via Textbook Studio (plus video)
seen from United States
seen from United States
seen from United States
seen from Poland
seen from United States
seen from United Kingdom
seen from Sweden
seen from United States
seen from South Korea
seen from Germany

seen from United Kingdom

seen from Sweden

seen from France
seen from TĂĽrkiye
seen from China
seen from Canada
seen from Netherlands

seen from Spain

seen from Ireland

seen from United Kingdom
via Textbook Studio (plus video)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Textbook Studio were in the Freds Laser Studio producing some branding for new local brewery,Cloudwater Brew
10x10 exhibition at Federation House kicked off Design MCR 14 for October! Science of Imagination included work from Barney Ibbotson, Brendan Dawes, DR.ME., Mark Jermyn, Jane Bowyer, Textbook Studio, Sam Meech, Mr Hass, and Micah Purnell...and more! This year the Manchester Print Fair is part of the festival's line up which we are super excited about! Read more here: http://www.designmcr.com
Yuck Print House
Yuck Print House will be opening the doors to their permanent gallery space in Chorlton, Manchester this Saturday the 26 July 2014. Promising to provide “contemporary and beautiful eye-food from a friendly and relaxed setting” Yuck have a range of prints from local and international artists, including our Fred Aldous Sketchpad artists Steve Hockett, Aliyah Hussain, John Powell-Jones and Textbook…
View On WordPress

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Last weekend I spent Saturday on a Printed By Mono risograph workshop run by Textbook Studio & SAVWO. I brought along my design for PRINT FORWARD to work with, and chose blue, black and orange as my 3 colours. I was extremely happy with the result!Â
I saved a few prints to be 'winter trees' and the rest had the 3rd layer of colour making the 'autumn leaves' or 'summer fruit'.
I hope to add these one of these to PRINT FORWARD's first exhibition next year.
Textbook Portfolio Visit
Having already mentioned The Raw Material, amongst the (immaterial) things, which I brought from this event, was an email contact to John. He is a former Stockport College student, and together with his classmates Vicky and Chris they presented their Textbook studio. During the snack break, I asked John about few things, such as Bombay mix or portfolio visit. He agreed, so I asked him for writing his email address down, while I was gobbling Taryn's home made cookies.
Later, I browsed Textbook's presence on the internet, reminded myself, and then after few emails, we agreed on the date of my visit. It was going to be Friday, a day after my 23 hours London Trip. It went easy to find their place, as well as smooth parking. It was more difficult to realize that building was their place. I'm glad I could visit the building which I have been wondering about since my first days here in Manchester. Its signage, and the fact it used to be a big print shop keeps fascinating me, even now. Hotspur house with the wooden letters on their facade. Four floors of wooden steps up to their kingdom built on palettes. There is a small, carefouly insulated wooden unit in the middle of the shared space. There is another design studio, screenprinters, filmers, etc. within this building. A creative hub. Their cozy room contains two desks, book shelves and some source of music, which I was not able to recognize. Sorry guys, if forget anything important. I welcomed a coup of black coffee and started expressing my impression from RCA & V&A. Good, let's move to my book.
I already implemented advice, which I think is quite useful. I keep the pages of my portfolio loose, even though there the clips inside the jacket. People can grab the pages, look closer, be closer to the artwork. From my last portfolio visit I reduced number of the pages dramatically. Today, I planed to present just five of the projects, which I thought were the strongest. Most of them were recent, apart of the work from my BBC placement. Even though there are some brighter moments, I should get rid of them, and not keep them there just to show off. There is the information about that placement in my cv. The work will end up in one of the blast from the past section.
There was a positive idea collision about my next project they looked at; a branding for Hospital Art initiative. The objects which compose that brand are a box and heart. An ambient campaign asks for its execution.  I realized some things which I will remember and never forget (such as Vicky's question about the choice of the orange colour in my stationery set - that was a great lesson, Vicky). Some other comments were more obvious, but again, if I don't discus those issues, I will hardly realize their faulty presence (such as use of simpler grid or size of the presented work). This proved me the fact how the open communication is important. I'm glad that I could receive such valuable feedback and see inspirational example of how to cope with quite emptiness after the graduating.