Like animatedness, irritation, envy, anxiety, stuplimity, and paranoia – nonstrategic affects characterized by weak intentionality and characteristic of the situation of scriveners – disgust does not so much solve the dilemma of social powerlessness as diagnose it powerfully. But while all of the negative affects we have discussed call attention to this problem, the poetics of disgust seems to have drawn us closer to the domain of political theory, perhaps even of political commitment, than these others. In its intense and unambivalent negativity, disgust thus seems to represent the outer limit or threshold of what I have called ugly feelings, preparing us for more instrumental or political efficacious emotions. It therefore brings us to the edge of this project on the aesthetics of minor affects, marking the furthest it can go.
Ngai, Ugly Feelings, 353-4














