THE GOLDFINCH (2019) dir. John Crowley

#ryland grace#phm#rocky the eridian#project hail mary spoilers

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THE GOLDFINCH (2019) dir. John Crowley

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All the time, I’d known it was a mistake, keeping the painting, and still I’d kept it. No good could come of keeping it. It wasn’t even as if it had done me any good or given me any pleasure. Back in Las Vegas, I’d been able to look at it whenever I wanted, when I was sick or sleepy or sad, early morning and the middle of the night, autumn, summer, changing with weather and sun. It was one thing to see a painting in a museum but to see it in all those lights and moods and seasons was to see it a thousand different ways and to keep it shut in the dark—a thing made of light, that only lived in light — was wrong in more ways than I knew how to explain. More than wrong: it was crazy.
Me! You have me!
Oakes Fegley and Finn Wolfhard as THEODORE DECKER and BORIS PAVLIKOVSKY in THE GOLDFINCH (2019) dir. John Crowley.
BORIS PAVLIKOVSKY + ha!
Hey, it’s a stupid rule, no dogs on the bus.

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The dark-haired boy scowled and sank deeper in his seat. He reminded me of the homeless-looking kids who stood around passing cigarettes back and forth on St. Mark’s Place, comparing scars, begging for change-some torn-up clothes and scrawny white arms; same black leather bracelets tangled at the wrists. Their multi-layerd complexity was a sign I couldn’t read, though the general import was clear enough: different tribe, forget about it, I’m way too cool for you, don’t even try to talk to me. Such was my mistaken first impression of the only friend I made when I was in Vegas, and – as it turned out – one of the great friends of my life.
His name was Boris.
Oakes Fegley and Finn Wolfhard as THEODORE DECKER and BORIS PAVLIKOVSKY in THE GOLDFINCH (2019) dir. John Crowley.
Vitamins?
More than anything I was relieved that in my unfamiliar babbling-and-wanting-to-talk state I'd stopped myself from blurting the thing I'd never said, even though it was something we both knew well enough without me saying out loud to him in the street — which was, of course, I love you.