Okay... I'm shutting off my connection to all social media until I finish the long overdue next chapter of my first fic for Jonrya, "Love Lost". I know it's been on hiatus for over 2 years and I am so sorry to everyone who's been patiently (or not so patiently lol) waiting for the next release. My goal is to get it out within the next two weeks! I actually currently have two different versions of the next episode but I'm constantly going back and forth on which one to proceed with. I think I'll just flip a coin and go forward with that one. Anyways, pray to the old gods for me!
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What do you know of my heart, priestess? What do you know of my sister?
I know among Jonrya shippers that this line from Jon VI in ADWD is iconic and further evidence that the good ship Jonrya is sailing strong in ASOIAF (as GRRM originally intended). I also know that thereâs been some, err, tumblr discourse about the use of this line for other ships, and this is not a response to that in anyway; Iâve honestly missed 95% of that particular skirmish.Â
As I was working on another meta tonight, I ran across a very curious line much later in ADWDÂ that parallels Jon VI beautifully, so I thought I would put these two scenes together and discuss how they build upon one another.
Jon VI is the chapter in which Jon finds out about Ramsayâs marriage to fArya, and it marks an important turning point for Jon for the remainder of the book (and arguably the series itself). The quote that follows occurs after Jon reads Ramsayâs letter and has presumably been reflecting on it all day. We find him talking to Mormontâs raven and listening to Melisandreâs worship from inside his chambers.Â
Jon felt as stiff as a man of sixty years. Dark dreams, he thought, and guilt. His thoughts kept returning to Arya. There is no way I can help her. I put all kin aside when I said my words. If one of my men told me his sister was in peril, I would tell him that was no concern of his. Once a man had said the words his blood was black. Black as a bastardâs heart. -Jon VI, ADWD
This particular line feels important since itâs the first time that Jon thinks about his heart in the chapter. Earlier, his heart stops for a moment when he discovers that Ramsay is to wed fArya, but thatâs not quite the same thing as Iâm trying to get at here. This line shows that Jon is a sworn brother of the NW--his blood has turned black and black is the color of the NW. However, his heart has remained uncolored by his oath to the NWâs. His heart remains black because itâs always been marked dark/bad/base due to his bastardy. I think the blood vs. heart here is worthwhile of our attention because we know that Jon ultimately decides effectively to betray the NW for the sake of his sister; his bastardâs heart proves too much for him to overcome. Weâll also see the phrase âbastardâs heartâ appear later on, so keep that in mind.
Just after this mini-scene in his chambers, Jon leaves and eventually runs into Melisandre. At first he mistakes her for Ygritte (and idk what to make of that) and then notices that her hands are uncovered. Jon tells her that her fingers will freeze off, and this iconic exchange follows:Â
âIf that is the will of Râhllor. Nightâs powers cannot touch one whose heart is bathed in godâs holy fire.â
âYou heart does not concern me. Just your hands.â
âThe heart is all that matters. Do not despair, Lord Snow. Despair is a weapon of the enemy, whose name may not be spoken. Your sister is not lost to you.â
âI have no sister.â The words were knives. What do you know of my heart, priestess? What do you know of my sister?
Melisandre seemed amused. âWhat is her name, this little sister that you do not have?â
âArya.â His voice was hoarse. âMy half-sister, truly âŚâ
â⌠for you are bastard born. I had not forgotten. I have seen your sister in my fires, fleeing from this marriage they have made for her. Coming here, to you. A girl in grey on a dying horse, I have seen it plain as day. It has not happened yet, but it will.â -Jon VI, ADWD
First, I appreciate how Melisandre can see right through Jonâs pitiful attempt at pretending he doesnât care and doesnât have a sister. He tries to distance himself from Arya, yet itâs a struggle to even say her name with his voice âhoarseâ and his thoughts totally occupied with her all day.Â
Second, Iâd like to linger on the parallel structure of the âwhat do you knowâ lines. As someone who has taught her fair share of composition and public speaking classes, I can assure you that parallel structure plays an important function in writing/speaking. The purpose of parallel structure is to elevate ideas to a higher level of importance and to demonstrate equal importance between the two parallel statements. It also functions to make statements clearer and easier to remember. Long story short, Martin is waving a giant red flag to tell the reader that these two things (Jonâs heart and his sister Arya) are incredibly important. Also, because the sentences are worded exactly the same in terms of subject and verb, âheartâ and âsisterâ are interchangeable; you can switch their locations and the meaning of the sentences stay exactly the same. I offer this up as evidence of the claim that Arya is without a doubt Jonâs heart.Â
Having explained that, the line that comes before it--âThe heart is all that mattersâ--takes on another meaning. Arya is all that matters to Jon, particularly because Arya is the only one who could ever love this bastard brother. Arya knew that being a bastard was not a good thing to be (hence the mention of Arya fearing she was a bastard because she looked just like Jon), but she still loved Jon despite him being insert the long list of beliefs about bastards here. And itâs ultimately his heart makes Jon break from the NW in his final ADWD chapter, both his bastard heartâs traitorous ways (according to Westerosi society, that is) and his incredibly strong love for Arya, who is also his heart.Â
Jon XIII is Jonâs final chapter in ADWD, and I was surprised when I reread it just how much content is packed into this chapter. Thereâs also many thematic parallels to Jon VI, which against serves to mark those themes as important in a variety of ways.Â
In Jon VI, we first hear about the letter from Ramsay. In Jon XIII, we finally get to read the whole thing. A lot of Jonrya fans rightly comment on the importance of âI want my bride backâ from the letter and how Jon echoes it in his own quest to get Arya back. When he echoes Ramsayâs sentiments (hello, parallels!), it becomes I (Jon) want my bride (Arya) back (from you, Ramsay), and offers a strong explanation for why Jon throws everything away to save Arya. Well, that coupled with GRRMâs Waterstones Letter, at least.Â
At the end of the letter, Ramsay writes:Â
I want my bride back. I want the false kingâs queen. I want his daughter and his red witch. I want his wildling princess.
I want his little prince, the wildling babe. And I want my Reek. Send them to me, bastard, and I will not trouble you or your black crows. Keep them from me, and I will cut out your bastardâs heart and eat it. - Jon XIII, ADWD
In these lines, we once again see black + bastard + heart appear together. GRRM emphasizes again that Jonâs allegiance is to the NW, but also that he has a bastardâs heart that marks him as deceitful/traitorous/lustful/etc. I think all of this is to prime the readers for what comes at the end of this chapter.Â
(Also, as a side note, Iâm inclined to read the consuming of Jonâs heart aka Arya very sexually, which makes sense with the whole echoing of I want my bride back. Coincidentally, that echo occurs with a page of his quote).Â
In the next scene (again, paralleling the shift from the letter right to Melisandre and the heart quote), Jon enters the Shieldhall and announces that heâs going to make plans to save Hardhome. These plans happen to not involve him. When heâs called out, Jon explains:Â
âNo. I ride south.â Then Jon read them the letter Ramsay Snow had written.
The Shieldhall went mad.
Every man began to shout at once. They leapt to their feet, shaking fists. So much for the calming power of comfortable benches. Swords were brandished, axes smashed against shields. Jon Snow looked to Tormund. The Giantsbane sounded his horn once more, twice as long and twice as loud as the first time.
âThe Nightâs Watch takes no part in the wars of the Seven Kingdoms,â Jon reminded them when some semblance of quiet had returned. âIt is not for us to oppose the Bastard of Bolton, to avenge Stannis Baratheon, to defend his widow and his daughter. This creature who makes cloaks from the skins of women has sworn to cut my heart out, and I mean to make him answer for those words ⌠but I will not ask my brothers to forswear their vows.
âThe Nightâs Watch will make for Hardhome. I ride to Winterfell alone, unless âŚâ Jon paused. â⌠is there any man here who will come stand with me?â -Jon XIII, ADWD
Again, the letter is read. Then Jon explicitly states that whatâs about to happen is not about Stannis and the politics of Westeros. This is a really weak out for Jon, but a nice work around based in a technicality. But, Jon explicitly says what it is about: Ramsay swore to cut out his heart. And we know from Jon VI that GRRM invites us to understand Jonâs heart to be the same thing as Arya. Therefore, Jon is riding to Winterfell because Ramsay swore he would keep Arya away from him forever--forcibly and gruesomely removing her from his life--and Jon isnât having any of that.Â
I donât think that itâs a radical claim that Jon went to war for Arya. Even non-shippers can see that much, Iâd say. But Jon isnât just riding to save his sister, heâs riding to save a vital, life-giving part of him, Arya. He has never spoken about any of his family in such a way, except for Arya. Iâd argue that based on his commitment to throw it all away (the past several years of his life and his honor) for a girl who is his heart (again, a strange comparison for siblings who arenât Jaime and Cersei), GRRM is still planning on moving forward with his original plan for Jon and Arya. I also think Jon 2.0 is going to make Ramsay pay to a degree we havenât yet seen. Â
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 16/?
Fandom: A Song of Ice and Fire - George R. R. Martin
Rating: Explicit
Warnings: Major Character Death
Relationships: Jon Snow/Arya Stark, Jon Snow & Arya Stark, Jon Snow/Other(s)
Characters: Jon Snow, Arya Stark, Original Characters, Bran Stark
Additional Tags: Time Travel, Reincarnation, Soulmates, Jon Snow is a Targaryen, Alternate Universe - Modern Setting, Arya from the future, Dark Jon Snow, just making sure
Summary:
In his fury and grief, Jon pulled his dagger and cut his palm. The blood dripped from the fresh wound falling over Aryaâs dead body.
âIf it was blood what you wanted...Have mine.â Jon said with his heartbroken. âA Kingâs blood. Blood of the First Men...The Red Good can bring the dead back to life...Iâm not asking much. Just this girl. Give me Arya back.â
Since the semester at college is ending very conveniently with the premier of got s8 and exams looming over, i wont be able to reblog any new jonrya breadcrumbs the show decides to throw our way. I will however stick by this blog faithfully for the release of twow, to properly celebrate this ship.
Thank you sticking by this little ship through thick and thin, over the popularity of central characters. It warms my heart to know little by little people do see more than meets the eye :)
Jon grinned, reached over, and messed up her hair.Arya flushed.They had always been close. - Arya I, AGOTÂ
This is the first time we have Jon messing up Aryaâs hair, something Arya reminds us of and misses throughout the next books.And Aryaâs reaction to it?She flushed.
(of a personâs skin or face) become red and hot, typically as the result of illness or strong emotion.Â
It does come off as weird blushing over your brothers touch.
Arya snatched her arm and glared at him.Jon messed up her hair again. - Arya I, AGOT
âNothing is fair,â Jon said.He messed up her hair again and walked away from her, Ghost silently beside him. -Â Arya I, AGOT
Jon messes up her hair 3 times in only one chapter, he adores and loves Arya so much he basically canât keep his hands away from her.We are told that they always have been close and at the same time we are shown trough their actions.
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I wanna talk about how Jon start to understand the prize he paid to make his âdreamâ comes true, lose his family to have something to call his
 He compares the new recruits to his brother Robb , no one of them was good enough , and yet he face the cold sholder of the master of arms, He won, yet he lose all the same , He miss his brother even Sansa
Later  he thought â He would give anything to be with her nowâ, HER  meaning Arya, who makes him smile , with who he can relateÂ
And of course he face the cruel truth about his mother, but more than that he face his childish dreams ,for a boy of 15 to face what people really thinks about the men who, even if he said to screw himself, he love , respect and value so much â Lord Eddard was not a man to sleep with whoresâÂ
Other thing about jonâs chapter is the Foreshadowing
One thing about Jonâs mother until this moment is so little, however to him is very clear what he dreams about her,âin his dream she was beautiful and highborn, her eyes were kindâ  this line give us just like one before about Ned that to Jon his mother is someone who his father loved , witch its true, This line, bring me memories about Star Wars, how Luke ask Leia about what she remember about her mother âShe was beautiful, and sad so sadâ  A image on a mother is something no one can eraseÂ
Other one is the warning â they will slit your throat for you one nightâ they, of course would be her brothers of the watchÂ
As we saw, Jon not only face the cold, cruel true about being a bastard on the eyes of comun people, but to his own eyesÂ
Arya ...
What bothers me so much about the first part is about how Sansa put Arya in some awful dark place for her looks and her personality:
Sansa use the work Splendid  to talk about the tournament to separate Arya from what she thinks is beautiful and farystory like , because what she thinks is ladylike is not something she sees on AryaÂ
Its know that Sansa and Arya are different, and yet Sansa is who dont stop to think, try or consider who Arya really isÂ
One more time we saw Arya facing the symbol of authority Septa and Sansa , of what she must be , and yet they, who want her to be a lady, always trying to devalue herÂ
One of Aryaâs traits is the guilty and responsability she have whe we talk about the people she love and care aboutÂ
Her love for Jon is above even to her father who she prefer  âShe wouldnât betray Jon, no even to their fatherâÂ
Even whit all the pain Sansa makes her pass, she would not hate her nor hurt herÂ
Foreshadowing
here is more about the price Ned paid, â A lie was not witout honorâ, is well know that talk about Lyanna brings pain to Ned more than anything , and yet he use it like a conexion between Her and Arya, one of many
it show too , how much Arya wants to be strong and indendant, but her father make her remember what truly lays on her words âWinter is coming... when the snow falls ant the white wind blow , the lone wolf dies but the pack surviveâ, these word mark Arya , in a way we can barely see but is present on her journeyÂ
Then we have the similarities ..
the wold blood: Â is constand on jon and arya always , but more important is how they both face the image of authority who opress them , to be something they are not but rather are, yes he is a bastard and yet he is not , Arya is a lady and yet she is not , because one single word dont define who they are
wishes: the both wish to be with eachother, but the same line repeat on the both chapters, âFinish sentences with herâ âshe will finish my sentences as a same mind dreaming the same thing miles and miles away, wishing for the same safe placeÂ
I hope you know that we're watching your every move @imadirewolf. We take plagiarism incredibly seriously in our fandom. Weâre a Jonrya family here and everything we post is supposed to be safe and appreciated. We're going to make sure everyone knows about your little plagiarizing habits. Start writing and making your own ideas, and stop stealing everyone elseâs. We don't send our regards, we deliver them ourselves.
This is the couple that sucked me into the ASOIAF world and indirectly Tumblr as well.
When I read these two chapters (Jon I and Arya I), the most dominant feeling was nostalgia and rightness. Nostalgia, because it has been five years since I read those chapters for the first time, just to see if my hunch about that girl and that boy I saw in my ten minutes of watching episode ten of s1 would pay off. And rightness because as then, so now did I come to the same conclusion.
There is something there.
There is a connection, a comfort, a familiarity between them that is apparent in the scene where they watch the training yard.
Jon gave her a curious look. âShouldnât you be working on your stitches, little sister?â
Arya made a face at him. âI wanted to see them fight.â
He smiled. âCome here, then.â
Arya climbed up on the window and sat beside him
Jon grinned, reached over, and messed up her hair. Arya flushed. They had always been close. Jon had their fatherâs face, as she did. They were the only ones. Robb and Sansa and Bran and even little Rickon all took after the Tullys, with easy smiles and fire in their hair. When Arya had been little, she had been afraid that meant that she was a bastard too. It had been Jon she had gone to in her fear, and Jon who had reassured her.
One thing that seemed to run as a theme through these two chapters was how appearances can be deceptive, especially when we already possess the knowledge of latter revelations.
King Robert doesnât look like a king. The beautiful Queen is cold and cruel. The royal children are not trueborn. The tall black-haired âknightâ is not a knight. The bastard son of Ned Stark is not his bastard.
And to put a shippy spin on this theme - the two apparently close half-siblings are not half-siblings at all. And as for that connection, comfort and familiarity I mentioned above? While it can be read to be familial, is it really? Or is there something more? Something that carried over from the original outline and is still very much in play five books later? Iâm going with a yes on that one.