The Hamletmachine by Heiner Müeller, 1979
seen from Russia

seen from United States
seen from Russia
seen from United States

seen from Canada
seen from Canada

seen from United States

seen from Malaysia
seen from Germany

seen from Australia

seen from Australia
seen from Australia

seen from Australia

seen from Australia
seen from United States
seen from China
seen from Israel

seen from Israel

seen from Malaysia

seen from Malaysia
The Hamletmachine by Heiner Müeller, 1979

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I donāt want to eat drink breathe love a woman a man a child an animal anymore. I donāt want to die anymore. I donāt want to kill anymore.
Heiner Mueller, from The Hamletmachine (tr. by Dennis Redmond)
VOICE(S) from the coffin: What you killed you should also love.
Heiner Mueller, from The Hamletmachine (tr. by Dennis Redmond)
We could slaughter one another in peace, and with some consideration, if we wearied of this world or if our necks were too narrow for our cries.
Heiner Mueller, from The Hamletmachine (tr. by Dennis Redmond)
Yesterday I stopped killing myself. I am alone with my breasts my thighs my lap. I rip apart the instruments of my imprisonment
Ophelia, The Hamletmachine (from Heiner Muller)

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Show week
On the whole, show week was a success. Yes, a few people flubbed over lines, yes, we had a few technical difficulties, and yes, we had a fire alarm go off in the middle of our closing night performance, but what theatre show is always perfect?
We muddled through and came out the other side rather victorious. As we had expected, the audience had next to no clue what the show was a bout, but for the most part, they enjoyed it.
From an actorās perspective, there were of course some improvements I could have made, like rehearsing theĀ āto be or not to be speechā more, with a distraction in the background, because when it came to performing it, I found myself teetering fairly close to being distracted and forgetting my lines.
From a technical perspective on the sound department, we could have somehow attempted to polish up the microphones and how they picked up outside sounds, right from the beginning. As it turned out, our technical supervisor had to solve that problem without us, and so that aspect may reflect badly on us as a department. However, I think we completed most, if not all, of the other tasks we set ourselves out to do, with a great end result.
I enjoyed my time working on this production, and I also hope the rest of my department did as well.
For the last time: may the force be with you. Always.
Above we can see the elusive murder of Hamlets, taking a break from their daily vengeance against uncles-cum-kings. Normally a bitter and emotional creature, here we can see the rarely seen collective of Hamlets (sometimes pronounced HamlƩ) relaxing and enjoying some frivolity amongst each other.
Todayās rehearsal finalised the movement piece to Bowieās StarmanĀ and polished up some of the final scenes of our play. I was told during the working on our movement pieces that the idea had arisen last rehearsal for my partner in a section of the piece to dip me, which should be highly entertaining from the rest of the classās point of view. A queer inigma, if you will: a gay man playing a woman, romantically dipping a gay woman playing a man. Like two negatives of a magnet trying to work together. Groundbreaking.
As we muddle along, it is now a process of sorting through the scenes to pick out what we like and what we donāt (we being our director), and to see scenes fit together like a puzzle. It is a very fun process to watch unravel and to be part of; Iām still very excited to be in this show, and so I donāt feel as though it will be losing itās magic any time soon.
Stay tuned, and may the force be with you. Always.
Rejoice, rejoice, for we return from our Easter break (perhaps even tireder than we were when it started) and we shall forge on with our show. Today was begun work on our movement piece which is to play before our conglomerateĀ āTo be or not to beā monologue, and to the tune of David Bowieās Starman. We will be attempting to retell the entire story of Hamlet in four scenes (Hamlet and the ghost; Claudius and Gertrudeās wedding, Polonius and Ophelia, and Hamlet and Ophelia), which, from only our first rehearsal workshopping it, came together relatively well.
We also changed our profile pictures and headers to promote the show, and they look spectacular, so well done to our publicity team :)
Stay tuned, and may the force be with you. Always.