#sub phatty

Beautiful white cat Yoli is making a monophonic drone on a Moog Sub Phatty synthesizer.  From yolanda.yolanda.yolanda on Instagram.

The Sub Phatty is perhaps the most under-appreciated member of Moog’s Phatty line of synthesizers, which includes the popular Sub37.  We have one at CatSynth, and it has served us well both in the studio and in live performance. You can view my recent video on the hidden features of the instrument below.

var quads_screen_width = document.body.clientWidth; if ( quads_screen_width >= 1140 ) { /* desktop monitors */ document.write('<ins class="adsbygoogle" style="display:inline-block;width:600px;height:100px;" data-ad-client="pub-5176416568130778" data-ad-slot="2974773354" >'); (adsbygoogle = window.adsbygoogle || []).push({}); }if ( quads_screen_width >= 1024 && quads_screen_width < 1140 ) { /* tablet landscape */ document.write('<ins class="adsbygoogle" style="display:inline-block;width:600px;height:100px;" data-ad-client="pub-5176416568130778" data-ad-slot="2974773354" >'); (adsbygoogle = window.adsbygoogle || []).push({}); }if ( quads_screen_width >= 768 && quads_screen_width < 1024 ) { /* tablet portrait */ document.write('<ins class="adsbygoogle" style="display:inline-block;width:600px;height:100px;" data-ad-client="pub-5176416568130778" data-ad-slot="2974773354" >'); (adsbygoogle = window.adsbygoogle || []).push({}); }if ( quads_screen_width < 768 ) { /* phone */ document.write('<ins class="adsbygoogle" style="display:inline-block;width:600px;height:100px;" data-ad-client="pub-5176416568130778" data-ad-slot="2974773354" >'); (adsbygoogle = window.adsbygoogle || []).push({}); }

It has been a frequent setting for CatSynth pics over the years featuring many different cats, including CatSynth Video: Moog Sub Phatty Purrs.

We have a brand-new CatSynth TV!  This one demonstrates a couple of the hidden features of the Moog Sub Phatty synthesizer.

In particular, we look at filter-topology selection and Oscillator 2 beat frequencies.  The filter selection makes the instrument much more powerful, moving between the extra crunchy 1 and 2-pole filters to the smooth 4-pole that is “quintessentially Moog”.  The beat frequency is a bit more esoteric – it maintains beating frequencies across different pitches, leading to some odd detunings in different registers.  But it can add a new timbral-metric component to compositions – something to explore in more depth.

We also look at the Editor/Librarian software from Moog, which is really handy for accessing these features as well as saving patches.

If you have not yet subscribed to our YouTube channel, please do so 😻