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La Mode illustrée, no. 52, 28 décembre 1890, Paris. Dessin et patron de la manche brodée en soutache. Manche brodée en soutache pour robes et pardessus. Ville de Paris / Bibliothèque Forney
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A Definite Improvement
So I actually did make progress on this yesterday, but I forgot to take more than one picture or post about it. I cut out the lotuses from the large sheet (I kept the scraps of stabilizer for future small projects) and pasted one onto the fabric.
Following the lines was a little difficult because of the width of the soutache, but I think the result speaks for itself.
I did have some difficulty still with ensuring the ends didn't stick out from under the subsequent layer of soutache, but I'm still significantly happier with this attempt than the previous one.
I am currently moving out of my room temporarily so that I can paint the walls and construct a new bed frame, so that may take up time and I'm still working on getting my head right, but I am excited about working on this again. I'm also getting a tattoo in honor of my bunny (my friend is doing a stick and poke for me, they're using professional equipment don't worry), so that is also going to claim part of my time. I'm just trying to keep my head above water while I wait for the tide to go out basically.
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@lilith_vampyre in a velvet soutache embellished coat.
Day Dress
1880-1885
United States
The MET (Accession Number: C.I.65.2.1a, b)
~ Orange and Gray ~
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A red wool cape — perfect for a snowy day! This 1890s wool and silk cape illustrates the continuing interest in a ubiquitous form with endless possibilities for updating. Via the The Metropolitan Museum of Art, New York https://www.metmuseum.org/art/collection/search/107152?rpp=30&pg=2&ao=on&ft=cape&deptids=8&when=A.D.%2B1800-1900&pos=32&imgno=4&tabname=related-objects&epik=dj0yJnU9b3pxeFFQRnZXWFBGcHN2aDhUQUdnVnd1emdFZGF4ODEmcD0wJm49eEdyVUQxNTl5eWljRmtmcG1FLUhIUSZ0PUFBQUFBR0FTd2ZF
Cape | American | The Metropolitan Museum of Art
Just wanted to gush about embroidery, (saw in a recent post you’re working on something right now) because it’s my job of sorts right now and It’s so much fun, I do needle paintings so it’s a lot of satin stitches but chain stitches are fun, also French and colonial knots are satisfying for sure. I would just love to see your work sometime, also I’d love to know your most obscure stitch because I’m always trying to learn new techniques!!
That's amazing; needle paintings are so impressive!
Sorry for the confusion- I don't actually embroider in the literal sense. What I'm doing is soutache embroidery, AKA soutache braidwork/braiding. It's not embroidery proper; it's stitching down a sort of flat braid called soutache in patterns. Like this:
mine isn't quite that neat, because this is my first major soutache project, but I'm learning! it's going around the hem of a skirt, black on peacock blue
