In today’s post I’m switching things up and introducing you guys to a new segment on my blog, ‘Tea with...” (obvi you could insert your favorite creator there sometime soon, LOL). In today’s post however, it’s Tea with Nova, who is the creator of the renowned hair (wig/frontal/closure) store, ‘Little Bones’. In this interview you will read up on what’s to come from Little Bones, along with some of Nova’s true feelings about the world of Second Life – that’s as far as creating, and more. Thank you so much for taking your time to read, and enjoy. *special thank you to Nova Faerye for trusting my pen, and being my first guest.
J: I’m so glad to have you here today considering your super busy schedule, also I’m totally loving the hair! – I must ask how are you today, what’s been up?
N: Thank you, and I'm doing good! A little tired, been working super hard but it's a good kind of fatigue. You?
J: I’ve honestly been fine just keeping up with my studies, and making sure my readers are loving my content – speaking of my readers, since I do often times post looks, I must ask who are you wearing today?
N: I'm wearing the Lexi jumpsuit from the ISON x Rowne collection, shoes from Vale Koer, and some turtleneck I found on Marketplace a while back. Pretty simple, but I love a clean look.
J: I love how your look is curated of different creators that don’t technically fit in the same “theme”, versatility is always key when pulling a look so I want to ask you who are some of your favorite creators, along with the reason why.
N: That's a long list to be honest, so this might be longwinded. I love so many people, clothing wise I love people who push boundaries of what people would normally wear, like Sanya Bilavio of Vive Nine and Fiore, Harry from ISON, Bob from Vale Koer, Fash from Rowne, Vo Pralou from Seul, Tyr Rozenblum from all her various projects, Nylon and Poly from Nylon Outfitters and Yummy, They're all so incredibly hard-working and sweet people with a unique vision, there's no one like them. Hair wise I love Silent Acoustic from Moon, my best friend and confidante. (to the tune of Golden Girls). Lamb, Lelutka, Magika, Exile... pretty much anyone who's put the time in building their style. They're all super unique and something special.
J: The people you listed are literally so iconic, and statement making, so with that I must ask in the world of Second Life – what do you feel is missing, or otherwise what do you wish would make its grand return in the field of creating?
N: Hmm, I'm not sure. I guess I miss innovation-- people figuring out fun ideas and how things could work for people. Basically becoming inventors on top of designers. That's not to say people aren't doing it at all, but it could be more. Can you imagine how exciting it would be if everyone threw out a game-changer all the time? SL would be even more amazing.
J: The idea of being inventors in the field of creating ontop of designing sounds like a dream come true, you yourself could consider yourself one given the versatility of your groundbreaking style hud. Since in some case scenarios what’s able to be done in Second Life is limited – If you could change one thing about Second Life what would it be?
N: Give me physical bones to work with so I can finally make a whippy ponytail. Bento is almost right, but a full physical skeletal system would just make my heart explode.
J: I’d literally die to be able to whip my ponytails on here, so that seems fun, I’d like to ask what is your biggest pet peeve on Second Life aside from not being able to make that awesome whippy ponytail?
N: That people don't make more clothing for Belleza, those hips though.
J: Haha! That’s actually a pressing issue that I hadn’t realized, I thought it was just a joke that Belleza didn’t have much clothes. – I want to dig deeper into the questions, and ask you how do you feel about people that try to imitate your aesthetic?
N: I don't really think about it that much. I think people get to where they want to be eventually, and for the most part watching and learning is an important way to find your own aesthetic. So, if people use my work as a stepping stone to their best work that's totally fine; also, it's a natural unconscious thing to pick things you like to build on. It's not that serious to me.
J: I like how you don’t mind technically being the ‘blueprint’ for what ones’ style may be. I would however like to ask since you said that learning is an important way to find your own aesthetic, what influenced you to create in the style that you do, and also what gravitated you to wanting to create hairs?
N: I guess a multitude of things. My style has always changed over the years, so it could be anything from pop culture to my personal style. I'm ever-evolving, so it could be anything from runway, to movies, to animated characters. For the creating question, when I first started, it was only because I wanted certain styles and colors people just weren't doing. I wanted to make stuff for myself, and share it with people who might like them too. Plus I felt like I'd be pretty good at it.
J: Aesthetics sometimes do in a way ‘promote’ stores, and attract customers – so tying into that statement, did you ever expect to be where you are now in the field of creating?
N: Actually yeah, I knew I was pretty good. Definitely not great, looking back. I put on some of my older styles and cringe like crazy.. But when you look at any creator, quality only goes up. I knew I could do that eventually.
J: LOL! Looking at past projects as a creator could always make one cringe a bit. The next question I have for you would be, if you could teach your old self a thing or two, what would it be?
N: All the tricks I learned to make wigs faster, although I'd probably have a catalog full of shit, so maybe it's for the best that it went the way it did. Another piece of advice would probably to calm down. It's not that serious. Have fun, do what you want.
J: That’s a great answer, some people want to have the best formula, or recipe early in the field of creating, but don’t take into consideration what could have been the result of that. Another question I’d like to ask is what advice if any could you give those wanting to learn to, or just starting to create.
N: Pretty much the same answer. Actually, a big one I'd wanna put out there would be that there really is no such thing as competition here. People get caught up in the race to be the best, when that doesn't matter. Just worry about YOUR best. People will love your craft, and it won't matter what the next person is doing. Another thing, do what you want, don't listen to people who want to influence you. If you don't like what you're doing, it won't turn out very good. Put some love in it, and you'll do great.
J: Great advice! So, obviously you’ve put a lot of love into your brand – so I want to ask this question that has been bothering me since we’ve sat here. I’ve always wanted to know, where did the name, “Little Bones” come from?
N: It came from the fact I wanted something edgy and cute. I also hate the name and wish I could change it. Haha. It reflects who I was at 19, not me now at 25. We'll see down the road if I branch into a name I like better.
J: Haha! Well, Little Bones does sound edgy and cute so I can’t knock that, but since you did mention that you’d branch into a new name possibly – I want to ask what could we expect from Little Bones in the near future?
N: A lot more ideas I want to implement, a cute building I'm working on, as well as collaborations and image changes. It's important for me to grow and learn, or I'll just get bored. But in the end, expect more frequent releases. There's a slew of beautiful things just waiting to get out on the grid!
J: Well, Nova! That’s all the questions I have for you, thank you sooo much for stopping by and giving me your time to ask you these questions. Do you have any more words?
N: No, thank you so much for having me, and I cant wait to show the grid what I’ve been working on!
Please be sure to keep up with Nova Faerye of Little Bones on her social media, and shop at the links below!
FLICKR / MARKETPLACE / INWORLD STORE
