▪︎ Puppy with a Slice of Dried Salmon.
Artist: Totoya Hokkei (Japanese, 1780–1850)
Date: 1825 (Year of the Rooster)
Medium: Surimono, shikishi-ban; polychrome woodblock print with light gauffrage.
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seen from China
seen from China
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seen from United States
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seen from United States

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seen from Venezuela
seen from China
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▪︎ Puppy with a Slice of Dried Salmon.
Artist: Totoya Hokkei (Japanese, 1780–1850)
Date: 1825 (Year of the Rooster)
Medium: Surimono, shikishi-ban; polychrome woodblock print with light gauffrage.

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#Crustmas trio:
Yashima Gakutei (Japan, 1786?–1868)
Crabs Near the Water's Edge, c.1830
Woodblock print (surimono); ink & color on paper
8 x 7 5/16 in. (20.3 x 18.6 cm)
Metropolitan Museum of Art New York JP1138
“As the poem at the left is by the leader of the Katsushika poetry group, Bunbunsha Kanikomaru (Little Crab), it is not surprising that the subject of this surimono is the tiny benkei crab, drawn, as customary, to appear somewhat comical. The second poem, on the right, is by the important actor and figure in Edo, Ichikawa Danjuro VII, signed Sansho the seventh, his pen name.”
Basket with two painted scrolls, surimono print by Kubo Shunman (ca. 1790).
Title: Japanese White-eyes with Plum Tree and Willow, from the album Spring Rain Surimono Album (Harusame surimono-jō), vol. 3 Artist: Kubo Shunman (Japanese, 1757-1820) Date: ca. 1810 (Edo period) Genre: animal study; birds-and-flowers Medium: polychrome woodblock print (surimono) mounted on an album leaf (ink and color on paper) Dimensions: 21 cm (8.3 in) high x 18.6 cm (7.3 in) wide Location: Metropolitan Museum of Art, NYC
Yashima Gakutei - Surimono with a reflection in a mirror of a Japanese woman in a Westernized dress (c.1820s)
A surimono (摺物, “printed thing”) was a type woodblock print in Japan, typically produced in small editions for special occasions rather than for commercial sale. In most cases they contained short poems and elaborate image, usually printed in square format on refined paper. The descriptive part:
A woman, adorning herself at her desk. The jeweled sky, the sunlit sky - spring
The poem can be roughly translated as:
Though writing has its place (=is important), let the eyes wander where they please; over a cup of thin (light?) tea, with a heart that listens at leisure, to the village’s voice.
The woman’s half-absent, inward-looking gaze in the mirror rhyme very well with the poem’s drifting, daydreaming tone. Typically for surimono, it's a fairly small print (~18x20cm), and yet the artist managed to brilliantly show this gaze that drifts past the scroll as if wandering elsewhere.

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Utagawa Kuninao, Nô Mask and Wrapping Cloth
Decorations for the New Year and New Year Decorations and Tablewares by Ryūryūkyo Shinsai
Japanese, Edo Period, early 19th century
woodblock print (surimono)
Metropolitan Museum of Art
Kubo Shunman - flower surimono, from various series.