#studio litho

SUMAC and Moor Mother, The Film, (Opaque Yellow 2xLP, CD, Digital album), THRILL 629, Thrill Jockey, 2025 [© Moor Mother, SUMAC]

Google Maps image, October 2012, Fremont, Seattle.

I believe this to be Jeff and Stoney standing in the doorway of Studio Litho in October of 2012, watching the Google Earth photographer go past. I've included pics of both of them from 2012 for reference.

Stoney with old HS friend Om (who also introduced him to Brit). The top & bottom (personal) pics are them rocking out at the Bam Bam Tributaries show 2 (?? I think) years ago. I swear since the COVID lockdown my perception of the passage of time has been warped.

“We live and we die by time. And we must not commit the sin of losing our track on time.” ~ Chuck Noland: “Cast Away”

Time is an amazing thing. It is precious and it can be fleeting. It seems the older you get, the faster time flies by and your life is measured by what you do with that time.

Pearl Jam guitarist Stone Gossard certainly makes the best of his time. Not only is he in one of the world’s biggest rock bands and constantly touring, but he also has Brad, a side band with his friends Regan Hagar and Shawn Smith. More importantly, Gossard is a father and husband.

“My typical day isn’t always music,” Gossard said from his home in Seattle. “I usually get up, drink way too much coffee, make sure my daughter eats her cereal and I brush her hair before school. Then I take her to school, run some errands, then come home, walk the dog with my wife, then have lunch, pick up my daughter from school and come home and play. Then it’s diner and a movie and off to bed. That is the excitement of my day now. I love it.”

“Then again,” Gossard continued, “the typical day could mean getting up, flying to South America to play some shows, write some music or go to the recording studio.”

Gossard has found the time and the perfect way to merge the love of his family with his music on his sophomore solo album Moonlander. The album will be released on Pearl Jam’s own Monkeywrench Records on June 25. Gossard started releasing singles 10 weeks prior to the official release date.

“We knew we needed some art work to go with the album so we came up with the idea of an original piece of art to go with each single we put out every week. When you have an album and you don’t plan on playing a lot of shows, if any at all, you have to do something special with promoting the album to draw interest and have a destination to generate interest so people can hear it. I don’t know if this idea will work, but it was fun.”

The art work incorporated with the single was provided by Gossard and his daughter.

“My daughter loves to paint and draw and when she would, I would as well. I hope the pieces convey a sense of freedom from formal rules and of playfulness that comes from hanging with your lovely 5-year old.”

The weekly single idea grew when Gossard’s wife found Washington state craft maker, Terri Swinhart at Once Upon a Drawing (http://once-upon-a-drawing.blogspot.com), they sent one of the drawings to the artist and she created a “softie” which goes with each single and which Gossard signed and gave away in weekly contests.

“My wife found Terri Swinhart online and we sent her a drawing my daughter did to see if she could make something for us and when we got it back the softie was dead on. It was mind blowing. She does a great rendition of the art work.”

When working on a solo album time is a luxury Gossard does have. It’s been 12 years since he released his solo debut Bayleaf and the 11 tracks for Moonlander were recorded over an 8-year span, 2003-2011.

“Over the last year, I went through all of my old demos and recordings that weren’t used as Pearl Jam or Brad songs and picked my favorites. With the help of Floyd Reitsma (Studio Litho engineer), Pete Droge (Executive Producer), and Hans Teuber (multi-instrumentalist and long time Hank Khoir collaborator) I went about trying to finish them. There was lots of re-singing tracks, fleshing out and re-editing, adding new instruments…”

As most guitarists do, Gossard would save any guitar riffs to his computer for possible future use. Over eight years of doing this, the hard drive became pretty packed with riffs, songs, or lyrics Gossard had to sift through.

“As a guitar player if you come up with a little something you want to save it just in case, even though about 90 percent of the time you know it won’t be used. But you keep it because…I don’t know. “

As a music veteran of over 25 years and being in some of rock’s seminal bands (Green River, Mother Love Bone, Temple of the Dog), Gossard doesn’t find it time consuming going through all the files when trying to record a song for an album.

“I never had a problem focusing on a project, whether it is Brad or Pearl Jam, you just get in and listen. I don’t find it hard going back through these pieces of music. I make quick decisions to get things done. I had this record done about five years ago, but as I listened to it then, the album wasn’t a good as I wanted it to be. So I put it back in the cooker again to make sure I had everything I wanted before releasing it.”

For the most part putting out a record is about timing but when you are in the position Gossard is in, one doesn’t have to worry about getting a solo record out or putting one out if at all. But when you are an artist who is always creating, you know when the time is right to showcase your work.

“I just had these moments about everything that were recurring where I would think about these songs I was working on. I would always go back and work on them if the studio was available and work on overdubs, guitar parts or just listen until I got what I wanted.”

To get what he wanted, Gossard enlisted an impressive collections of friends/musicians to play on the album. Moonlander features appearances from Matt Cameron (Pearl Jam, Soundgarden), Matt Chamberlain, Regan Hagar (Brad, Malfunkshun, Satchel), Pete Droge, Brandon Harper, Gregg Keplinger, Keith Lowe, Barbara Ireland (The Fags) and Hans Teuber.

“I have been so fortunate. If I’d look back and thought about the people I’ve played with and got to meet. With all the twists and turns I have been through in my life in music, I am so blessed to play with people like Ed [Pearl Jam frontman Eddie Vedder], Josh Homme from Queens of the Stone Age or Shawn Smith [Satchel, Pigeonhead, Brad] and the list goes on and on. I am a little bit numb to it because it just seems natural. I don’t know how to explain it…I am truly blessed…I don’t know what I did exactly, but it has been incredible. “

Gossard has always been one to recognize and use his fortunes to help people, communities and the world. Gossard has supported and/or worked with amazing foundations.

“I’ve always been conscious of philanthropy even before the success. It’s about giving back, creating a better place for everyone. It comes in waves for me with my schedule. It’s very important to me. At the end of the year I do what I can to give back and help those people in need. It’s something I’ve been involved with and do it when I can. I wish I had more time to do it on a more consistent basis.”

With his new album Moonlander and his daughter hand in hand, Gossard continues to give back with his music and time, finding the littlest things in life mean the biggest.

“I think my idea of fun these days is the simplest things. Staying with my daughter, going to the beach to throw rocks in the ocean, teaching her how to fish, watch her play…that’s a big night out for me. Hanging out with the wife and my daughter…when you have a kid you can’t be more in love.”

ALBUM REVIEW

Stone Gossard - Moonlander

(Monkeywrench)

A dozen years after his funky first solo album Bayleaf, Pearl Jam guitarist Stone Gossard returns with Moonlander.

The captivating 11 tracks from the album were recorded from 2003-2011. Scouring through his hard drive of old demos and recordings that weren’t used as Pearl Jam or Brad songs, Gossard compiled enough material for Moonlander.

With the help of musicians/friends – Matt Cameron (Pearl Jam, Soundgarden), Matt Chamberlain, Regan Hagar (Brad, Malfunkshun, Satchel), Pete Droge, Brandon Harper, Gregg Keplinger, Keith Lowe, Barbara Ireland (The Fags) and Hans Teuber – the songs show Gossard stretching his legs as a solo artist, and most notably his confident singing voice. In addition, the songs come to life with the help of Floyd Reitsma (Studio Litho engineer), Pete Droge (Executive Producer), and Hans Teuber (multi-instrumentalist and long time Hank Khoir collaborator).

Gossard stays true to his love for funky riffs on the opener “I Want Something Different,” which contains a blistering soulful guitar lead. The title track is a playful homage to Bowie’s Ziggy Stardust-era complete with the bells and whistles in the sound effects. The first single “Both Live” is so infectious you will be singing the chorus (“I gotta go, I gotta swim, I gotta use my fins”) long after the song is over. “Your Flames” and “Battle Cry” are two gorgeous slow burners finding Gossard’s warm vocals envelope you with his storied lyrics.

“I Don’t Want To Go To Bed” starts off slow with janglely guitar strums then catches on with a soaring chorus while “Remain” is a straight-forward story teller ballad. The sleeper hit of Moonlander is the fun, quirky ass-shaking groove of “Witch Doctor.”

Benny has been doing amazing free standing rock sculptures for two decades around the Fremont neighborhood. His chalk & rock designs have decorated Litho for years.