#sub-miniature

Minolta 16 sub miniature 16mm camera – camera closed

Minolta 16 sub miniature 16mm camera – camera open

Minolta 16 sub miniature 16mm camera – top of camera

Minolta 16 sub miniature 16mm camera – shutter cocked indicator

Minolta 16 sub miniature 16mm camera – shutter release and flash sync

Minolta 16 sub miniature 16mm camera – shutter and aperture settings

Minolta 16 sub miniature 16mm camera – camera cover removed

Minolta 16 sub miniature 16mm camera – top of film chamber

Minolta 16 sub miniature 16mm camera – 16mm film cartridge

Minolta 16 sub miniature 16mm camera – film chamber

Minolta 16 sub miniature 16mm camera – fitting film

Minolta 16 sub miniature 16mm camera – back of camera showing frame counter

My Camera

I bought my example of the Minolta 16 for about £5 and purchased it only to add to my growing collection of Minolta 16mm format cameras. It was on eBay with an opening bid of £4.99 and since no one else placed a bid that is what I got it for.

The camera seems in good shape physically with only a bit of light scuffing on the outer aluminium case. I thought when I first received it that there was a problem with the frame counter because it didn’t advance when the shutter is cocked and released. However, with a bit of experimentation I found that the counter needs to be set to the number of exposures of the film when loading and then it counts down as the film is exposed.

Minolta 16 Description

The Minolta 16 is a much simpler camera than some of the later Minolta 16mm cameras that I own. It has no exposure measuring system and therefore no mechanism for setting film speed etc. The focusing is fixed, and the controls basically consist of two thumb wheels for setting the shutter speed and aperture.

One aspect of the design which is common to all the other 16mm Minolta cameras that I own however, is the solid aluminium outer case which makes the camera feel like a substantial and well made unit.

The camera doesn’t have a film advance in the conventional sense – in a much more James Bond inspired way, the film is advanced and the shutter cocked by pulling the right hand end of the camera (when viewed from behind) out of the solid aluminium case. This advances the film and cocks the shutter whilst at the same time reveals the shutter release button on the top of the inside section. If you do this multiple times the mechanism is clever enough to know that the shutter hasn’t been fired, and the film is not advanced.

Because it would be possible to pull the camera apart, fire the shutter and then put the camera down without closing it up again there is a small blue dot on the outer shutter cover which tells you that the shutter is cocked. This way you should be able to make sure you don’t miss a shot thinking the camera is ready when it’s not.

In order to load the camera with film the outer aluminium case is completely removed by opening it to the point where the shutter is cocked and then holding down a small metal tab and pulling the camera further apart. With the camera in two pieces there is a small trap door in the main camera body which opens up and allows the film cartridge to be dropped into place. In the pictures above you can see one of the film cartridges. This is a Minolta 16 “Colour film for slides” which expired in Oct 1973 which I recently picked up, along with a black & white film currently fitted to my Minolta 16 MG. Although this was sold as Minolta film, in fact it is Ektachrome film and the black & white version I have is Tri-X. I guess Minolta themselves didn’t make film.

This is a nice little addition to my 16mm collection and now I have some film cartridges I am going to try to produce a set of test negatives.

Minolta 16 Specifications

Minolta 16 viewfinder sub-miniature camera

Shutter speeds 1/500 to 1/30 sec + bulb

Aperture f/2.8 to f/16

Rokor 22mm f/2.8 lens

UV filter fitted

Takes Minolta 16mm film cartridge

Spy type ‘pull apart’ shutter cocking and film advance

Count down frame counter

Flash sync socket

Ser No: 495787