Artemisia by Simone Pignoni (Italian, 1611--1698)

seen from Türkiye
seen from China
seen from United Kingdom
seen from United States

seen from United States
seen from United States
seen from France
seen from United States
seen from Mexico
seen from United States
seen from United Kingdom

seen from United States

seen from United States
seen from China
seen from China
seen from China
seen from Singapore
seen from United States

seen from United States
seen from United States
Artemisia by Simone Pignoni (Italian, 1611--1698)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Rape of Proserpine (c.1650) by Simone Pignoni
Simone Pignoni Saint Catherine of Alexandria
Oil on canvas, 74.3 x 59.4 cm, 17th century
Simone Pignoni The abduction of Proserpine 1650
Simone Pignoni, 1650, Le miracle de la broderie. Brest, Musee des beaux arts.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Proserpina (1670s). Simone Pignoni (Italian, 1611-1698). Oil on canvas.
The story of Proserpine's abduction into the underworld, comes from Ovid's tales of the Loves of the Gods, as recounted in the Metamorphoses (5: 385-424) and the Fasti (4: 417-450). Proserpine was the daughter of the corn-goddess Ceres, and while picking flowers in a meadow she caught the eye of Pluto, the King of the Underworld. Inflamed with passion -- according to Ovid, he had been struck by Cupid's arrow -- Pluto abducted the young beauty, descending with her on his chariot into the gaping chasm that he opened in the earth, toward his subterranean realm. The painting isolates the alarmed nymph from that larger composition, discarding Pluto altogether, with the effect of emphasizing instead Proserpine's graceful beauty, luminous ivory skin, and the exquisitely observed flowers that ornament her youthful charms. The painting likely served as an Allegory of Spring.
Simone Pignoni (Italian,1611–1698)
L'Enlèvement de Proserpine ,1650
Simone Pignoni (1611 - 1698)
“Santa Dorotea”