CIRCULATION DIAGRAMS
establishing >the movement through a building, >the connection of spaces within a building, >the relationships between program elements.
circulation is a choreographed movement.
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CIRCULATION DIAGRAMS
establishing >the movement through a building, >the connection of spaces within a building, >the relationships between program elements.
circulation is a choreographed movement.
_ik

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PRESENTATION......presenting a scheme with spatial vignette drawings
top: Hee Cho, 3rd yr F-2009 - Dance School, Paris
bottom: Meredith Zelenka, 3rd yr F-2011 - French Quarter Library
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EXPLORATORY DRAWINGS - SPATIAL DRAWINGS 2
http://jairovives.com/Teaching
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EXPLORATORY DRAWINGS - SPATIAL DRAWINGS 1
http://jairovives.com/Teaching
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3D Thread Drawings by Debbie Smyth
I am going to share with you something amazing, something that I fell in love with once I saw it. And that is some impressive contemporary art made by an Irish textile artist Debbie Smyth. She creates intricate 3D drawings using pins and threads. Her artworks join together illustration, drawing, textiles art and embroidery. Something that might usually be a flat drawing becomes a playful and imaginative contemporary 3D art piece.
The artist works with different scales and projects. She creates work for interiors, gallery installations, set design, window displays, graphic design and illustration. To say it in other words, Debbie takes a drawing out of its boundaries and places it in space.
All the images used in this post are the property of Debbie Smyth.

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The Visual Language - Carlo Benardini
The idea of division of the visual unity was born in the early Nineties to create two independent visual identities within the same work. At the beginning I performed it with some paintings that you could watch in the dark, made of a phosphorous substrate under thirty light coatings. White monochromes were crossed by white lines, lines of white light on white; in the dark you could see a kind of photographic negative, the white colour became a sparkle unfolded over the coatings. The part of the surface not covered by the coating spilled the phosphorous substrate, creating that sort of sparkling extended over the entire surface, while the white painted line didn't beam light and became a shade on the surface. This was an independent visual reality of modular panels in succession that you could watch by natural light, as well as white and bright in the dark.
The idea of permeable space is the idea of navigable space, in which the installation can cancel the visual state, then it cancels the space physicality and then allows a person to cross a mental space. So you can permeate this space in a totally different manner from the standard one. The perceptual processing means that a person can live that space, even through darkness, in a different way. This is an area permeated by the presence of an environment of light.