#studio-ghibli

Introduction to the Ghibli-AI Controversy:

Recently, there's been an uproar over AI's Ghibli-like animation. For those unfamiliar with this, AI now enables users to upload their pictures and convert them into a Studio Ghibli-like aesthetic.

The internet seems divided on this trend. On one hand, it's those who have watched the Ghibli animation series and condemn this as an insult to Hayao Miyazaki's life's work. On the other hand are those who may not even have watched a Ghibli movie and are using this feature, being a part of a fleeting trend - just enjoying themselves.

In 2016, during an interview with FarOut Magazine, Mr Miyazaki, the creator of Ghibli animation had expressed his disdain towards digitally generated animation, "I can't watch this stuff and find [it] interesting. Whoever creates this stuff has no idea what pain is whatsoever. I am utterly disgusted. If you really want to make creepy stuff, you can go ahead and do it. I would never wish to incorporate this technology into my work at all."

He further stated, "I strongly feel that this is an insult to life itself."

For those who know and respect Mr Miyazaki's art and his commitment to hand-drawn animation, support this thought process. They have advocated against this technological use as it strips the essence of Ghibli’s work, reducing it to a mere aesthetic without any of the heart or craftsmanship that defines the studio’s creations.

Hayao Miyazaki and Philosophy of Studio Ghibli:

Miyazaki and Studio Ghibli create stories with recurrent themes, including anti-war sentiments, environmental consciousness, and a genuine appreciation for the little moments in life. His work often explores humanity's relationship with nature and technology, with several of his films portraying antagonists as morally complex characters with redeeming qualities, rather than purely evil.

The Trend and User Interpretation:

Now, those using the Ghibli-style animation converter want to follow whatever is in trend. For them, it's just another filter. Many might not even know about the uproar, and if they do, they might not understand why. Eventually, the craze will fade. To them, it’s a fun diversion - just another effect like the many face filters and digital art transformations that are provided through social media.

At its core, the AI-generated filter is an imitation of the Ghibli aesthetic. It does not and cannot embody the essence of what Ghibli stands for.

The thing with art is that, once it’s out in the world, it takes on a life of its own. People will reinterpret, repurpose, and use it in ways that suit them.

Even if their visual style (soft colors, whimsical machines, lush nature, fluid hand-drawn animation) is applied elsewhere, there's no meaning as it is simply a re-creation, and not an original expression.

Ghibli AI Filter Vs Ghibli Artwork:

The fundamental difference between these lies in the intention, creative innovation, and a pacifist world view:

The Ghibli Artwork is an act of storytelling. It portrays emotions, movement, and carefully crafted scenes that reflect a vision—an interplay of nature, imagination, and human sentiment.

The AI Ghibli filter, on the other hand, simply applies a visual style to an existing image. There is no story, no deeper emotion—just an automated recreation of what already exists.

A similar distinction can be drawn from the works of Yoshida Hiroshi, a renowned 20th-century Japanese artist whose shin-hanga woodblock prints capture meticulously detailed landscapes with a painter’s eye for light, color, and cultural nuance. His works offer an artistic interpretation of reality, not just a replication of it. Despite this difference, its visual style - the lines, the colour shades, and the scene depiction looks similar to that of Studio Ghibli's art.

This brings us to a broader conversation: how mass reproduction dilutes artisanal craftsmanship.

The Story of Chikankari: A Parallel in Cultural Artistry

To illustrate a parallel, I have considered the example of Lucknow’s Chikankari embroidery, a centuries-old craft from India. Chikankari is traditionally handcrafted, featuring intricate white threadwork on fine muslin fabric, creating beautiful patterns and designs. Beyond its aesthetic charm, it carries cultural significance, supporting local artisans and businesses, many of whom are women, and preserving a historical craft.

However, mass-produced machine embroidery falsely marketed as "Chikankari" has flooded the (online and offline) market. The moment a machine replaces the skilled hands of an artisan, the work loses its authenticity. They may look similar, but they no longer hold the same value.

Influencers like Manisha Malik have actively raised awareness about this issue, urging consumers to recognize and support authentic Chikankari embroidery rather than settling for factory-made imitations.

Despite mass production, true connoisseurs of the craft continue to seek out real Chikankari work. The value of this art's consumerism is in these efforts - those who buy Chikankari design for its innate value, not for the fleeting trends. But for its enduring beauty and cultural legacy.

The Essence of Ghibli Art:

Having said this, does the Ghibli-filter and its phase dilute what Ghibli stands for? No. No one can take away the real thing. Ghibli's power comes from its stories, its heart, and its message, not just its aesthetic. Even when corporations or individuals use a "Ghibli-like" style to sell or soften their image, it does not and cannot change what Ghibli represents.

With technology, everything is accessible. Filters are simply an external representation. True value lies in the intention behind creation and its impact. Not from imitation.

A style without its substance is just a hollow imitation. It might look "Ghibli-like," but it will never be Ghibli.

For the Artists: The Nature of Artistic Interpretation

Once your work is out in the world, you'll never know how it can be perceived or repurposed. Art is an expression. It represents a truth, but doesn't have a fixed meaning. Each observer denotes their own interpretation.

For the Consumers: The Responsibility of Conscious Engagement

1 Practice Conscious Consumption: Overexposure to anything diminishes its inherent value. Take time to understand it and use it in a way that is not disrespectful to its culture of origin

2 Research the Meaning behind the Artistic Work: Look beyond trends. Explore the history, intention and significance of an artwork before engaging with it.

3 Shifting Focus from Mass Appeal to True Artistic Value: Art has the power to stir emotions and challenge current structures. It portrays history and everyday life through its expression and craftsmanship. Support the artisans who uphold this and carry forward these cultures.

Ultimately, our role is one of stewardship, remembering and reminding what the art means, and what the artisans bring into this world with their precious craft.

För ca två veckor sedan släpptes första avsnittet av Studio Ghiblis tolkning av Ronja Rövardotter; Sanzoku no Musume Ronja.

Fyra avsnitt har hittills släppts och eftersom vi är så underbara på Ostwerk så har vi länkat till samtliga (originalspråket med engelsk text, såklart). Formatet är i sedvanlig Studio Ghibli-stil med undantag för de rörliga animationerna som ser mer cel-shading-aktiga ut.

http://www.youtube.com/watch?v=fLTQaq0hppg

http://www.youtube.com/watch?v=4DHh_nWLqWI

http://www.youtube.com/watch?v=xGmoQdNYmFo

http://www.youtube.com/watch?v=lQ7bdv9iHug

Ronja Rövardotters fiktiva medeltid känns som en otroligt bra plattform för Studio Ghibli att applicera.

Det här är dock inte första gången som Studio Ghibli lät sig charmas av Astrid Lindgrens verk. På början av 70-talets initierade Studio Ghibli ett Pippi Långstrump-projekt.

Filmstudions grundare Hayao miyazaki och Isao Takahata besökte Visby för inspiration följt av Stockholm för en träff med Astrid Lindgren för ett godkännande. De blev dock nekade och fick återvända till Japan och slopa hela projektet. Deras vistelse och upplevelse fick i stället lägga grund för deras senare film Kikis Expressbud (en av mina personliga favoriter) vars städer fick en stark influens av Gamla Stan och Visby. Nedan har ni ett par skisser från det nedlagda projektet. Åh, vad bra det hade kunnat bli!

//PK

映画「思い出のマーニー」

when i was about 7 I saw spirited away, for a long time I couldn't tell if it was a movie i saw or a dream I had. When I was 16 I went to a movie night at a friend's and she put in spirited away. It was like remembering a dream, and it opened up the world of studio ghibli to me.