I pinch your silences into soft whispers, pile them on your still chest —
Sherwin Bitsui, Flood Song
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I pinch your silences into soft whispers, pile them on your still chest —
Sherwin Bitsui, Flood Song

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We look inward and feel the world, and then somehow there’s a vibration happening—I’m always humbled by poetry’s ability to shock me and make me feel that there’s a bigger story here, that as poets we summon this from a river that’s already flowing and sing this into being.
Sherwin Bitsui, interviewed by Joy Harjo for BOMB Magazine
back there — I can feel the faces of wolves.
Sherwin Bitsui, from Flood Song
I write best when I return from visiting my family on the reservation. The journey home feeds my creative process. I move between language, history, and worldviews—it’s always the place between that gives me the most insight into my creative process.
Sherwin Bitsui, in this week’s Ten Questions; read the rest at pw.org!
Sherwin Bitsui, excerpt from "Dissolve"
the slashed wrists of the Colorado.
This poem fucks me up

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The dark before me—unfolded from bead-pressed earth, sparkles, groans, whistles, I breathe it in.
Sherwin Bitsui, excerpt of Dissolve
I sensed the knife in your past, its sharp edge shanked from the canyon stream —
Sherwin Bitsui, Flood Song
Title: Flood Song Author: Sherwin Bitsui Publication Date: November 2009 Publisher: Copper Canyon Press Genre: poetry
The imagery in Bitsui’s poems is incredible, but also difficult to understand due to how surreal they can get. It was interesting to meditate on the abstract approach to nature and culture, these poems presenting a particular spaciousness of the land and living creatures of the land.
I get a sense that there was some kind of play happening with language, but I wasn’t able to pick up on it entirely… maybe because it felt as though I was almost floating through the poems due to the surreal nature of them all.
Read for the Sealey Challenge.