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For @hum-suffer as a really, really late birthday present, but a timely Christmas present!
This is about 1.5 K words, therefore I am putting it under a cut.
I hope you enjoy this hastily written little piece and would like more of it!
Myrcellla hates her skirts. She always hates them, but never more than now, running behind her little brother. Tommenâs legs are tubby still, unlike hers, but these skirts of hers ruin it all the time.
Light gently heralds dawn, and Myrcella has to work to keep the sound of her steps down, lest one of the servants hear and tell mother of this. Mother always stresses the importance of curtailing oneâs baser emotions and abhors the sight of tears.
But Tommen is her beloved younger brother, unlike Joffrey the terror, so she dares to raise her voice, even if it is only once. âTommen!â Myrcella is lost for comforting words to follow his name, never having heard much of them. She resolves to try, nonetheless.
While she had been casting for words and for ways to keep her balance, sheâd nearly lost sight of him. He bumps into a shadow which clinks of armor, and Myrcella winces. Mother will definitely know of this.
âMerda inferna,â- Myrcella has to giggle in spite of herself, for she knows enough to understand that those were curse words, not suitable for children. She wonders who has the consideration to swear in High Western, even when they sound quite tired and sleepy, when she recognises the speaker.
âYour Grace?â Tommen abandons all pretense of manly composure once he looks up and sees their uncle. âUncle Jaime!â
Uncle Jaime holds Tommen close, wrapping him in his cloak, uncaring of his helm dropping from his hands. He finds a moment to give Myrcella a small smile. âWhat is the matter? What are you and your sister doing here at this time? Do youâ- Heâs saved from the trouble of asking further when Tommen, sniffling, mumbles, âBad dream. Joff knifed Lady Boots. Again.â Uncle Jaime frowns. âLady Boots?â âShe is his cat,â pipes in Myrcella, trying to help.
âJoff knifed her?â He sounds almost horrified, something she had not expected from Uncle Jaime, for she thought he agreed with Mother on everything, and Mother was proud of Joff, no matter what.
âJoff did!â exclaims Tommen. âAnd mother was not even angryâŚshe said heâs growing into his manhood. Is that what manhood is, uncle?â âIt most definitely is not.â Uncle Jaimeâs tone is clipped, curt. Tommen flinches. Myrcella takes a step, about to stand between them lest Uncle Jaime raise his hand to her brother against all reason, but Uncle Jaime sighs. âI am not angry at you,â he tells her brother gently. âI will have a word with Cersei, ensure the both of your safety, rest assured of that.â His words ring true, and Myrcella relaxes.
He does have a word with Mother. Myrcella can hear her motherâs voice shouting clearly, for all that the Septa tutting at her poor stitches is trying to distract her. âRemember that you are a knight of the Kingsguard, Ser. And they are my children. How dare you suggest that I am remiss! I am their mother, and I know best!â Uncle Jaimeâs voice is too low to be heard, but the slap that follows rings clear, so loud that even the Septa drops her stitches. Motherâs voice stutters, lowered all of a sudden. âJ-Jaime, listenâŚâ she trails off. âYour Grace is too kind,â she hears Uncle Jaimeâs voice reply, cool and smooth, lilting as always. âI see I must needs speak to His Grace.â
When Myrcella is able to hear Uncle Jaimeâs footsteps, she too, tries to look as immersed in her stitches as the Septa does. She does not know what else to do.
However, Uncle Jaime is in front of her, facing the septa, and she dares to take a little peek up at him. Heâs as charming as ever, smile wide on his face, beneath his helm. He manages to winkle Myrcella from her Septa for a while, bowing gallantly to both of them. The Septa actually blushes, and Myrcella giggles as he sweeps into another bow, this one only for her. âMay I seek the honour of your company, your Grace?â he asks. Myrcella manages to remember her courtesies. âThe honour is mine, good Ser.â She tries her best to sound grown up, but evidently she is not very successful, because Uncle Jaime laughs. Myrcella finds that she doesnât mind. She likes hearing Uncle Jaime laugh.
It is only when they are on their way to the White Sword Tower that Myrcella realises she still has her mess of stitches clutched in her hands. That, however, is secondary. First, she needs to make sure uncle Jaime is fine. âUncle Jaime,â she whispers. He stops. his steps in step with her own. âYes?â âAre youâŚalright? Mother-she didnât-she didnât hurt you very badly, did she?â
Uncle Jaime looks startled for a moment. Then he laughs once more. âNo, not at all. Iâm quite used to it, to be honest. Itâs nothing to worry about, âtis just a sibling spat. I am as I always am, Princess.â He doesnât seem to be lying, but Myrcella doesnât understand. Only Joffrey hit her and pulled at her hair, wasnât that wrong? She shakes her head. He seems comfortable enough, so he must be right, she decides. She smiles back at him. âCella,â she replies. âIâm Cella, not Princess, not to you. You may be a Kingsguard, Ser Uncle, but I am your niece first.â
Uncle Jaime averts his eyes from hers for a moment, then kneels in front of her. âCella it is. And I am quite fond of Ser Uncle as a title as well,â he replies, laughter in his voice, though Myrcella doesnât think she imagined the sheen in his liquid green eyes. âAlright, Ser Uncle it is!â she replies, offering no further comment. Men donât like to be seen when they are emotional, and for so fine a knight, surely it must be even more of an insult.
His eyes are on her messy stitches. He snorts a little. âAnd what masterpiece, pray tell, is this?â She blushes. âSepta despairs at my stitchesâ she mumbles. âIs that so? Well, we canât have that, can we? I suppose that is what we will do.â âWhat will we do?â she asks, curious. He winks at her. âWait and see,â he replies, as they ascend the stairs to his chambers.
Uncle Jaime fiddles with his drawers, clearly looking for something. âAh!â his quiet exclamation is triumphant. âI only have red, gold and white threads,â he tells her casually, looking once more at the mess sheâd stitched, âbut we can salvage most of this quite quickly.â Myrcella knows that sheâs wide eyed. âYou can stitch?â she exclaims. Uncle Jaime smiles with a shrug. âQuite a fair bit,â he replies, âand I suppose Iâll only get better with practice.â âHow did you learn?â She is intrigued. She had thought that knights scoffed at womanly pursuits. âThat is a story for another day, Cella,â answers Uncle Jaime. His deft hands unpick her stitches quickly. âWe donât have much time, do we? Your Septa would probably return soon from her prayers, and you will have to be returned to her tender hands.â She scoffs. âYour hands are far more tender than hers.â she grumbles. He raises an eyebrow, his eyes comically wide. âMine?â he whispers, affecting awe, keeping his hands at the level of her eyes. âSurely you donât mean these callused palms.â She nods, as regal as she could, and presses a kiss on each palm. âThese indeed, Ser Uncle.â She answers with a grin. He laughs, his hands picking again at the stitches, somehow managing to straighten a few of them. âWeâd make a fine troupe,â he laughs. âUnfortunately, not all songs I know are suitable for such fine ears as yours.â âPerhaps you could learn,â she ripostes.
Before he could reply, they are interrupted by a knock. âS-Ser L-Lan-Lannister?â Uncle Jaime gets to his feet, opening the door. âAye. Iâm not about to bite you, lad. Say what you will.â A boy stands without, his hair tousled, freckles standing against his fair skin. âS-Septa s-said that-that the Princess has her lessons. And-and the Lord Commander s-said that the King is in his chambers, should you wish to meet him.â Uncle Jaime nods, and turns to her. âShall we, Princess Cella?â She puts on a sigh. âMust we, Ser Uncle?â He nods gravely. âNeeds must, Princess. Fear not, however. Your knight shall be waiting for you.â
He takes her hand, pressing a kiss to it. âWe would make a fine troupe!â she grins at him, her hand in his, his steps with hers, as they walk out of his room.
Note: The words Merda Inferna mean something along the lines of âdamn it to hellâ in Catalan, the language I base my hypothetical language of the West the most on, afaik. In my works, Jaime swears, when he does, in that language, because well, heâs around kids, I see as him doing it first for Tyrionâs young ears, and then the habit carried forward.
The pictures are, from top to bottom and left to right, respectively from Vel Muruga Vel on Instagram, Devar Creations, unknown source (probably Life OK the TV channel?), Rames Harikrishnaswamy, unknown source and Unsplash. If anyone finds the sources I couldnât, please let me know!
Tagging the mod of the event @allegoriesinmediasres
Also tagging my friends @medhasree @chaanv @shaonharryandpannisim @ambitiousandcunning @pratigyakrishnaki @muralofmyths @arjunaparantapa @mitskiacoustic @hindumyththoughts @iamnotthat and @spockswhore
Kindly DM and/or send an ask if you wish to be added/removed from this tag list.Â
The pictures are, from top to bottom and left to right, sourced from: Rachel Overby on Pinterest, @train-to-win on Tumblr, animal-75-artist from DeviantArt, Silvia Sanchez on Pinterest, stock image on Freepik and stock photo on Dreamstime respectively.Â
Fair word of warning: From this entry on, with the exception of the Ramayana and the Pride entry, all my entries are either about Arjun or in his PoV, and I absolutely adore that guy. If that offends you, well, I have made things clear, and I hope you find some other fic thatâs to your taste!Â
That said, tagging my regular taglist: @medhasree @chaanv @ambitiousandcunning @shaonharryandpannisim @arjunaparantapa @pratigyakrishnaki @muralofmyths @hindumyththoughts @iamnotthat and @spockswhoreÂ
Also tagging the event Mod @allegoriesinmediasres
If you want to be added to/removed from the taglist, let me know via ask or DM!
Hi! it's @hindumyththoughts- Krishna, Arjun and Draupadi for the photoset ask please?
Hi, @hindumyththoughtsâ! Hereâs part one of my promise, hopefully not too late...part two is challenging, not least because the scenes are kinda cringey.
Legends speak of the Three Krishnas, united in mind as well as heart. United as one they may be, yet each of them is apart from the other. Time distorts the three friends, stories getting taller, yet obscuring the human virtues and vices.
The stories speak of the guidance Krishna Govinda gave Yagnaseni and Arjun, each turning to him as they flounder. They speak not of the days Govinda himself turns to his friends for support as the Yadavas, quarrelsome by the day, exasperate him. He is human as any other, for all that patience is one of his many qualities. The stories do not speak of Arjun and Krishn, sitting side by side, long into the night, puzzling over political allegiances and fraying tempers, each helping the other. Nor do they speak of Yagnaseniâs astute head for numbers and facts the men overlook, her subtle but effective support.
The stories, dry as they are, do not tell the whole, rather, only the part they wish. The whole is left for us to divine on our own. They gloss over moments spent laughing with Satyabhama, the âpillars of politicsâ as she calls them. Too much is lost to the wind.
It is to the wind we turn, to the rain, to those lost moments that drip through. The wind that makes Panchali shiver, Govind run his hands through his hair. The wind that makes Arjun offer Panchali a wrap and laugh at his sakha, his own curls unruly. The wind that masks âsensitiveâ conversations, for even walls have ears.
Those conversations are hardly sensitive in truth, they are the moments the three friends unload their frustrations on each other. Many a colorful word has escaped Arjun, known for his calm. Many times, Panchali, wrongly painted as vengeful alone, has calmed her husband and her sakha. And Govind? His eerie imitations of the Samrat at his gravest has made them laugh more times than can be counted.
Arjun gets soaked in the rain without fail, his sincere joy making even a broody Govind grin. Panchali shakes her head, amused and fond.
Arjun shakes his wet hair at them, laughing at the exclamations of âParth!â
Known only to select people are the moments Govind and Arjun savour in secret. Incognito, free, alone but for themselves, mingling with the people as one of them. Govind is forever thankful that Arjunâs tendency to look down uncomfortably when anyone speaks of his own feats, or worse, his handsomeness, hasnât spoiled these rare moments free of worries.
Panchali and Govind bond differently. He alone knows her from before, in this strange new world, this liminal arrangement where she belongs to the Pandavas and they to her, but fluid enough and confusing enough for calumnies to arise. He helps her navigate when she needs it, as he will Arjun, far into the future, when the need arises.
The stories forget much and more. From the first introduction where Govind winked at Arjun, a bubbly âyour father called you Krishna? Then it is confirmed that we are meant to be friends, for you are me and I am you,â with a smirk on his lips, Arjunâs own incredulous, yet inexplicably comfortable response to the last moments they were together, the mourning Arjun and Yagnaseni do for their friend, the hollow satisfaction in seeing to his legacy...Â
The three Krishnas themselves, in life, have forgotten more moments they spent together than the stories remember.
Yet, one thing, the stories got absolutely right. Through thick and thin, they were together, a unit to be reckoned with. They were equals and complements to each other, something the later fables fumble with. In spite of that, they endure in our memories, as they shall for a long time to come.
The names Krishn/Govind are used for Krishna, Panchali/Yagnaseni for Draupadi.
I hope you like this!
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In honour of Doctorâs Day (barely in time), hereâs a short story by my hand. Itâs based mostly on real-life experiences, most of the scenes based on things I have seen in clinical postings. I am not sure whether I got the main characterâs emotions right, but I did my best, so I guess that counts.Â
[Image ID: A stethoscope with blue tubing, silver diaphragm and black earpieces lying on top of a blurred keyboard, a blue pad to the left of the stethoscope, with a piece of blank paper pinned on it. On the bottom left, the words âThe beat of a heart...â are written in red England Hand font. End ID]
Iâm tagging my usual writer mutuals and putting the actual short story under a cut.
She coughs a little, ignoring the rasp in her throat, wishing she could reach for her water bottle, but is impeded by the sheer number of people between her and the bottle in question. She reaches for the hand rub instead, the familiar smell of ethanol almost soothing for a moment. She blinks, turning to the older man sitting across her, the familiar questions on her lips.
âCan you tell me why youâre here?â she asks, noting down the manâs anxiety, trying to make her voice sound soothing. That is all the prompting he needs to launch into his long-winded story. She stretches a little, noticing the line of people in front of her, and the students hanging on each of her words standing behind her chair.
She smiles, looking behind her at the students, gesturing subtly for one of them to take over. âMake sure to examine him properly,â she instructs. The student she had instructed nods, her eyes wide. âYes, maâam,â the younger girl responds, leading the man to a bed. She can see the couple of students who had bothered to attend all clustered together, their discussion hushed.
She suppresses a grin. Theyâll learn. She herself had. And indeed, one of the the students comes forward tentatively, stopping her peer who had been taking the manâs history, and begins the examination.
She turns to her work, leaving the students occupied for now. Itâs a familiar battleground of questions and answers, having to rush the patients because of the lack of time. âMaâam?â itâs a young gentleman. âYes, sir?â âI am sorry,â he says hesitantly, âI donât understand what you said.â She nods. Clears her throat, looking wistfully at the bottle that still is too far to reach, and too empty besides. Looking at it only diverts her attention to the humidity the fan is doing little for, the sweat trickling down her back.
She shakes her head. Do not divert your attention. Her colleague shoots her an understanding look, as she explains the prescription once again. He nods, with a quiet âthank you.â She nods back at him as he leaves.
âMaâam?â She turns once more. If nothing else, she muses wryly, choosing medicine has definitely taught me to multitask. The students lead the first man back to her, their clinical skills enthusiastic if a touch inexperienced. One of the girls excitedly details the sound of an ejection click. She smiles, lending the younger girl her own stethoscope. The girl listens in with the manâs permission in quiet absorption, the ritual being repeated by each of her friends, all of them clearly awed.
The gentleman looks amused at the furore the click of his valves, amplified by his metallic pacemaker, has elicited. She corrects them when needed, leading to a response of all heads nodding at once.
As the clock strikes 1, the students ask for leave to disperse and the crowd of patients mercifully thins. She tells them to go and come back for a short class in the evening, finally leaving behind the pursuit of her elusive lunch and the all-important water.
Her lunch in front of her, her thirst finally quenched, she ruffles through her iPad for information to make the class slides for tomorrowâs discussion. All too soon the short break is over, the slides still unfinished, and she stands, following her friends out of the Duty Doctorsâ Room to go on ward rounds. Her eyes flit to a notification on her News app, of a doctor being beaten by goons. She sighs. There is no use pondering over this. I can only do my best. She knows protests do little good, so she hardens her heart and strides out, sliding her phone in her pocket.
Somewhere in the middle of the rounds, the students following her and the senior doctor like ducklings following mother duck, one of them comes running to her. âMaâam,â his voice is high with fear. She gives him her immediate attention. âThereâs a man on that bedâŚâ the boy points, ââŚ17, heâsâŚheâs not really breathing.â
Oh, no. Her friend steps up, running to the patient, while she looks for his details, adrenaline sharpening her senses.
He is a new patient, there is next to nothing on his chart. She can hear a lady wailing and she winces. No one should see their loved one in such a situation, she thinks, even as she squares her shoulders, moving towards the bed, shaking her head at her friend, who had already started CPR. She gently moves the lady aside, trying to console her, even when there is fear in her own heart that the news she might have to deliver could be irredeemable.
âDoctor?â asks the lady querulously, âyouâll save him, wonât you?â She looks down for a moment, before meeting the ladyâs gaze. âWe will do our best,â she replies quietly, grave as the situation is. The lady nods, tears still pooling in her eyes.
She can hear her friend panting. Quiet and quick, she swaps her place with him, continuing CPR. He shoots her a grateful look. She turns her attention to the patient. Between the three of them, they manage to get the patient breathing, she notes with relief. That relief doesnât last long, though, as she looks the patient over. The catheter connected to him, filled with orange urine, the gross ascites and icterus. Heâs on Rifampicin. TB with hepatic encephalopathy. One glance at her friend tells her that he, too, is thinking the same.
The lady with the patientâŚhis wife by the sound of it, reads the grave news on their faces, facilitated, perhaps, by her intubated husbandâs gasps of breath. She sinks into the bars of the hospital bed for support. She is at a loss for a moment, as she always is when confronted by the inevitability of death. She kneels then, her hand on the ladyâs shoulder, silently commiserating.
When she stands, she looks at the downcast yet awed students and forces a smile. âWell,â she says, stopping them as they turn away, towards the exit, clearly assuming that class is cancelled for the day. She has no intention of doing that, though. They need to learn that life doesnât stop for those of us still hale.
At the sound of her voice, they turn as one, looking at her with eyes comparable in size to dinner dishes. âIâll just wash my hands and come back,â she says firmly. âYou guys go wait in the Duty Doctorsâ Room for your class.â They keep staring at her for a few moments. âGo on,â she instructs. They obey, darting reverential glances at her, talking in hushed whispers. How could someone literally save a life and just go back to normal like that? She hears one of their voices, quiet, dazzled. Despite knowing the truth, the innocent fascination in the boyâs face makes her smile.
I donât know! She hears one of his friends reply. I want to be a doctor like that, when I finish my degree, when we really become doctors, the girl says, making her smile wider. The younger girl sounds like a young child deciding the goal of her life. Â
She tamps down the giddy joy and the grief simultaneously warring inside her, long since used to contradictory emotions, keeping a straight face as she strides to the washbasin.
When she enters the Duty room for the class, theyâre discussing the exposure she could have had. She smiles wryly for a moment. This kind of exposure is a fact of life, she nearly blurts out, deciding not to, enjoying their impressed approval for a moment, before she clears her throat.
They all look abashed. She decides to proceed as if the moment before had not occurred, which was helped by one of them asking about the man she had done the CPR on. She summarises the case, gives them a few topics to read on and sends them home.
Before leaving the hospital proper, she circulates the wards once more. The CPR patient crashes again. This time, though they try long and hard, the lose the man, the beat of his heart forever silenced.
Her senior takes responsibility of the formalities, telling her to leave. Leave she does, casting one last glance back at the shell of the man, helplessness overtaking her for a moment.
She checks in with her colleague manning the night shift if she is free to go, fighting the uncanny feeling of dĂŠjĂ vu that comes with every patient they lose suddenly, the realisation striking anew that life goes on.
It is a leisurely walk back to hostel, the cool air soothing on her sweat-soaked shirt. She is thinking once more of the next dayâs presentation, the number of slides still left to finish off.
After a quick wash-up and dinner, she sits with her iPad. It is nearly midnight when she finishes her work, fighting her drooping eyes. She checks in her WhatsApp, shooting a quick goodnight to her parents. The statues of her medico friends are full of calls for justice against the recent violence. Her non-medico friends are, as usual, conspicuously silent on the matter.
Ah, well, she thinks, itâs not like armchair social media posts can actually do much. Besides, this is not an issue that they face. Why judge? Theyâre probably thinking the same I do.
 She debates posting a status of her own then decides against it, for again, social media can only do so much. The bitter truth canât be changed.
Her motherâs voice echoes in her head, what mama had said the last time she had shared news of such violence. At least they didnât kill him. You people get a lot of respect, you know?
She shakes her head, banishing those thoughts. She doesnât want to have nightmares. Besides, tomorrow, she has to report for ID duty. She needs to be well rested for that. So she thinks of the awestruck students, the young girlâs voice playing in her head. I want to be a doctor like that, she said, when I finish my degree.
She falls asleep with a smile on her face.
When she is leaving for duty the next morning, she loops her stethoscope along the back of her throat, the diaphragm of the steth sitting firmly over her own beating heart. Time for another day at work.
Some terms that might be unknown:
Ejection Click: In some patients with heart problems, there is some backflow of the blood when the heart contracts. This backflow is heard as a âclickâ sound when a stethoscope is used. This âclickâ is amplified if the patient has a prosthetic metallic valve, as in case of the old gentleman in the story who is based on a real patient.
Rifampicin: A drug that is part of the four-drug regimen for Tuberculosis (TB). It increases the effect of another drug in the combination, Isoniazid, which is toxic to the liver. India has a huge number of cases of TB, being one of the TB-endemic countries. The orange urine is one of the most noticeable side-effects of using this drug.
Hepatic encephalopathy: Loss of proper brain function due to inability of liver to remove toxins. The patient on whom CPR was administered was in a coma due to this condition. He, too, was based on a real patient.
Ascites: Swelling of the abdomen due to accumulation of fluid in the abdomen.
Icterus: Yellowing of the sclera (whites of the eyes) and bulbar conjuctiva, a hallmark of jaundice.
The doctor here makes the diagnosis of TB with drug induced hepatic encephalopathy because of the ascites and icterus combined with the rifampicin usage and the coma. It is an unfortunately common condition here.Â
I just noticed that I haven't clarified ID Duty. It means Infectious Diseases ward duty. In this case, I meant COVID-19 duty, though it may not always mean that.
An Archive of Our Own, a project of the Organization for Transformative Works
For @hindumythologyevent.
Day 3: Female Character(s)
This is a story told through Draupadiâs eyes of her Swayamvara and the beginning of her married life with the Pandavas.
For @ambitiousandcunningâs prompt for my Mythology Alphabet challenge.Â
The prompt was âA for Arjun(a)- Romantic Relationship: Arjun(a)/Draupadi.
Tagging the three mods of the event @1nsaankahanhai-bkr @soniaoutloud and @allegoriesinmediasres.
Also tagging my mutuals @mayavanavihariniharini @medhasree @muralofmyths @vishnupada @snaagin @chaanv @starsailororastronaut @ambiguous-sanskars @worddiva179 @avani008 @jigyask @shaonharryandpannisim @hermioneaubreymiachase  @justahappyreindeer @iamnotthat, and @will-die-without-chai. Sorry if I missed someone!
And...Iâm just in the nick of time for Ramayana day for the @hindumythologyevent! Yay! This is the first part of two sequences of drabbles, for an anon.Â
Tagging the three mods of the event: @1nsaankahanhai-bkr @allegoriesinmediasres and @soniaoutloud
Disclaimer: All of these drabbles are in Indrajitâs PoV, and Iâm assuming that the race of the âAsurasâ are men, closely related to the race of men on Aryavrata, yet different enough that they are demonised. Hence, they wonât really be very kind to the heroes of the Ramayana. If that offends anyone, kindly forbear from reading. I have not written about the Ramayana before, this is my first try, so kindly be a little indulgent of any flaws in characterisation.
The drabble for âFearâ is based on a scene not found in the CE of the Ramayana, in which Ravana ostensibly calls Indrajit a coward for reporting to him about Indrajitâs weapons failing to kill Lakshman. The bits about Sulochana defying paternal loyalty is something Iâm not sure is canon, but Iâve read that Sesha curses Indrajit that he will be killed for marrying his daughter without his permission.
With that and no further ado, here are the drabbles.Â
1. Favourite colour
Indrajit favours the colours he watched his father drape around his shoulders when he was a child, when father was still father in truth. As his father goes farther and farther from him, he clings to those light, understated colours, to remind himself that this wasn't always the case, that there was a time before this, a time when father indulged in scholarship rather than conquest, a time of whites and light golds and streaks of silver rather than the garish reds and blacks all around, pricking his eyes wherever he goes.
2. Crossover
Meghnaad smiles at Percy. âZeus is a bit of an ass, yes.â Percy grins back. âGlad you agree!â He rolls his eyes. âHonestly, this whole mess about the lightning boltâŚâ Meghnaad nods sympathetically. His formidable power is at his command, if there is any need of an intervention.
3. Fear
Fear is not a word often associated with Indrajit, his prowess renowned in all the three worlds. Yet, standing there in front of Father on the throne, relaying what he had just seen in the battle, the strongest of his astrs refusing to kill that mortal boy, he felt fear, not of death. Death is something that stares him in the face whenever he goes weapon in hand into war. No, his fear is far more visceral.
He looks up at his father, and his fear is made flesh in his fatherâs contemptuous sneer. Â He is gone. He is not what I remember. Was he ever the man I remember?
âI see I sired a coward, then.â Indrajit blinks, swallowing back emotion. Was it not I who brought you back, Father? I who defeated the King of the Devas for you? What did I ever do that you doubt me so?
He ignores the realization of his long-held fear, both the disappointment and the loss of his father, and looks him straight in the eye. âI apologise, Father. I will do my duty, and die by it, if need be.â
4. Mythological Creature
Indrajit laughs at the ludicrous claims the bards of the Devas and mortal men make, that the race of Asuras have features twisted beyond redemption, mirroring the evil in their minds. He lets the rumour stand nonetheless. A little element of fear in the enemy is always beneficial, after all.
5. Nature
All denizens of Lanka expected Indrajit to scoff at the rain and lightning. For they were devices of Indra, the King of the Devas he defeated to get his father back.
Yet, as Ravana spirals from who he was, the man Indrajit admired, to become something...not what he was meant to be, Indrajit finds himself staring at the sky, at the bursts of lightning, clearing the stormy grey for one split, incandescent moment, wishing that he, too, could see that clear silver-grey in his mind, see the clarity of thought he chased after.
6. Prophecy
Meghnaad dodges the Vajr, shooting his own illusory weapons at Indra. Armed with his determination, he wastes no time in getting to business. They must be defeated. They have to be. Lanka deserves its King back. I need my father back.
The battle ends with Meghnaad victorious, a new name on Prajapati Brahmaâs lips for him. He smiles at his father. You named me well, it seems, Father. Almost a prophecy, that I will lord over the clouds.
7. Religion
Gods, thinks Indrajit, are often more fallible than those who worship them. Even they can be defeated if one is determined enough, skilled enough. Yet, for all that he defeated the Gods handily, Indrajit still goes through the rituals of religion, for something intangible he does not understand, perhaps for an inner calm, an inner strength.
8. Role Model
Meghnaad always wanted to remain true to his own self and to the bonds of blood and loyalty that bound him, to his father, to his people. In his eyes, as he grows, his uncle Vibhishan is a lot of what he aspires to be. Someone who does not hesitate to put forward what he himself feels, yet loyal to Lanka, to their people. Someone who was principled yet one of them. He would spend a lot of time with uncle Vibhishan. As Meghnaad becomes Indrajit, as his reputation becomes something to be feared, oftentimes, he would defend his uncle to his father.
They would share smiles and secrets.
At the end, that only made his uncleâs betrayal all the harder.
9. Scar(s)
To a warrior, physical scars mean little and less. Indrajit cares not for the wounds of the flesh, though he will be thankful that his face remains unblemished. Sulochana loves the contours of his face.
The wounds he shall remember as long as he breathes are the looks of hopelessness in everyoneâs eyes when Father was taken captive, Motherâs quiet anguish, the scars on his beloved Lanka after the monkey burns the city as revenge, the scars that Indrajit sets to work putting alright as soon as he could. Even if the city is unblemished once more, mother is smiling again, father is proud of him, for all that he is the feted Prince of the people, Indrajit would never forgive them these scars. Never.
10. Seven Deadly Sins/Seven Cardinal Virtues
Later generations may sully Indrajitâs name and associate what he had with Sulochana to be lust, but both he and his wife know the depth of love they hold for each other. Love strong enough to defy the bonds of paternal loyalty, even.
Later, they would assume Indrajit is loyal to his father for the sake of power, but he cares not for that. He is loyal to his father because that is all he knew. For what his father stands for, in his mind. For that, he is loyal till his last breath.
He is a man, with a manâs emotions, a manâs virtues and a manâs vices, for all that the descendants victors of the war would demonise him and his people, who tried to adhere to what he felt was right.
For @hindumythologyevent, Day 9: Ramayana
Tagging a few mutuals: @chaanv @pratigyakrishnaki @hindumyththoughts @shellweed @vishnupada @medhasree @ambitiousandcunning @shaonharryandpannisim @jigyask @hindumyththoughts