#the reply

At times, though, the influences weigh heavy. “Razor Sharp” provides a highlight, but only in spite of the fact that it sounds like a Jam knockoff (a good one, but still). The band never had much time to grow — five years or so is an eon, but not when you're still learning to play your instruments — so the set doesn't have massive diversity. Even so, it's clear that the artists were tracking down different sounds (ska, maybe a little dub) and their creativity was just beginning to blossom.  

If The Complete Collection simply dragged up an old band that almost made it, it wouldn't be worth the effort. Instead, it reveals a band that could have and should have made it (at least by, say, Dischord standards). The group overcomes its influences, mixing mod and punk starting points by sounding harsher than much mod music but brighter than most punk. “Wake Up (Socialism in E Minor)” uses memorable riff for its unconquered view on institutional oppression. “All Good Things” approaches pop rock, all while discussing a political assassination.  

The Reply might have the lovable naivete of young punk at times, but they also have its indefatigable energy. With their commitment to social consciousness and hook-filled music, the group has picked a fine time for a reemergence. This archival retrieval sounds of its time, but once the cobwebs are dusted off, it sounds less dated and more just properly ripened.