#sondraperry #screenwriting #writing #tvwriting #amwriting #film #television #nycgratitude. (at Manhattan, New York) https://www.instagram.com/p/CgJ-jlDrTNR/?igshid=NGJjMDIxMWI=
seen from Singapore
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#sondraperry #screenwriting #writing #tvwriting #amwriting #film #television #nycgratitude. (at Manhattan, New York) https://www.instagram.com/p/CgJ-jlDrTNR/?igshid=NGJjMDIxMWI=

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#VeniceArtBiennale2022 – “Lineage For A Phantom Zone” by #SondraPerry More info at: https://barbarapicci.com/2022/06/28/venice-art-biennale-2022-lineage-for-a-phantom-zone-by-sondra-perry/ #venicebiennale #BiennaleArte2022 #biennaledivenezia #artinstallation #installazione #installation #installationview #exhibitionview #cultureisfreedom #artisfreedom #curiositykilledtheblogger #artblogging #photooftheday #artaddict #artistsoninstagram #artlover #contemporaryart #artecontemporanea #artmuseum #artcurator #artwatchers #artcollectors #artdealer #arthistory https://www.instagram.com/p/CfWESb5oeup/?igshid=NGJjMDIxMWI=
Article on Sondra Perry’s work by Soyoung Yoon in MFJ 65. Copies available. #sondraperry #soyoungyoon #videoinstallation https://www.instagram.com/p/CFNvvwAlFHS/?igshid=3uaoik8nckzh
Millennium Film Journal No. 65 “Architecture On Screen and Off” (Spring 2017) Cover: Sondra Perry “Ashes for Three Monitor Work Station” (2016) Squeaky Wheel, installation view. #sondraperry #MFJ75 #artistsmovingimage https://www.instagram.com/p/CFK4iRrBYKD/?igshid=19g650zfiwyfs
The Photographic II: Signal Or Noise Available at www.draw-down.com The first chapter, Other Pictures, questioned the special potential of the still image. In Signal or Noise, the gaze is turned inwards and explores the camera as a metaphor for human existence. To a large extent, photography is produced by machines. The reading of an image thus also requires knowledge of the technological development of the discipline, especially because photography has gradually anchored itself in the social sphere. The more images and their environment merge, the more signal and noise become interchangeable. Readable, manipulated, and hidden information are increasingly difficult to distinguish from one another, yet are of equal importance in our visual culture. #TonyCokes #LouiseLawler #SethPrice #ThomasRuff #SondraPerry #DavidHorvitz #HanaMiletić #ForensicArchitecture #ThePhotographic https://www.instagram.com/p/B7tCE1CHhqL/?igshid=vn05esfqs3bv

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Myths of the Marble / Available at www.draw-down.com / Designed by Mark Owens. Documenting a group exhibition at the Institute of Contemporary Art (ICA), University of Pennsylvania, and Henie Onstad Kunstsenter (HOK), Norway, this catalog—like the exhibition—reflects on how the #virtual has been engaged by contemporary artists as a way to consider the world as a site of possibility and limitation that permeates both physical space and online experience. #MythsoftheMarble begins with individual profiles of each artist and expansive color images of their work, which includes painting, sculpture, and installation as well as video, 16-mm film, and VR technology. Informative installation views from both venues connect the essays from scholars Homay King and Tom Holert, along with artists #CayetanoFerrer #FlorianMeisenberg #SondraPerry and art historians Iggy Cortez and Marina Isgro, discussing concepts ranging from the video game “skybox” to the complexities of the “prosthetic.” Artists included in the exhibition and catalog: Rachel de Joode, Cayetano Ferrer, Ane Graff, Ignas Krunglevicius, Chris Marker, Daria Martin, Florian Meisenberg Shahryar Nashat, Sondra Perry, Jacolby Satterwhite, and Susanne M. Winterling. Edited by Alex Klein and Milena Hoegsberg. Published by #Sternberg Press and #ICA Philadelphia, 2018 https://www.instagram.com/p/BtDwM4pAH0z/?utm_source=ig_tumblr_share&igshid=bypukm7z475p
sondra perry · ∞. Young Women Sitting and Standing and Talking and Stuff (No, No, No) April 21, 2015
#seattle #sondraperry