Raimund Germela - Trying New Shoes {aka Interieur mit Schwenkspiegel (Swivel Mirror)} (c.1920s)
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@art-mirrors-art
Raimund Germela - Trying New Shoes {aka Interieur mit Schwenkspiegel (Swivel Mirror)} (c.1920s)

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Prudence Flint - The Hit (2025)
I suddenly realized that I never actually shared here this etching of Prudence by Hendrick Goltzius; he made it around 1600s, as a part of the series with all Christian virtues. The inscription reads:
Arcanas rerum scrutor Prudentia causas, Praeterita ancipiti vultu videoque futura.
which means:
I, Prudence, investigate the hidden causes of things; with my double face I see both the past and the future.
The design was very popular in the first half of the 17th century and was reproduced by many etchers, including Jacob Matham (whom this print is often attributed to). As with many works by Goltzius he copied, he mirrored the original:
See also the tankard with Prudence made after this design
A silver tankard (!) with Christian virtues (!!) Made in Germany around 1660s, the tankard depicts four virtues - Justice, Temperance, Prudence and Charity.
The Prudence (with mirror and snakes) borrows from the famous design by Hendrick Goltzius:
Ingel Fallstedt - Kvinna vid spegel {Woman by a Mirror} (c.1880s)
Terracotta figuring with glass, ~ 35 cm high

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Harold Cazneaux - Self-portrait in a mirror (1910)
Unknown artist - La Toilette du soir {Woman undressing before a psyché mirror}, Italian colour postcard (P.G.C.F.), c. 1910s It's a wonderfully inconsistent, almost Escheresque mirror - the reflection seems constructed in several different perspectives. With that orientation of the mirror as we see in the upper register, we should see the woman's reflected body at a correspondingly oblique angle. Instead, her reflected head and body are presented almost as a frontal portrait - as if the mirror was just standing vertically. It's like the painter forgot with what angle he started the top while working his way down the figure.
Tatiana Lieberman - Untitled (Self & Shadow) (c.1993)
Laurence Antignac - Butterfly (2023)
Bahram Gur and the Persian Princess in the White Pavilion, a miniature from Haft Payk by Nizami Gouache and gold on paper, ~ 15x22 cm, c. 1800s, Qajar Iran Bahram Gur, also known as Bahram V, was the legendary king who ruled Iran in 420-438. In Nizami's story, written much later, in 12th century, he marries seven princesses from the seven regions of the world and builds a different coloured pavilion for each.
The seven pavilions correspond to seven days, seven colours and seven planets. During one week he visits one princess each night, and each tells him a story.
This pavilion is White, so it's also Friday - and Venus (the name of the princess is Dorosti, or Diroste).
Which makes the black rectangle on a wall likely a mirror - of course, not the 5th-century mirror but a 19th-century wall mirror inserted into a legendary setting:

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Erika Lee Sears - Confetti Blast (2026)
Unknown Corporate Designers - Firefox in a mirror (2025)
Shinsui Itō - Clock and Beauty, no. IV (1964)
These are mirrors (or 'mirror sculptures' as they call them) from the design studio Drought; one of those posts when I need to explicitly add that this is not a promo post, I have no connection with the collective ^_^
On the floor and in the back ground you see mirrors called (expectedly) iPod Nano (also Knife), and this one is called Paint, after the software program:
Richard Claremont - What Memory Kept (2026)
Acrylic on board, 35 x 45 cm

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Ryūryūkyo Shinsai - Surimoto with a Clothing Rack and a Mirror Stand (c.1810s)
Chris Reccardi
Chris Reccardi - In Pursuit of Ms Froste (2008)