Dec 26, 2025
Stanton Macdonald-Wright, Synchromy, 1914
Loading...
seen from United States
seen from United States
seen from China
seen from Indonesia
seen from United Kingdom
seen from United Kingdom
seen from Malaysia
seen from Russia
seen from United Kingdom
seen from United Kingdom
seen from United Kingdom
seen from Ireland
seen from United States
seen from Japan
seen from Yemen
seen from Japan
seen from Pakistan
seen from United Kingdom
seen from Germany
seen from Australia
Stanton Macdonald-Wright, Synchromy, 1914
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Film stills from Synchromy No. 4: Escape (Mary Ellen Bute & TJ Nemeth, 1938).
(photographed by C. Colsher at the Whitney NYC, 2021).
Morgan Russell - Synchromy (1914)
Still-life Synchromy with Nude in Yellow, 1913. Morgan Russell
Oil on canvas
Mauricio Kagel / Joseph Beuys - Beethovens Küche (Beethoven's kitchen)
250 Beethoven + Konzert Ensemble Modern m. Mauricio Kagel "Ludwig van", Elphi 18.1., Trailer von Kagel + zwei Konzerte von Synchromy (Pasadena 2017) und "Ludwig van for three pianos" von F. Bongelli & Co. (2019). Viel Spaß: https://t1p.de/wg6a @ensemblemodern https://t1p.de/bobk #synchromy
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Synchromy #5. 1937. Harry Bertoia. American, born Italy, 1915-1978. Wadsworth Atheneum Museum of Art.
“Unconventional but playful, rarely has the avant-garde been so joyful to discover.”
I profiled Norman McLaren for Vague Visages
https://vimeo.com/29399459
Norman McLaren, Synchromy (1973)
“by Norman McLaren — 1971
Here are pyrotechnics of the keyboard, but with only a camera to "play the tune." To make this film, Norman McLaren employed novel optical techniques to compose the piano rhythms of the sound track. These he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear. It is synchronization of image and sound in the truest sense of the word.
Production : National Film Board of Canada (nfb.ca)”