Jun 5
Scherezade Garcia (Dominican) - The Golden Funeral (acrylic, charcoal, and ink on linen, 2016)
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Scherezade Garcia (Dominican) - The Golden Funeral (acrylic, charcoal, and ink on linen, 2016)
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La Guadalupe, Scherezade García, 2011
Screenprint on paper 20 ⅞ x 17 ¼ in. (53.0 x 43.8 cm) Smithsonian American Art Museum, Washington, DC, USA
Scherezade Garcia, The Island of Many Gods: the Dominican York, 2006, acrylic with charcoal & ink/paper (National Museum of American Art, Washington D.C.)
Memories Afloat, Scherezade García.
Scherezade García (Dominican, b. 1966)
Preparatory painting on paper for The Liquid Highway, 2018
Acrylic, pigment, ink on paper
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Scherezade Garcia
« The Dominican York »
Acrylic, charcoal, ink, and sequins on paper, 2006
S E X Y P I N K
Save the Date | Scherezade Garcia
A Virtual Artist Lecture with SCHEREZADE GARCIA: WHEN THE SEA IS MY LAND. This is the first in a lecture series organized as part of my Chicana/o & Latinx Art course this semester, and is free and open to the public. Tuesday, February 7, 2022 at 5pm MDTRegister at https://bit.ly/3s5fXbk
Artist Scherezade García’s large-scale community altar at Green-Wood Cemetery’s Historic Chapel for Día de los Muertos. Visitors were encouraged to bring personal offerings to a community altar, including flowers, photographs, and notes, among other objects.
Info from the artist’s Instagram–
Inspired by altars found throughout Mexico and the Mexican diaspora, Garcia’s altar combines her own unique style with this centuries-old celebration of the departed.
The centerpiece of the altar is a weeping, cinnamon-colored Statue of Liberty. By mixing all the colors in her palette, Garcia achieves a brown hue that embodies the ideals of diversity and inclusiveness. Her rendition of the Statue of Liberty, an iconic symbol of New York City, evokes the multitudes of immigrants that have found home here, including large Latin and Caribbean American communities. Garcia has dedicated the altar to all the New Yorkers who fell victim to the coronavirus.