospheric study in rural Japan meets complex family dynamics built on a romance framework of city boy meets country boy, grumpy/sunshine. It’s beautiful and icy sweet. Slow moving in places but ultimately worth the patience, low heat, low angst, and stunning.

Given

Japan 2021

Boy joins band, falls in love with other boy. The singing is terrible, fast forward through that but with the possible exception of the hair styles, this BL could have been made in 2015 and no one would be surprised. As such, it wasn’t ground breaking, but it didn’t disappoint either.

Make a Wish

Thai 2023

A doctor who can see the dead strikes a bargain with a wish-granting irreverent tree angel - naturally they fall in love (from Sammon: Manner of Death & Triage). Stars Fluke Natouch opposite not-Ohm, but who tf cares because Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but still satisfying and with nice little twist). I like that the doctor is just gay AF - fag hag bestie and all the swagger. The cast is excellent even if the comedic stylings are a bit overblown and tonally off. It had sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency. Definitely recommended.

2 Moons The Ambassador AKA 2 Moons 3

Thai 2022

A Thai pulp that felt like it came out 5 yrs prior, with many of the flaws inherent to that time and studio system, including manufactured angst and convoluted plot, but an ultimately sweet main couple that (as a pairing) feels a bit more modern and satisfying to watch than they started out. This will probably go down in history as one of the few BLs where I genuinely didn’t care about any of the side couples. All that said, I find this show oddly appealing and rewatchable and I have no excuses for that except, I enjoyed it probably more than it deserved. Nostalgia & d**k, it's what's for dinner.

I Want to See Only You AKA Kimi no Koto Dake Mite Itai

Japan 2022

This is a beautiful well acted piece of cinema, about two boys who are opposite personalities and grew up together. Gifted and serious Sakura pines after outgoing eccentric manic pixie dream boy, Yuma. It is very pretty and this is the kind of atmospheric elegantly performed BL that only really comes from Japan (complete with dead fish kisses - what you though Korea invented them? oh no). If you want something stylish, this is it.

Triage

Thai 2022

BL does Groundhog Day featuring a doctor stuck in a time loop who must save a poor little rich boy from death by seducing the stuffing out of him, then PLOT TWIST, poor little rich boy must do the same for the doctor! Unfortunately... stuffing keeps leaking. I thought the plot was engaging if a little redundant and occasionally exhausting. The pairs were all well done, low heat but with decent chemistry and the support characters were likable (or unlikable, as required). If anything, the romance arc detracted and distracted from the main plot, but that doesn't stop this from being a genuinely good show.

HONORABLE MENTION

Great Men Academy

Thai 2019

Bodyswap involving unicorns turning a teenage girl into a boy makes this questionable as a BL (because, ya know, gender). But the fact remains that James is killer in the lead, and I (who do not like bodyswap) loved this damn show. Look, there is actual plot, hotties at boarding school, "bully the one you love" trope, some weird VR shit, very bad CGI, and yes, the boys end up together... whether they boys or not, so to speak.

Some of these shows may appear on a smaller streaming service, like WeTV, or they may be on a legal platform in your territory. I hope it goes without saying you should check there first.

(source)

This list updated Spring 2024, not responsible for cool stuff that went missing (or was added to a platform) after that date.

It's it last in a series the rest of which are:

one more look at the ghost before I'm gonna make it leave

It’s okay. You’re safe. It’s okay. Gun. I got you. It’s okay. It’s okay.  

KINNPORSCHE ANNIVERSARY WEEK 9

I know plenty of people hate TharnType. But for me, it holds a special place.

We live vicariously through art. Just because I watch or read murder mysteries doesn’t mean I think I can solve one in real life. Just because I cheer when someone gets knocked out in a movie doesn’t mean I condone violence. I like watching shows that require critical thinking and deep dives into my emotions.

TharnType holds a special place in my heart because I rarely get to see sexual assault victims portrayed in their growth. I also rarely get to see them consumed by hate, which is a valid response many of us have. That kind of representation matters to me. Seeing such a damaged person come out the other side and still find love means something different to me than a typical romance.

I know exactly how Type feels, because I was Type. I carried that hate. I carried that weight. And just like him, I found love. So can he. So can you.

I like shows that make me think. That make me question. That make me analyze my emotions. Therefore, yes, I’ll point out the toxicity in TharnType because it’s there. But I’ll also talk about what those toxic moments mean and why they make the show so fascinating.

Type is introduced as the classic “man’s man.” Tough. Sporty. Narrow in his worldview. But that brand of masculinity doesn’t come from nowhere. Men are socialized to portray strength, especially in Asian cultures where the role of protector and provider sits heavy.

Now, add sexual assault into that equation, and you’ve got a perfect storm. Male victims often feel doubly weak: first from the trauma itself and second from society’s expectation that they should have been “strong enough” to prevent it. I can’t tell you how many times I’ve heard people say, “That wouldn’t have happened to me; I would’ve fought back,” or “I’m too strong for that.” As if muscles or confidence magically grant immunity. Spoiler: They don’t.

So what happens? Many survivors overcompensate with hyper-masculinity. It’s armor. Anger, toughness, and aggression all tools to erase the cracks, to cover the shame, to scream to the world, “I’m not weak.”

And here’s where I give MAME credit: she gets it. This layer of characterization is not an accident. It’s rare to see it written because unless a victim opens up, this behavioral pattern is usually invisible. But it’s there, and it’s painfully real.

Also… let’s be honest: Type is basically the poster boy for toxic masculinity, but make it trauma. If “bench press your feelings” was a person, it’d be him.

When Techno runs in and tells Type his roommate is gay, he isn’t just stirring drama; he’s testing the waters. Trying to figure out how to stop The Wave. He knows Type’s prejudice, and he knows dropping this information will spark a reaction.

Here’s the thing: all of Type’s friends are perfectly fine with gay people. They don’t share his views. And yet, they still hang out with him. Why? Because they already know his hate has a reason. People don’t cling to prejudice this tightly without scars behind it.

And this is where I get a little fired up: when people say, “Just because he went through what he did doesn’t excuse his hate,” all I hear is, “Shut the fuck up, your lack of sympathy is showing.” I don’t know a single survivor who didn’t go through a period of hate. Not one. That hate is part of the process. And yes, it takes work, hard, grueling, ugly work, to claw your way out of it.

That’s the difference between being a victim and becoming a survivor: whether or not you let the hate consume you. And I’ll be honest, mine almost did. That’s why I relate to Type so much. I know what it feels like when anger is the only shield you’ve got left.

What I like about the first big confrontation between Tharn and Type is that, despite Tharn’s obvious anger, he argues with reason. He brings up points that actually make Type pause. And that matters, because anger without hate can still be heard. Hate just shuts people down, but anger paired with truth plants seeds. And here, that’s exactly what happens: the very arguments Tharn throws out are the same ones Type later turns over in his own head. The bias is starting to crack.

But Type’s resistance isn’t just stubbornness; it’s fear. His nightmares (which the show downplays, but we can’t ignore) are telling. He dreams of being molested again, this time by Tharn. His subconscious is screaming that his anger isn’t about Tharn being gay; it’s about the fear of being weak, of being vulnerable, of being overpowered.

That’s why anger feels safer. Anger is armor. It covers the cracks. It hides the broken pieces that Type doesn’t want anyone to see.

What I love is how Techno never co-signs Type’s prejudice. He doesn’t let it slide. Every chance he gets, he calls it out and tries to educate. When he even hints at whether Tharn has hit on him, Type explodes in anger because, again, that anger is a shield. It’s easier to lash out than to admit fear.

The flashbacks are important here, too. We see the real Type before hate consumed him: friendly, respectful, easygoing, a guy who didn’t need to fight over little things. But when hate takes root, it reshapes you. You stop being who you are and start being who your pain makes you.

And this is where the cycle flips. Tharn starts slipping too. His anger hardens into the early stages of hate. If you feed that flame, it doesn’t take long before you’re justifying revenge, before you’re doing things the “old you” wouldn’t even recognize. That’s the ugly truth about hate: it warps all of us.

Through it all, Techno stands on the sidelines like the third camera angle, seeing the bigger picture, seeing Type for who he really is. And through his friends’ interactions with him, we’re reminded: Type isn’t inherently bad. He’s guilty, conflicted, and caught in a spiral he doesn’t know how to stop.

Here’s something people don’t talk about: Tharn has a habit of getting all up in Type’s space. Like, seriously, this man has never heard of personal boundaries? Type, on the other hand, keeps pushing him back or backing away. Sure, Type starts plenty of the verbal sparring, but he never leans into Tharn. Because his fear isn’t just physical, it’s mental and emotional. Tharn represents a threat he can’t punch away.

And then… the cheek kiss. The cheek kiss is the turning point. That’s when we see Type get physical, because in his head, the line has been crossed. He’s not lashing out because of a joke; he’s defending himself against a move that felt threatening. Up until that moment, his “weapons” were words. But Tharn kissed first, so the rules of engagement shifted.

Now, don’t get me wrong, I cheered. I love a good revenge move, and Tharn’s was deliciously petty. But let’s be real: neither of them is “right” here. Type shouldn’t have been hostile from the start, and Tharn definitely shouldn’t have decided “casual harassment but make it flirty” was the solution. They’re both wrong. Like, spectacularly wrong.

And that’s why they’re perfect for each other. They need to take each other out of the dating pool. It's for the sake of society.

Techno's out here moonlighting as Google Translate for Emotional Damage™. It's honestly heartbreaking if you slow down and really listen. Techno is doing everything possible to explain Type without selling him out. He gives Tharn just enough of the truth to show there’s a reason behind the hate, but not enough to betray his friend’s deepest wound. And the way he phrases it, “He's not a bad person, just… that one,” that hesitation says it all. Techno forgives Type because he understands where it’s coming from. He doesn’t condone it, but he sees the pain underneath and chooses to stay. That’s friendship.

But here’s the rub: it’s not sinking in for Tharn. He hears the words, but he doesn’t absorb the weight. Maybe he’s like so many people in real life who think trauma isn’t an excuse. And sure, it’s not a free pass, but it is a context. Telling a victim, “just get over it,” is like telling someone with PTSD, anxiety, or any other mental scar, “just stop misfiring.” It doesn’t work like that. Especially when you’ve had no therapy, no voice, and no tools to heal. Type’s trauma didn’t fade; it calcified. It festered as a dirty secret, warping his worldview because it had nowhere else to go.

And that’s what makes this scene cut deep. Tharn is principled; he refuses to move because he won’t concede that being gay is “wrong.” It’s about dignity, and honestly, I respect that. But at the same time, it shows his blind spot. He has an idea of what’s behind Type’s prejudice, but no comprehension of the compassion required to meet him where he is. He wants respect but can’t yet recognize that Type is fighting an invisible war just to get out of bed every day.

This isn’t just dorm drama; it’s two different kinds of pain colliding: the pain of prejudice vs. the pain of trauma. And neither boy knows how to speak the other’s language.

Tharn and the Hickey Heard Round the World

This scene is pure chaos wrapped in moral ambiguity. On the surface, it’s just Tharn plotting his “lesson” while Techno flees like, “Nope, not my circus, not my monkeys.” (Honestly, Techno deserves hazard pay for being stuck between these two.)

But let’s really sit in what happens. Tharn insists, “I don’t do drunk people.” Good. Baseline human decency achieved. But then, oh, the animosity leaks out. The days' worth of being insulted, scorned, and trampled by Type’s prejudice have built up, and suddenly Tharn’s like, “Well, maybe I don’t cross that line, but how about this other one with a hickey-shaped stamp of vengeance?”

Here’s the twist: it feels sweet. Admit it. Some of us cheered. Type has been that jerk we all fantasize about “teaching a lesson.” Watching Tharn slip a little revenge in there scratches the same itch as seeing a school bully get a pie in the face. But at the same time? It’s uncomfortable. Because it’s not just revenge, it’s crossing a boundary. And that’s the brilliance of this show. It dares to make you root for something and recoil from it in the same breath.

It’s not meant to be clean. Likewise, it’s not meant to be comfortable. It’s meant to poke at the part of us that thinks, “Yeah, revenge feels good,” and then force us to confront, “…but should it?” Tharn himself proves how thin that line is, the difference between standing on principle and slipping into spite.