#set strike

but at some point, I wanted to let them know what kind of outfit I imagined Ed having at the beginning of the fic, before he starts shredding his clothing in his escape attempts. unfortunately I literally hit my peak in MS Paint. therefore.

to which ourfag could only reply.

Hi my name is Edward Black'beard Kraken Bonnet Teach and I have long gunmetal grey hair (used to be black and there was a beard too that's how I got my name) with silver streaks and dark tips that reaches my mid-back and stormy brown eyes like a lonely forest and a lot of people tell me I look like Mad Max (AN: if u don't know who he is get da hell out of here!). I'm not related to Taika Waititi but I wish I was because he's a major fucking hottie. I'm a pirate but my teeth are straight and white. I have tattoos all over. I'm also an actor, and I perform on a badass ship called The Revenge in the Caribbean where I'm the star of the play (I'm playwright). I'm a goth (in case you couldn't tell) and I wear mostly black. I love stealing and I get all my clothes that way. For example today I was wearing a black corset with matching lace around it and a purple taffeta dress, silk stockings and black combat boots. I was wearing stage makeup, black eyeliner and black eye shadow. I was walking around my island. It was going to start snowing and raining soon so there was no sun, which I was very happy about. A lot of rum runners stared at me. I put up my middle finger at them.

-Strike.  We had 45 minutes on Saturday, but it only took us 4 hours to get the whole set down.  There isn’t even any tape left on the stage.

-I got my copy of the fall play and started tracking props. I’ll probably finish Act I tonight.

-We had a Stage Management Workshop with the ASM of the Grand Rapids Ballet.

Set strike is the process of dismantling, storing or discarding the materials used in the production.

For health & safety reasons all tools were stored in one place - 'Tool Table'.

We had to make sure that all nails were removed from walls/flooring as they are very hazardous on the set.

Everyone was working collaboratively! It was a great teamwork experience! 

All Props Masters had to clear out the props cupboard and sort out all the props in order to make returns.

After sorting out the props/costumes we went to ALRA to return all items that we borrowed. We have also donated some items which we couldn't store at LCC.

The Blood Red Meat's Director, Norman Tamkivi (on the screen) was driving creative force in a film's production, and acted as the crucial link between the production, technical and creative teams.

This production required a large number of props, therefore as a Props Master I was in charge of making sure that everything was in the right place and handled carefully. I was also taking care of props that wouldn't have to be on set at all times.

The Art Department was on standby for the entire day making sure that we could help the crew when necessary. In order not to disturb the production, we stayed in the Gallery. Two Art Dep members at the time were allowed in the TV Studio to watch the filming process and help the crew when required.

Meg Nixon (Hair & Makeup) did an amazing job of preparing makeup for the actors. She created various types of blood for Berris which looked extremely realistic!

This time, the production was a little bit late due to the fact that we didn't start as scheduled (TV studio wasn't opened on time), therefore the set's strike was postponed. Nevertheless, we managed to prepare the set for the next day of filming.

The entire day was an amazing experience! Everyone did such a great job by working collaboratively and helping each other!