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I need you
Beach scene in catching fire đ

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TRIBUTES FROM DISTRICT 12 vol.2
Well... So... I have two things to say:
1. I wanted to expand somehow Peetaâs portrait I did for âhow you draw his hairâ ask. I mean, why not?
2. I wanted to participate in #thgagain and this is an iconic look for the first book of the series.
3. Oops, did I say TWO things to say? Never mind. I really really HATE the one I draw in November, itâs awful. So I always wanted to redraw this outfit.
4. Also I find a mistake in my old drawing and HAD to redraw it immediately.
So here we are! Everlark Outfit #9, version 2.
What do we know about this outfit: Cinna does my hair in my simple trademark braid down my back. Then the clothes arrive, the same for every tribute. Cinna has had no say in my outfit, does not even know what will be in the package, but he helps me dress in the undergarments, simple tawny pants, light green blouse, sturdy brown belt, and thin, hooded black jacket that falls to my thighs. âThe material in the jacketâs designed to reflect body heat. Expect some cool nights,â he says. The boots, worn over skintight socks, are better than I could have hoped for. Soft leather not unlike my ones at home. These have a narrow flexible rubber sole with treads though. Good for running. I think Iâm finished when Cinna pulls the gold mockingjay pin from his pocket. I had completely forgotten about it. [Katniss] + a bright orange backpack. + silver sheath of arrows and a bow, already strung [Peeta] + I agently unzip his jacket, unbutton his shirt and ease them off him. + I hand Peeta my knife, since whatever weapons he once had are long gone, and he slips it into his belt.
I did a bookcomb for Everlark and their inside jokes throughout the series because itâs very pure, esp when you isolate them all together đ„șđ„șđ„ș.
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âWhere is Haymitch, anyway? Isnât he supposed to protect us from this sort of thing?â says Peeta.
âWith all that alcohol in him, itâs probably not advisable to have him around an open flame,â I say.
And suddenly weâre both laughing. I guess weâre both so nervous about the Games and more pressingly, petrified of being turned into human torches, weâre not acting sensibly.
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âLean down a minute first,â he says. âNeed to tell you something.â I lean over and put my good ear to his lips, which tickle as he whispers. âRemember, weâre madly in love, so itâs all right to kiss me anytime you feel like it.â
I jerk my head back but end up laughing. âThanks, Iâll keep it in mind.â
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âKatniss?â Peeta says. I meet his eyes, knowing my face must be some shade of green. He mouths the words. âHow about that kiss?â
I burst out laughing because the whole thing is so revolting I canât stand it.
âSomething wrong?â he asks a little too innocently.
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âYou know they didnât expect that to happen. It wasnât meant to be part of the arena. They never planned on anyone using it as a weapon. It made them look stupid that he figured it out. I bet they had a good time trying to spin that one. Bet thatâs why I donât remember seeing it on television. Itâs almost as bad as us and the berries!â
I canât help laughing, really laughing, for the first time in months. Peeta just shakes his head like Iâve lost my mind â and maybe I have, a little.
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Beetee is still messing around the tree, doing I donât know what, taking measurements and such. At one point he snaps off a sliver of bark, joins us, and throws it against the force field. It bounces back and lands on the ground, glowing. In a few moments it returns to its original color. âWell, that explains a lot,â says Beetee. I look at Peeta and canât help biting my lip to keep from laughing since it explains absolutely nothing to anyone but Beetee.
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Peetaâs just pried open an oyster when I hear him give a laugh. âHey, look at this!â He holds up a glistening, perfect pearl about the size of a pea. âYou know, if you put enough pressure on coal it turns to pearls,â he says earnestly to Finnick.
âNo, it doesnât,â says Finnick dismissively. But I crack up, remembering thatâs how a clueless Effie Trinket presented us to the people of the Capitol last year, before anyone knew us. As coal pressured into pearls by our weighty existence. Beauty that arose out of pain.
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To celebrate the end of the awesome reread for the first THG book organized by @everlarkedalwaysâ , I thought it would be nice to compile the illustrations Iâve made over the course of it. It was such a cool experience and Iâm quite proud of myself for having managed to draw at least one illustration per week/ every 3 chapters consistently over these past 9 weeks! Because I ended up with more illustrations than fit properly in one post, I decided to arrange them per parts of the book :) Canât wait to tackle Book 2! đ
My illustrations for The Hunger Games, Book 1, Part I âThe Tributesâ
Maiahâs arrangements are beautiful and enhanced my experience reading the balled of songbirds and snake. Donât let Lionsgate get away with removing fan content.
https://www.change.org/p/let-maiah-wynne-keep-her-videos-up
Let Maiah Wynne keep her videos up

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»» Explore ««
the epic trilogy of The Hunger Games.
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the powerful story of Panem.
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On May 8th, we begin a journey through the three amazing books that comprise the trilogy of The Hunger Games. Over the next six months we'll create, share and converse about the books through a joint reread and weekly prompts meant to inspire creativity. All of this culminating in a movie rewatch this fall.
Stay with me?
chapter one observations đđčđŒ
Katniss putting her hunting boots on before any of her clothes is such an odd, funny detail
the Seam is a nickname, not an official designation
small descriptions of the district I have glossed before: âblack cinder streetsâ âsquat gray housesâ and the Meadow (Katnissâs caps, not mine) is a âscruffy field,â not exactly the idyl we often imagine
Katnissâs description of her fatherâs death is so abrupt and perfunctory in comparisons to some of her other descriptions you can almost feel the walls built up around her grief
the woods are not just hard to get into, theyâre dangerous, with rabid animals and poisonous snakes
the surreptitious apple harvest is a lovely image of the stubbornness of the people of 12
Katniss looking quickly over her shoulder after making the âstarve to death in safetyâ remark is a great characterization moment: a hint of rebellion, then instant fear
I love the mention of younger Katniss being a feisty girl with lots of opinions about the Capitol
and yet another key characterization about her learning to school her tongue and her face to stay safe: Katniss isnât a cold person, but she is very cautious
even she acknowledges that her detached demeanor isnât her truest self when she admits she can be herself when sheâs with Gale
I love the detail of the berry bushes protecting from unwanted eyes because it feels like yet another folksy detail
she smiles when she sees her best friend, and I love that for her
Gale and Katnissâs names are elemental: Galeâs is an air name, connected to wind and storms, and Katnissâs is a water and earth name, because katniss plants grow by water
real subtle with the arrow in the bread there, Suzanne
how did I forget how genuinely sweet this moment with Gale and Katniss getting excited over bread and cheese is? oh platonic Everthorne we barely knew ye
I also seemed to forget that Mr. Everdeen met Mrs. Everdeen because he brought her herbs
Katniss says sheâs not the forgiving type, but right before she says that, she seems to be trying to extend empathy, however sour, to the mother who let her turn to âskin and bonesâ
Katnissâs description of the landscape of the woods (âteeming with lifeâ with a âblue skyâ and âsoft breezeâ) again, speaks to her eye for beauty and capacity for possibility
and then the topic of children comes up and thereâs almost instant irritability between Gale and Katniss: itâs so sudden and Katniss is so instantly defensive and eager to explain to the audience that she and Gale are not an item â Iâm curious why they snap at each other so quickly when the topic of the future comes up? thoughts?
I do think it is very sweet that Gale is thinking of children, despite the state of his world
of the three main kids, his family is easily the most functional we see, and I bet that influences his thoughts and expectations
they fish with poles! how backwoods of them
as someone who was so taken aback when I discovered that the black market wasnât actually a place you could go to, it appeases me somewhat that the Hob is an actual physical black market in a warehouseïżŒ
I think itâs so compassionate of Katniss to understand that just because some people have it better than her, it doesnât make them bad people or snobs (in the case of Madge)
okay, this exchange is not nearly as heated as I remembered: Gale makes a comment that could either be genuine or sarcastic, and Madge responds in kind, Gale makes his comment about it being far less likely sheâll go to the Capitol (which is true, if unhelpful), and Katniss mediates, and they leave
I understand there some class and race interpretations that could be read here, but I donât think itâs as toxic of a conversation as I remembered
and Gale and Madge are big kids: they can both say things that are both correct and insensitive
the expositional purpose is served, and Katniss comes away looking even more compassionate than ever when she expresses that Galeâs frustration is founded and itâs easy to resent people like Madge when they make comments with harmless intent, but hurting impact
but even Gale has the emotional maturity on the very next page to acknowledge that the system is what is truly broken, and the interpersonal relationships because of it
âI let him yellâ â Katniss is such a caring person, because even as she shoves her own needs and emotions down, she allows Gale this outlet for his, even as it scares off game
Prim in Katnissâs first reaping outfit is such a macabre bit of hand-me-down nostalgia
the âlovelyâ soft blue dress is such a beautiful image, as is Primâs âhushedâ voice when she tells Katniss sheâs beautiful
the detail of them saving the strawberries and bread for later is another gut wrenching foreshadowing (because we know something is going to happen even if weâve never read the book before) in the vein of a side character in a movie saying theyâll do something with their family when they get home and we just know theyâre going to die in the next scene
Katniss describes the town square as a place that can be pleasant, especially on market days!
but then she immediately counters it with the image of bright (I read that as too colorful) banners against grimy buildings and cameras like âbuzzardsâ above
much as the movies are not my cup of tea, I think they did a good job with the too bright, overexposed atmosphere of this scene
Effie wears a green suit, not a pink one! though her wig is pink
some quasi-religious language with the âtime for repentance and thanksâ line from the mayor (though itâs my personal belief the Capitol did its best to stamp out organized religion, some sermon language never hurt to use in your dictatorship)
I remember reading Primâs name be called and my heart dropped right into my stomach: I was NOT anticipating it, and Suzanne really knows how to end a chapter on a cliffhanger
these are just my personal (probably typo ridden) thoughts! no discourse is meant to be incited, but your girl loves discussion! Iâll see you all in chapter two!
This quote happens as Katniss and Peeta are taking a drunk Haymitch back to his room. Peeta seems to know what to do here, even if it seems a bit innocuous. It makes me wonder though... does Peeta understand how to deal with an alcoholic? I don't know why this thought jumped out at this reading when it didn't before, but I get the feeling here that Peeta is used to doing something like this. Maybe another reason his mother is so miserable- could his father be an alcoholic?