#stuartcomer

In 'Signals: How Video Transformed the World,' on view @themuseumofmodernart "Curators Stuart Comer and Michelle Kuo have organized a thrilling experience, one that gets to the heart of what video art is all about: the sense that we need no longer be passive viewers who are force-fed a one-way stream of information."⁠ ⁠ Exhibition catalog forthcoming in May 2023. Available for preorder.⁠ ⁠ Read the full review by @alexgreenberger @artnews via linkinbio.⁠ ⁠ Edited with text by Michelle Kuo, Stuart Comer. Text by Erika Balsom, Aria Dean, David Joselit, Tiffany Sia, Ravi Sundaram. Plate text by Giampaolo Bianconi, Ina Blom, Erica DiBenedetto, Jason Dubs, Brandon Eng, Ed Halter, Nina Horisaki Christens, Marielle Ingram, Danielle Jackson, Rattanamol Singh Johal, Lina Kavaliunas, Inés Katzenstein, Pamela M. Lee, Glenn Ligon, Oluremi C. Onabanjo, Erica Papernik-Shimizu, Felicity D. Scott, Lilia Rocio Taboada, Wong Binghao, Simon Wu. Annotated timeline by Peter Oleksik.⁠ ⁠ #signals #videoart #momavideoart #michellekuo #stuartcomer @stuartcomer https://www.instagram.com/p/Cpup1WXupJz/?igshid=NGJjMDIxMWI=

Sung! David! Stuart! #SungHwanKim #daviddigregorio #StuartComer (at Barakat Contemporary) https://www.instagram.com/p/Ch4LUHXL2VX/?igshid=NGJjMDIxMWI=

Images from 'member: Pope.L, 1978–2001'⁠⠀ ⁠⠀ Pope.L is a consummate thinker and provocateur whose practice across multiple mediums—including painting, drawing, installation, sculpture, theater and video—utilizes abjection, humor, endurance, language and absurdity to confront and undermine rigid systems of belief. Published to accompany a @themuseumofmodernart exhibition, 'member' presents a detailed study of 13 early works that helped define Pope.L’s career. Essays by curators, artists, filmmakers and art historians, plus an interview and artistic interventions by the artist, establish key details for each work and articulate how the artist continues to think about the legacy of these ephemeral projects unfolding in time. (Note the die-cut single hole punched through from cover to cover and the cropped, or cut, corner.)⁠⠀ ⁠⠀ Edited with text by #StuartComer @stuartcomer Text by #NaomiBeckwith #MarkHCBessire @mbessire1 #CCarr #ValerieCasselOliver #AdrienneEdwards @adynyc MalikGaines @dr.malikjulian.g #DanielleAJackson @virtuosa12 #AdrianHeathfield #EJHill @iheartbeuys #ThomasJLax #thomaslax #AndreLepecki #YvonneRainer @why80rainer #MartineSyms @martinesyms #MarthaWilson @marthawilsonartist⁠⠀ ⁠⠀ #blackvoicesmatter Please support #blackownedbusiness and buy from a #blackownedbookstore directly (see linkinbio for a list) or order through many of these stores via Bookshop.org⁠⠀ ⁠⠀ @williampopel1 #popel #performance https://www.instagram.com/p/CBBi6ykJSez/?igshid=12cydj05atorq

Mark Morrisroe: Mark DirtMark Morrisroe: #MarkDirt Published by #Paper Chase Press. Introduction by #StuartComer. Text by #LiaGangitano, #RamseyMcPhillips. #MarkMorrisroe: Mark DirtMark Morrisroe: #MarkDirt Published by Paper Chase Press. Introduction by Stuart Comer. Text by Lia Gangitano, Ramsey McPhillips. The #photographs of #MarkMorrisroe (1959–1989) are steeped in fragility, both as material objects scored and pockmarked by the vicissitudes of time, and as forlorn commemorations of brief moments in all too #brief lives. In this sense, the #photographs are also objects of #ephemera, of a piece with #Morrisroe’s equally fragile #magazines, collages and drawings, which this volume compiles for the first time. Containing much previously unpublished work, Mark Dirt includes spreads from Morrisroe’s #punk zine Dirt (“he sort of invented the #Bostonpunkscene,” #JackPierson later recalled of his former lover), as well as correspondence and notes by the #artist, sketches and even his last will and testament. All of these #documents have been assembled by Morrisroe’s longtime #partner #RamseyMcPhillips, and represent the most complete survey of the artist’s non-photographic wo The photographs of Mark Morrisroe (1959–1989) are steeped in fragility, both as material objects scored and pockmarked by the vicissitudes of time, and as forlorn commemorations of brief moments in all too brief lives. In this sense, the photographs are also objects of ephemera, of a piece with Morrisroe’s equally fragile magazines, collages and drawings, which this volume compiles for the first time. Containing much previously unpublished work, Mark Dirt includes spreads from Morrisroe’s punk zine Dirt (“he sort of invented the Boston punk scene,” Jack Pierson later recalled of his former lover), as well as correspondence and notes by the artist, sketches and even his last will and testament. All of these documents have been assembled by Morrisroe’s longtime partner #RamseyMcPhillips, and represent the most complete survey of the #artist’s non-#photographic wo