I recently finished reading A Court of Thorns & Roses by Sarah J. Maas. Following is my review of the book with minor spoilers. I won't spoil the ending. Fae-based fantasy novels have always been my favorite, ever since I was introduced to the fae world by Holly Black. Since that fateful day in high school when I picked up Valiant at the school library, I havenāt been able to get enough of fae lore. When I looked up this book on Goodreads, there was a blurb that mentioned this book combining Beauty & the Beast with fae lore; I knew that second that this would soon be my favorite book. Not only do I absolutely love the world of faeries, but my favorite movie is Beauty & the Beast. I knew that if this book truly combined the two, there was no way I wouldnāt love it. And I was right. Sarah J. Maas took the old Stockholm-syndrome story line and twisted it. She wove in her own version of the fae to create something so beautiful & enticing that I couldnāt put this book down. The characters she created were a delicious mix of scary & beautiful, as any true faerie should be. The picture she painted of the world ā both worlds: human & fae ā was breathtaking; I wanted to wander through the Spring Courtās gardens; swim in the pool of pure starlight. Her plot was captivating, keeping me on the edge of my seat & constantly craving more. Her language and her word choice restored my faith in modern writers (a faith that, sadly, several authors have taken great pains to obliterate as of late). Overall, A Court of Thorns and Roses was a brilliant book. The characters in this novel were both human & faerie. The faerie were split into two groups: faeries and High Fae. The faeries are the typical, everyday creatures. Some have animalistic features, such as wings or tails. Some have skin like tree bark. Some look like death incarnate. Then, thereās the High Fae. These faeries look more human, but not quite. If their ethereal beauty wasnāt enough to give them away, there were the elongated limbs & fingers, the too-bright eyes, and the ears. And the powers, donāt dare to forget their deadly powers. Though faeries have powers & are deadly enough to any human, the High Fae were a whole other level of menacing magical abilities that could frighten to death any of the most dreadful faeries. For example, all of the High Lords could shape shift. Some could control your body, read your thoughts. Some could heal your wounds. All of them could kill you without breaking a sweat. The main character of this story, however, was human. Feyre was your average, poverty-stricken girl living with her father & sisters, hunting for food & just struggling to survive. One thing that slightly irked me was her name. (And by slightly, I mean that gnat that flew by your face once & then disappeared completely.) To me, āFeyreā is just too much like āfaerieā and didnāt seem like the most creative or original name. But actually getting into the story & falling in love with the characters soon made me forget all about that small nuisance. Feyre, unlike many heroines of todayās Young Adult fiction, was a character whom I could actually like. She had her moments, sure, who doesnāt? But she had a sharp tongue, a fearlessness bordering on recklessness, and was relatable with her flaws. She wasnāt too perfect, but she wasnāt too flawed; she was just right. Also, I loved that fact that she was illiterate. Well, I donāt love illiteracy, but I loved the idea. As readers, we obviously love to read. We love getting lost in a good book. We love big words & deep thoughts. And, in most YA novels, the heroine has similar interests. Iāve noticed in recent years that every heroine is well read, always has a book with her, loves to read. It was a nice change to have a heroine who had other passions ā painting, for Feyre ā and who not only didnāt love reading, but could barely form letters. It was a nice change. Another thing I enjoyed about Feyreās character was that her transition from āfae-hating human taking care of her familyā to āsimple girl falling in love with a High Lordā seemed natural. It wasnāt too forced, it didnāt happen too quickly. It was entirely believable. Tamlin, perhaps, was a little less believable. As High Fae & ruler of the Spring Court, Tamlin was a character I very much liked. He was kind & caring, yet tough & powerful. Though you could tell that his love for Feyre was real, it didnāt ring quite as true as hers. Probably because the story was told from Feyreās point of view, I just donāt feel like I saw his transition from ādesperate to have the curse brokenā to ātruly, madly, deeply in love with this humanā as naturally as I saw hers. Donāt get me wrong, I still ship these two. And I appreciate everything that Tamlin has done for his court, for his people, and for Feyre. Two of my favorite characters were actually supporting characters. Lucien is the type of character to which Iām always drawn. Heās playful, snarky, quick-witted, and caring underneath it all. I loved his banter with other characters & I loved the way he gradually fell for Feyre too. Not the fall of love, but falling for her as a person & caring about her well-being outside of the curse being broken. The fall of friendship. Another character with a quick wit & a playful banter was Rhysand. Though we, as readers, were meant to see him as evil, at least at first, I absolutely loved him. He reminded me of Petyr āLittlefingerā Baelish from Game of Thrones. He always acts out of self-preservation, does everything with his best interests at heart, but despite appearances, he does have a soft-spot underneath his evil mask and he truly cares, not just for himself, but for his court & for Feyre. I am actually quite worried about him. The last time we saw him, something was wrong, and itās driving me crazy not knowing what. I canāt wait to get my hands on the next book to check on him. The humans in this story ā aside from Feyre ā are of much less consequence. Feyre family, her father and two sisters, Nesta & Elain, donāt play a huge part in the story, but I must mention them for a few reasons. First, Feyreās father was one of my least favorite characters. Though perhaps he does have some small measure of love in his heart for his daughters, it isnāt seen. He seems to me to be a pathetic, worthless father and I didnāt think much of him. Not standing up for his youngest daughter, not helping her in any way, not protecting his family ā he was by no means a shining example of parenting. Elain was okay; she was sweet & innocent perhaps had some sense in her head; I didnāt really feel one way or another about her. Nesta, I originally hated. After Feyre returns, however, I couldnāt help but change my opinion of her. Perhaps sheās not a character whom I actually like, but I at least trust her now. Finally, I have to address Amarantha. Sheās the type of villain who is perhaps scariest of all: sheās horrible and vicious, but sheās also relatable. As readers, we can probably all say, āIād never be so cruel & evil,ā but we can empathize with Amarantha being so heartbroken over what happened to her sister. Who of us wouldnāt be devastated by a loved oneās death? Who among us wouldnāt at least entertain the idea of revenge? Most of us wouldnāt actually do anything, but we can see where sheās coming from. And thatās what makes her so scary. Sheās pure evil, no kindness left in her, but we can relate. That shows us that there may be darkness hiding in us too, a darkness we try very hard to deny. But understanding Amarantha, fearing her so highly, proves that the darkness is there. And fearing ourselves by fearing the villain of this story gives it a deeper meaning than whatās seen in the plot. The plot of this story is one Iāve seen a hundred times, but itās one I love every time. Feyre & Tamlin, brought together under circumstances which neither of them enjoyed, start out hating each other, but, given time & getting to know one another, they fall in love. Itās a tale as old as time. Though Iāve seen in in many incarnations ā from the Disney movie I love so well to the Beastly version ā this is one of my favorite adaptations, if only for one reason: the fae. Fae lore absolutely fascinates me. I love how Maas took the basics of fae lore & changed it to suit her world. She took the two most basic rules of fae (donāt eat or drink anything from a faerie & faeries canāt lie) and integrated them seamlessly. She took the āfae canāt lieā rule & revoked it as an old wives tale. While at first this shocked me, it really makes sense as I think about it. In our own world, we have old wives tales & urban myths which have little or no basis in reality. Thatās what the āno liesā myth is like in this story. The other basic fae fact is that eating/drinking anything from a faerie can be dangerous for humans. While this didnāt apply to all food in the story, it certainly rang true for the faerie wine. I appreciated the way that Maas handled both of these & they helped make the story feel more authentic. I donāt want to give away too much of the ending for those of you who havenāt read it, but suffice it to say that itās new ending to the tale as old as time that surprised me and gave me full satisfaction. Iām very pleased with the turn of events. A final point that Iād like to make is that Sarah Maasā writing style really drew me in. In todayās literary world, almost anybody can get a book published, but not every author can write in such a way that is original, witty, and intelligent. Maas captured all three of these qualities in her writing. She wasnāt repetitive in her word usages, she made intelligent word choices, and she made her writing flow naturally. This book was easy to get through, but not so easy that it felt childish. I truly appreciated the writing style, language and flow of this book. Overall, Iād give this book a five out of five stars. The characters, setting, plot, and writing style all came together beautifully in this fresh take on a classic story. I highly recommend this book and I will certainly continue the series as soon as the next installment is available.