#savehcf

I used to react, then I decided ( only today ) to adapt the epic facial expressions of Joe Macvillan ( the name belongs to me :P ) to tell you all in a funny/ fan way how my face looks like in some situations

When people tell you what to do ..

When someone starts talking like they know everything about anything

When someone fuels arguments online by posting crap and then hashtags #peace and #love ( HA!) I do that sometimes :P

When people think anything and everything is about them ( bitch please there are a bigger world than you I worry about)...

When someone post a bitch post and you know its directed to you and then you say something like “oh that bitch” but then you do the same thing yourself...

When someone says any kind of “shit” on any realm, real life or online...

They call Macvillan, Hoe Macvillan!

When someone do the same things they PREACH others not to do...

When someone tries to be funny, but THEY ARE NOT - A+ for efforts!

When someone says shit you do not like or keep arguing with you..

When someone posts long ass posts and you complain how they post long ass posts but then you do the same exact thing... you feel like...

Basically in life / online be a JOE to have a one badass life ;)

Be a Hoe Joe , be Macvillan Pace

TBT to the best character the TV industry have ever witnessed - and I am not just saying that because I am a fan! it is a given fact that Joe Macmillan is “ a manifestation of an era that most of us did not witness, and it just a two dimensional picture in our minds” . 

Lee managed to give this character a 3 dimensional angle and give the era the surreal feeling:

 “One of things I found interesting was playing a character who is the age my father was then; seeing him as a three-dimensional human rather than just my dad. And while you could say it’s a period piece, I would argue that the history is too recent. The weird mishaps and missed connections that happen on this show would never happen now, because people have cellphones. Cellphones have ruined storytelling.” - Lee Pace, The Guardian

Lee always finds a way to give a character more depth and complexity than it appears. He did it with Thranduil and he is doing it again with Macmillan. 

“ I think Joe is very, very smart. I think he looked at that IBM clone and was like, 'It was a flawed idea. It was a loser idea. So it didn't work. My own fault. I lied, I cheated, I manipulated people, I bullied them, and I failed. This time I want to do it right.' - Lee Pace, IGN

Happy Macmillan Monday everyone

That camaraderie came through on the screen. You can understand why these characters are drawn to working together, even when they’re not getting along. They seem to respect each other. That’s really great. One of the big differences between season one and season two is that the working relationships in season one were incredibly contentious. The characters would manipulate and lie, and they were really out for themselves. In season two, the working relationship really changed. While it remained contentious, there was a sense that these two women [Donna and Cameron] in particular very deeply respect and value each other, and they’re really trying hard to make it work.

And in many of their disputes, both of the positions on where to take the company are equally reasonable. It’s much more exciting to watch a drama when you genuinely can’t decide what “should” happen.
 I love that. That’s what good writing does, to me. All the characters have good reasons to do what they do, so you can understand CameronandDonna, even though they’re making opposite decisions or have opposite priorities. You still feel like they’re both completely justified in the choices they’re making. I concur, I think that’s a really great part of this show. 


That carries over to the characters’ personal lives too. The show didn’t pump-fake in the direction of Donna’s abortion — she actually went through with it, and her reasons were presented as sound and strong and nothing to be ashamed of. That was a fascinating story line, and it was interesting how it all played out. The writers were really intent on making it a confident decision that Donna made. They didn’t want her to be wishy-washy, they didn’t want it to be a thing that [dramatic voice] destroyed her, you know? They did a great job of giving her that backbone. But at the same time, in a bigger-picture way, I didn’t want it to feel like, you know, working women who have a career have to sacrifice, or that given the opportunity women will choose their career over their family. It felt like threading a needle to me. It ended up being a pretty good balance between what the writers needed it to be and what I needed it to do to feel okay about what we were putting out in the world.