I was a union worker of the United Scenic Artists for 20 years working on huge Hollywood Productions. I was working in a set shop for TV commercials and Broadway shows, but I had an ambition for more. All major motion pictures and Broadway jobs were controlled by the Union. I wanted to make good money surrounded by good people doing what I love. When I first applied to the Union and took the entrance exam, I was only two of two hundred who got accepted. The painting I did for Die Hard with a Vengeance was 180 feet wide and eight stories high. I had a crew for painting alone of about ten people; someone to mix paint, someone to wash the buckets and brushes. When we were working on the mural, each artist had their own style. It was subtle, but I had to constantly move them to different part of the scaffolding so their styles blended together. I loved working behind the scenes of movies because I saw an empty lot in New York City come alive into a true scene of explosions and hysteria. Today, watching movies allows me a whole new realm of satisfaction that most viewers don’t understand. The hole in the ground was made out of Styrofoam, plaster and rubber creating a true look of destroyed cement. There was a crew of a dozen working on the hole for months on end to create a scene that lasted 3 minutes on screen. Knowing this information, doesn’t “ruin” the movie for me, but enhances it. Communication is such a key part of the process, making sure everyone is where they need to be. Walkie talkies were always being used. Several of the movies I worked on, my name over the radio would be “Rembrandt”. So many people used their creative talents to collaborate and produce a cinematic masterpiece.