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The spotless giraffe, born at a Tennessee zoo, is the first one seen in more than 50 years.
By Dina Fine Maron
24 August 2023
Just a few weeks old and still without a name, a newborn giraffe at a zoo in northeastern Tennessee could rightly be nicknamed âspotless.â
The female giraffe born without its characteristic spots instead boasts a solid brown coat, a phenomenon that hasnât been observed in any giraffe for more than 50 years.
She was born last month at Brights Zoo, a family-owned facility in Limestone, Tennessee.
A spotless giraffe was last reported at a Tokyo zoo in 1972.
âThe spotless giraffe calf is certainly an interesting case and that type of coloring has never been seen in the wild," says Sara Ferguson, a wildlife veterinarian and conservation health coordinator at the Giraffe Conservation Foundation.
The animalâs rare coloring is likely due to some sort of mutation in one or more genes, she says.
But thereâs no indication of underlying medical issues or that the newborn reticulated giraffe â a subspecies native to eastern Africa â is at a genetic disadvantage.
David Bright, zoo director at the Brights Zoo, says that the babyâs nine-year-old mother, Shenna, had previously birthed three other calves and the trio were all spotted.
This latest addition to the zooâs giraffe family was born at a weight of around 190 pounds, he says, and her veterinary care team concluded âsheâs healthy and normalâ â though her coloring was a surprise.
A case of spotlessness
Genetics often influence animal coloring in diverse ways.
Giraffes with all white coloring have previously been spotted in the wild, including two at a reserve in Kenya in 2017.
Those animals had a genetic condition called leucism, which blocks skin cells from producing pigments.
"Thereâs no known explanation for the spotless giraffe in Tennessee beyond that itâs almost certainly due to some kind of genetic mutation or mutations," says Fred Bercovitch, a wildlife conservation biologist at the Anne Innis Dagg Foundation, a nonprofit that focuses on giraffe conservation.
The last known case of a spotless giraffe was an animal named Toshiko born in 1972 at Ueno Zoo in Tokyo, Japan, CBS News reported.
That giraffeâs mother had birthed another spotless calf several years earlier, according to Bright.
The Brights Zoo, which is home to just over 700 animals of 126 different species, including nine giraffes, asked the public to vote on four potential names for the giraffe calf on its Facebook page.
It accrued over 17,000 votes in the first day, Bright says.
There are four candidate names, all in Swahili: Kipekee (unique), Firyali (extraordinary or unusual), Shakiri (she is most beautiful), and Jamelia (one of great beauty).
Whatâs in a spot?
A 2018 study published in the journal PeerJ found that certain aspects of giraffe spots are passed down from mother to calf, such as how round the spots are and their smoothness (which is technically referred to as âtortuousnessâ).
The study authors also noted that bigger, rounder spots seemed linked to higher survival rates for young giraffes.
Still unanswered, however, was if that was possibly due to better camouflage or other unknown factors like enhanced ability to regulate temperature.
Bercovitch, who wasnât involved in that study, says he wouldnât be concerned about the spotless giraffeâs health even if the giraffe was born in the wild and away from a zooâs medical care.
âAmong mammals, the fur and the hair are the primary features that assist in thermoregulation, not the color of the fur,â he says.
âGiraffes can regularly raise their body temperature by a few degrees ⊠they donât sweat,â he says.
âThatâs one of the reasons you find giraffes under treesâthey want to keep their body temperatures within certain limits.â
Even the lack of camouflage wouldnât necessarily mean the giraffe would be at a disadvantage in the wild, he says, since the mortality rate for young giraffes from lion predation is already so high.
Ferguson, the wildlife veterinarian says she looks forward to hearing more about the giraffe in the years to come.
âWhat would be cool,â she says, âwould be to take an infrared light photo or a thermograph of her to see if the spot pattern is still there but invisible to our eye.â
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Carla Cohen - SheenaÂ
Florence + the Machine debut a new song, 'Heaven is Here,' ealier this week alongside a video by acclaimed director Autumn de Wilde and choreographed by Ryan Heffington. ââHeaven is Hereâ was the first song I wrote in lockdown after an extended period of not being able to get to the studio,â says Florence Welch. âI wanted to make something monstrous. And this clamour of joy, fury and grief was the first thing that came out. With dance studios also shut it was my dream to one day create choreography with it. So itâs one of the first pieces of music I have made specifically with contemporary dance in mind.â
After recently releasing her new single via KRO Records, New Zealand-born, London-based singer-songwriter October and the Eyes is sharing her new video for 'Spiral'. Speaking about the video, October said âI worked closely with my good friend and flatmate Max McLachlan to come up with the concept of the video. I liked the idea of the camera being in constant rotation, speeding up over time to create a sense of disorientation and nausea while dipping and re-emerging between to parallel worlds. Thereâs two versions of myself in the video - this strong, assured, almost domineering presence, and then thereâs this wounded, lost, animalistic version - both of which Iâve often felt like I pendulum betweenâ
Cardiffâs Panic Shack have returned with a new single, âThe Ickâ. Itâs the latest taster from their debut EP Baby Shack, set for release on April 8 via Brace Yourself Records. Speaking about the track, the band explain: ââThe Ickâ is about that feeling you get when youâre dating someone and they do something that really turns you off. No matter how insignificant or trivial â the feeling is irreversible and itâs really not their fault. Something that shouldnât be a deal-breaker but when youâre there staring your Ick in the face, there really is no coming back from it. Where their mere presence is enough to make you want to vom in your own mouth. You would rather run into oncoming traffic, whilst burning alive, than to spend a second longer in their company. It was written while we were on a little song-writing holiday we called âTweak Weekâ which ended up being more of five-day drinking binge in our quaint little holiday cottage. We were gossiping and laughing about past dating fails, sharing anecdotes and it just snowballed from there. Every lyric are actual things that happened to us and gave us major ICK! Someone really did shush Sarah in the cinema â if you can believe that!! (We can.)â It comes alongside a video, of which they continue: âThe video is a bit of a different vibe from our usual boysterous antics. We really wanted this one to be darker and more serious to match the music and paired with the silly lyrics we thought it was a fun contrast. Our good friend Ren Faulkner filmed this one too!â [via Dork]
Chloe Moriondo has announced a new canine-themed EP, puppy luv. Set to drop on April 8, the announcement comes alongside new track âsammyâ, dedicated to her pet dog of the same name. âpuppy luv is a collection of canine songs that I coincidentally wrote over the past couple years,â Chloe explains. âTo me it feels like a playful bite from a tiny puppy that kinda stings a little later. I dedicate it to Sammy my dog!â [via Dork]
Kate Bollinger has spent the past few years putting out EPs â her most recent was 2020âs A Word Becomes A Sound â and sheâs got another shorter collection of songs coming out later this year. The Look At It In The Light EP is being released next month, and she previewed it a couple months ago with 'Yards / Gardens.' Now, sheâs sharing the silky smooth 'Who Am I But Someone,' which comes with a charming video directed by Allyson Pierce. Hereâs Bollinger on the song and visuals: "There have been many times when Iâve been so afraid to uproot my life in some way but just as afraid of what will happen if I donât. This song is a conversation with myself about avoidance, denial, being afraid of change, and being afraid of stagnating. I shot the video in Los Angeles with Allyson from Pear Juice and a cast and crew of all women (besides our amazing producer Al!). Shooting the video was like being at summer camp â it was one of the best experiences and Iâm so proud of how it turned out." [via Stereogum]
Norwegian and Icelandic duo Ultraflex have a deep-rooted passion for electronic music. Made up of Kari Jahnsen and KatrĂn Helga AndrĂ©sdĂłttir, the duo continues to cement their own unique path in support of their distinct electronic pop brand. Since the release of Visions of Ultraflex, their debut album from 2020, they have continued to make waves, displaying their analog production techniques and glitzy pop sensitivity, and Ultraflex are now ready to share latest track 'Relax', which is the first single since the debut came out. The video was made in collaboration with nail artist Lisa MĂ„rd, jewellery designer MargrĂ©t Unnur GuðmundsdĂłttir, makeup artist Jana Kalgajeva, and cinematographer Ingrid LoftsgĂ„rden. Speaking about the single, the duo said: âThrow on a G-string and some high heels, find a bottle of body lotion, and lather up whilst listening to the sound of bells, chimes, shimmery synths and authoritarian command/ creepy psychiatrist order to take it easy.â [via LOCK]
Dublin-based Kynsy â AKA Ciara Lindsey â has returned with a brand new single, âNew Yearâ. Written on New Yearâs Eve, she explains: âAt the time I had a real desire to celebrate the turn of the year by doing something creative. I had definitely been listening to a lot of Roisin Murphy around then and with the song I wanted to explore the idea of someone who is looking for meaning as the clock edges towards midnight and a new year is on the horizon.âSpeaking about the accompanying visual, she adds, âI wanted to recreate the chaotic energy of the song somehow. Â Working with Georgia Kelly and The Collective we took inspiration from the frantic nature of old black and white silent films to make something strange and intense to try and capture that New Year energy.â [via Dork]
Australia based songwriter Beckah Amani has shared her new single 'Lebeka Leka'. The artist has Tanzanian heritage, and was born in the country before relocating with her family to Australia. 'Lebeka Leka' is a highly personal song, one that delves into family history, and inter-generational support systems. The title actually refers to a familial name, with Beckah commenting: âMy mum calls me Lebeka because thatâs how you pronounce my given name Rebeca in my language Kirundi, she always says 'lebeka lekaâ which means âRebeca, let goâ. I was particularly thinking about fear, how we often get so caught up in it that it kind of distorts everything that we want.â Snap Factory directed the clip, which places 'Lebeka Leka' in its sentimental context. She says... âI wanted to create a visual push and pull between my fears, how they distort my safe places, my dreams and warm moments with my loved ones. I wanted the music video to show how it's the interaction with family and friends that override the presence, weight and pull of these fears; because their voices are the ones that truly matter.â Beckah continues: âMusic began with family for me. It was so special and emotional to have them be a part of the music video and to film on location at my family's farm as well as my family friendsâ farm. The filming process felt like a big hug from the most important people in my life. âLebeka Lekaâ is a love letter to all the people in our lives that make living worth it. Reminding us to remember what is truly important.â [via Clash]
Jenny Berkel has uveiled her new single and video 'Kaleidoscope'. She explains of the song: "The internet with its rabbit holes, slipperiness, and propensity for mis- and disinformation inspired me to write 'Kaleidoscope.' I wanted parts of this song to evoke the same tense, frantic feeling that the internet can sometimes give, paired with a chorus that lifts its way out of that mood." The accompanying 'Kaleidoscope' music video was filmed at Halifax's indoor theatre for Shakespeare By The Sea. Director Meg Hubley (they/she) of Phyllis Rising Productions came up with the idea of setting it in a steadily shrinking room. The strange and surreal figure in the video is played by Mads Higgins (they/them), a circus performer, who moves around the room in a series of graceful and eerie poses. "The lyrics of 'Kaleidoscope' evolved extensively as time went on," says Jenny. "Given that this song considers the importance of care and precision in language, I felt even more attentive to the lyrics than usual."
Emerging as one of the yearâs breakthrough acts, Los Angeles singer and songwriter Em Beihold (pronounced bye-hold) unveils the music video for her buzzing single 'Numb Little Bug' via Moon Projects/Republic Records. The visual seamlessly translates the songâs story and energy to the screen, evoking her sharp sense of humor and even sharper songwriting sensibility in the process. It serves as the perfect companion to this rising hit.
Fears, the rising Irish artist, musician and producer Constance Keane, shares the hauntingly beautiful single '16' featuring her late close friend and cello player, Sophie Gwen Williams. She also reveals a video directed by Zoe Greenway, who performs in punk band M(h)aol alongside Keane, which is dedicated to Williams. Â Amongst the rolling beats that are influenced by the traditional Irish drum, the bodhrĂĄn, the plucked strings of Williams' cello are contrasted by the hushed angelic vocals of Keaneâs whose lyrics reflect on a difficult past relationship and the freedom that hindsight offers. Williamsâ instrumentals on the tender track were recorded from a filmed performance from the one and only time they got to play the track together. Fears says on '16' and the collaboration, âSophie was an incredible artist and a very close friend of mine. We did a filmed performance together last March, thinking we'd get a chance to record it 'properly' in a studio, but she passed away before we could. Zoe and I dedicate the video for '16' to her memory. I had made her a dress for the original performance out of pink tulle - the same fabric I have with me in the video. She was a really inspirational and encouraging person, and I wanted to create something that shows how I carry her with me, even though I no longer have her physically here.â Greenway filmed Fears in The Maharees in Co. Kerry in south west Ireland, an area Keane visited frequently with her family growing up. Keane adds âIt's a very special place to me, and I've always wanted to shoot there, so this seemed like the perfect opportunity." Combining reflective electronics, acoustic samples, and haunting vocals with organic visuals, Fears invites the listener on an ethereal journey, blurring the boundaries between music and visual art. Her minimalist approach centres on emotive subjects, which are all-at-once deeply personal yet remarkably universal.
Following her highly praised return with 'Happy Birthday Forever', Toronto-born, London-based artist Tess Parks is sharing a new single and video, 'Brexit At Tiffanyâs'. Following years of international touring and a lengthy list of collaborations with Brian Jonestown Massacreâs Anton Newcombe in recent years (most recently the duoâs self-titled 2018 LP), the track is lifted from her incoming solo album, And Those Who Were Seen Dancing, due out May 20 on Fuzz Club Records and Hand Drawn Dracula in Canada. Out now, new single 'Brexit at Tiffanyâs' is a piece of smouldering, organ-soaked psych-pop driven by a husky spoken-word vocal from Parks that channels the gauzy poetics of Patti Smith and Lydia Lunch. On 'Brexit at Tiffanyâs', Parks recalls: âWe were recording at Rian [OâGrady]âs house and the guys started playing this music which had Francesco [Perini]âs Ray Mananzarek Doorsâ sensibilities and Mike [Sutton]âs Neil Young-esque guitar, and then I started reading this poem I had written which pieces together definitions of words I found interesting and had written down. The title is thanks to Ruari [Meehan] who kept saying this over and over and we all thought it was the best thing we ever heard.â She says of the video: âThis video was as planned and thought out as its namesake. My friend Robert happened to be in London with a day to spare, so last minute we rallied up some friends who were graciously willing to spend an afternoon wearing these horrific English Breakfast masks. Robert Ascroft, a photographer and director based out of California, adds: âTess and I met up for a coffee while I was on assignment in London. I told her I would love to shoot a video for her brilliant new record. Right from the start of the conversation she had the idea of wearing these English Breakfast masks. The shoot was very loose which is unlike any music video I have ever shot. Without much communication I got the idea and just ran with it. Tess and I have an unspoken way of working together and have similar tastes/references. We had a fun and fast shoot with some great friends both new and old. And we got some odd looks from passersby to top it all off.â
Following the announcement of their debut, self titled, album and first single 'Liar', Envy Of None, the new project featuring Alex Lifeson (Rush), Andy Curran (Coney Hatch), Alfio Annibalini and singer Maiah Wynne have revealed 'Look Inside', their next single and video featuring Maiah and directed by Jaden D. Andy Curran, having a âsoft spotâ for 'Look Inside' recalls the songâs creation âI was in my studio late one night, headphones on⊠a few glasses of red wine deep and thought, wouldnât it be fun to pull out my bass, blow up the tone, double it and play to a really messed up super slow drum groove. Itâs got a real stoner vibe to it. Thatâs what happens when you mix wine and bass⊠Mission accomplished!â With the rough bed track and song name sent to vocalist Maiah Wynne her initial thoughts were one of introspection âSometimes you have to shine a light on all the ugliest pieces of yourself in order to truly change, and you have to keep slaying that dragon over and over again. It is a continuous, slow and painful process. The guitars and bass really drive the grittiness and heaviness I felt when I wrote those lyrics. It feels like an all-encompassing sludge, and that is what I absolutely love about this song.â
We are all familiar with that sound. The sickly sweet echo of jazz-toned instrumentation that softly rings out whilst standing amongst strangers in a crowded lift is something we have all become accustomed to over the years. Looking to breathe life into that universal tune, singer-songwriter Shenna drops her new track 'Elevator Music'. While cleverly curated production hopes to transport listeners to the setting mentioned in the title, we are also treated to a dose of the talented artistâs angelic tone, which is used to deliver a set of lyrics as bold as the concept of the track itself. âI want people to envision themselves as the powerhouse that they are when they hear this song,â divulges Shenna when discussing her newest release. âEven though it has fun lyrics and a quirky storyline, the overall meaning is assuring the listener it is okay to put yourself first and prioritise what matters to you. Time is money and sometimes you have to give yourself a mental break from people asking for favours or blowing up your phone!â Accompanying the tune is a playful self-directed music video in which the singer takes to a hotel-like setting to serenade watchers, adding to the intriguing essence of the new track. Unique at its core, Shennaâs 'Elevator Music' is a tune worthy of a listen. [via Wonderland]
Londonâs Tora-i is here to soothe your soul with her track, 'PBFF'. A softly winding tune at its core, an instant air of calm washes over the track as stripped-back production gives way for Toraâs hypnotic R&B tone to enchant those listening. Sweet in sound the track may be, but that is not where the project ends. Now looking to stun viewers visually, the star on the rise drops the trackâs accompanying music video. Directed by Liam Gleeson, symbolism runs rife in the video as we watch Tora take to a dusky room in which faceless figures contort their bodies in a truly artistic manner. As hauntingly beautiful as the vocals that layer over it, the latest visual display from the artist proves that her creativity knows no bounds. [via Wonderland]
Tulsa, Oklahoma band Cliffdiver have signed to SideOneDummy and will release their new album Exercise Your Demons on May 6 via their new label home. It was produced by Seth Henderson (Action/Adventure, Knuckle Puck, Real Friends, etc) and mastered by Will Yip, and first single/opening track 'New Vegas Bomb' features Skatune Network (aka Jeremy Hunter of We Are the Union and JER). Powered by the dual vocals of co-lead vocalists Joey Duffy and Briana Wright, it's a spit-shined pop punk song with some easycore chugs that would fit in anywhere from early 2000s Drive-Thru Records to Upsides/Suburbia-era Wonder Years to the recent pop punk revival, and it goes full on third wave ska in the bridge. "It's an introduction to the bigger story on the LP and taps into the idea that you can party away the pain, which in my experience doesn't work out too well," Joey says, and Briana adds, "As track #1 it's important that 'New Vegas Bomb' not only lyrically establish the storyline at the heart of Exercise Your Demons, but also demonstrate the musical versatility that we've brought to the entire album." "Iâm going to be okay because Iâve decided Iâm going to be okay," Briana adds about the album overall. "Itâs resilience â and if you own your shit, itâs painful, but no one can take that from you. Thatâs why the recordâs called Exercise Your Demons, because while you may not be able to exorcise them and get them out of your life, you can train them and get them under control." [via Brooklyn Vegan]
Pop superstars Dua Lipa and Megan Thee Stallion have teamed up on the collaborative track 'Sweetest Pie,' which they teased on Instagram earlier this week. Megan and Dua also released a video for the the sugary track. Itâs directed by Dave Meyers, and the concept credits Megan. Dua and Megan, elaborately costumed, make plenty of dessert-related innuendos and dial in their choreography. âHot girl shit, me and Dua Lipa finna get the party lit,â Megan raps overhead. [via Stereogum]
Brooke Combe has dropped a brand new single, âMiss Me Nowâ. Arriving alongside an accompanying visual, Combe says: âI wrote âMiss Me Nowâ after seeing an old flame when I was on a night out and thinking it was a good idea to leave the club with them. Itâs never a good idea⊠but it makes for a good tune.â [via Dork]
Cornelia Jakobs want us to be sure sheâs not just a âone hit wonderâ and has dropped a new single. Cornelia is currently one of the most talked about artist in Sweden. Cornelia wants to share another side of her music and drops a new music video 'Fine'. This drak lo-fi emotional love ballad was written by Cornelia herself together with Carl Silvergran, Emma Bertilsson and Felix Flygare Floderer. The beautiful video was directed by Celia Caap. [via Escbeat]
Singer-songwriter Kate Miller-Heidke has shared a new version of her 2020 song âYou Canât Hurt Me Anymoreâ, a deeply personal cut that now features vocals from Jaguar Jonze. Lifted from a forthcoming deluxe edition of Miller-Heidkeâs 2020 album Child in Reverse that will arrive on March 18, the redux dials back some of the retro synth-pop sensibilities of the original for a soaring, atmospheric version with layered guitar and a powerful duet from Miller-Heidke and Jonze. Miller-Heidke said âYou Canât Hurt Me Anymoreâ is about âdancing on the grave of an arseholeâ, explaining that it draws on her experience of being sexually abused by her great grandfather as a young child. âThis song is about how I felt when he died. Ultimately itâs a really empowering song to sing.â The new version of âYou Canât Hurt Me Anymoreâ arrives alongside a video directed by Joshua Tate. In her statement, Miller-Heidke said that she wouldnât have been able to be so open about her experience without the examples of activists Grace Tame and Brittany Higgins, but said the most important inspiration was Jonze, âwith whom [she] had a very deep conservation with the morning this song was writtenâ. âShe described some very shocking things that happened to her as a child, and I felt very connected to her, and full of admiration for her resilience too â thatâs when the song title âYou Canât Hurt Me Anymoreâ popped into my head,â Miller-Heidke explains. âI think itâs one of the most powerful songs Iâve written, and itâs a privilege to sing it with Jaguar Jonze, who transformed the track with her potent raw energy.â [via NME]
Sigrid has announced the details of her second album: How to Let Go is set to arrive on May 6. To accompany the announcement, the Norwegian pop artist has shared a video for her recent single âIt Gets Darkâ, which was created with âMirrorâ director Femke Huurdeman and CANADA. and sees Sigrid escaping into space. Commenting on the song and video, Sigrid said in a statement: "I believe you need to feel the lows in life to feel the highs, and you have to know what sucks to then properly appreciate the good stuff. 'It Gets Dark' is an ode to that. I honestly donât think Iâve ever been as excited about a single release before. Itâs the first song that was written for my upcoming album, and I remember the joy and relief when we figured out the soundscape. I was like FINALLY I know how this second record is gonna sound! The music video is the weirdest Iâve gone visually and I absolutely love it. Weâre playing with planets, UFOâs and rooms all made by hand, as well as perspective, time and space. Itâs the second time working with the brilliant Femke Huurdeman and Canada, and Iâd literally do anything for that team; hence me being reborn out of a planet egg, flying in space with wind blowing in my face, punching a planet and wearing the Saturn ring on my head. Itâs as ridiculously fun as it was making it: enjoy!" According to a press release, the follow-up to 2019âs Sucker Punch was written at a time when Sigrid was contemplating her life in Norway and her life outside of Norway. âTheyâre two different things,â she said. âThe chill girl who loves to ski and hike and cook versus the other part of me thatâs like âletâs go outâ, or letâs play massive shows, go on stage and not be scared of anything. I used to be so shy as a kid but then when Iâm on stage at Glastonbury for example I love losing myself in it.â [via Our Culture Mag]

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