#tellingtherelations

Thompson D'Arcy Wentworth, (1917) On Growth and Form, Cambridge University Press, Cambridge, and Macmillan Company, New York, 1945, p. 823

Calvino Italo, (1972) Le città invisibili, «Supercoralli», Einaudi, Torino, 1973, pp. 169-170.

John Cage, A Dip in the Lake: Ten Quicksteps, Sixty-two Waltzes, and Fifty-six Marches for Chicago and Vicinity, 1978. [MCA, Chicago, IL]

Baudelaire Charles, (1857) Spleen II in The flowers of evil, Oxford University Press, 1998, p.147 

Bohr won the Nobel Prize in 1922 for his work on the structure of atoms; he described the atom as a small positively charged nucleus surrounded by waves of electrons.

Bizakis Eftichios, Fisica contemporanea e materialismo dialettico, Lavoro Liberato, Milano, 1974. Cover Design: Enzo Mari.

Denes Agnes, Absolutes and Intermediates, 1970. [Courtesy of the artist and Leslie Tonkonow Artworks + Projects] ‘Philosophical Drawing’ illustrates the aesthetic properties of scientific structures of information. 

The Gorgeous Nothings: Emily Dickinson’s Envelope-Poems / Woodberry Poetry Room, Edison-Newman Room, Houghton Library, Harvard University, Cambridge, MA, October 4, 2012.