#scjohnson

What the hell do you mean it's been three years of this fic, I swear to god I was brainstorming the initial idea with you YESTERDAY @sciencewife Anyway, happy three years of Schrodinger's Cave!

[image transcript; the logo of the company SCJohnson. The first three letters SCJ in bold red lettering with the arch of the J hanging underneath the S and C. The rest of the word in a bold black. Under the logo reads the slogan "A family company at work for a better world"]

"A family company at work for a better world" is a perfect parody of how real world mega-corporation slogan, it just reads like the end quote from a supervillain monologue. "a family company" being give its own line for emphasis is such a clever detail. The word "world" being placed at the end alludes to the companies sinister plans for world domination. The repetition of the o and n symbol gives of this sensation of forced conformity. The overarching J showing there ambition to envelop the world for there own profit driven desires. The strong red and black giving of this strong intimidating aura. The mismatched font also shows a lack of proper care for attention. The red is also slightly off coloured, almost orange, making it uncomfortable to look at.

The company also produce windex which is such an apt metaphor for how they erase and sanitise things which are less savory and go against there profit margins; it's also telling that they're actively campaigning for climate action while producing windex does so much harm for the environment. There funding or research and development of humanoid robots is also really suspicious especially knowing what this company is mostly known for.

Art History Response to Stimulus ‘Patronage’

 The S.C. Johnson Wax Headquarters 1936-1950, designed by Frank Lloyd Wright

 The Headquarters for the domestic cleaning and care product manufacturers, S.C. Johnson are based in Wisconsin, USA. In Wright’s typical prairie style, the building reflects the surrounding landscape whilst incorporating radical structures for the time influenced by his engineering background, these include: the columns in the Great Work Room, each able to hold a mass of 12 tonnes; windows and skylights made of Pyrex tubing; and the structure of the research tower, utilising the cantilever principle, allowing maximum lighting on all floors and a brilliant environment for experimentation.