Hespèrion XXI & Jordi Savall - El Cant dels Aucells, 2011.
No Copyright Š Courtesy of Label: Harmonia Mundi. Hespèrion XXI & Jordi Savall - Mare Nostrum, 2011.

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Hespèrion XXI & Jordi Savall - El Cant dels Aucells, 2011.
No Copyright Š Courtesy of Label: Harmonia Mundi. Hespèrion XXI & Jordi Savall - Mare Nostrum, 2011.

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From the Maguelone Festival 2012 Jordi Savall and Hespèrion XXI -  Lachrimae Caravaggio - Musical Europe in the Time of Caravaggio. Check the time codes below. Subscribe to Total Baroque: https://goo.gl/ZWoSxm Jordi Savall - viola da gamba Ferran Savall - voice Philippe Pierlot - viola da gamba Sergi Casademunt - viola da gamba Lorenz Dufschmidt - viola da gamba Xavier Puertas - violone Xavier Diaz-Latorre - lute, theorbo & guitar Perdo Estevan - percussions 2:03 Anonymous - Pavana del re 3:56 Anonymous - Galliarda la traditora 5:37 Jordi Savall - Saltarello 7:22 Giovanni M.Trabaci - Durezze E Ligature 13:15 John Dowland - Lachrimae Pavan 17:06 Orlando Gibbons - In Nomine a 4 19:16 William Brade - Ein Schottisch Tanz 22:15 Jordi Savall - Passacaglia Libertas 25:00 Jordi Savall - Deploratio II 27:43 Luys del Milà - Pavana and Gallarda 30:47 Joan Cabanilles - Corrente Italiana 34:17 Jordi Savall & Dominique Fernandez - Concentus Aria 35:36 Jordi Savall & Dominique Fernandez - Concentus Recitativo 37:52 Jordi Savall - Folias 41:51 Anonymous - Pavane de la Petite Guerre 44:06 Anonymous - BourrÊe d'avignonez 46:27 Consonanze Stravaganti (d'après trabaci) 47:57 Jordi Savall - Deploratio III 51:14 Samuel Scheidt - Paduan & Courant dolorosa 57:56 Jordi Savall - Spiritus Morientis 1:00:53 Jordi Savall - Deploratio IV 1:05:29 Luigi Rossi - Fantasie "Les Pieurs d`OrphÊe" 1:08:40 Anonymous - Sarabande Italienne 1:10:16 Cantus Caravaggio III "In Memoriam" A co-production of Calicot - Mezzo - TV Sud - Maguelone Festival Video director: Olivier Simonnet
LACHRIMAE CARAVAGGIO
Review by: John Greene
Artistic Quality: 8 Sound Quality: 10
Since 1991 when Jordi Savall contributed to the soundtrack of Alain Corneauâs acclaimed film Tous les Matins du Monde (type Q4828 in Search Reviews), heâs occasionally supplemented other mostly French and Spanish soundtracks with similar improvised music in keeping with the filmâs period and theme. The movie featuring most of Savallâs music to date has been Jacques Rivetteâs 1994 epic Jeanne La Pucelle, where he is credited for more than half of the movieâs score. This new Alia Vox offering titled Lachrimae Caravaggio (Caravaggioâs Tears) is Savallâs first non-soundtrack programmatic effort as well as the first recording devoted exclusively to his music.
The program is divided into seven âStatiosâ (stanzas) of four to five movements, each representing Savallâs take on seven works by the Renaissance Italian painter Michelangelo Caravaggio. Sharing equal billing with Savall in the project is the French novelist Dominique Fernandez, who provides seven brief complimentary essays about each of the selected paintings in the accompanying booklet.
This is one of the quietest, most meditative ensemble recordings Savall has ever made. The vast majority of the program is devoted to inordinately pensive string improvisations performed by Savall, violinists Riccardo Minasi and Xavier Puertas, and harpist Andrew Lawrence-King (Note: Savallâs son Ferran also is listed as one of the five âimprovisatorsâ, though his contribution is limited to light flamenco-like moaning in the four wisely dispersed âDeploratioâ movements accompanied only by his dad).
Savallâs Sinfonia di Guerra (fashioned after the opening Sinfonia of Monteverdiâs seminal masterpiece Combattimento di Tancredi e Clorindaâa work Savall often performs live though has yet to record), the (eventually) spirited Passacaglia Libertas, and the at times stunningly dissonant Spiritum Morientis count among the programâs very few, memorably upbeat moments. Andrew Lawrence-Kingâs solo improvisations in the Passicaglia Umbrae and very brief Transitio that opens the fifth âStatioâ couldnât be lovelier.
Alia Voxâs SACD sound is absolutely gorgeous; rich, well-balanced, and sumptuously detailed. The handsome spare-no-expense digipac presentation and 168-page booklet (translated in six languages) also is typical of the care Alia Vox continues to take in every one of its projects. Given the title of the program and the often dark, mournful nature of Caravaggioâs subject matter, itâs certainly understandable why Savall chose to keep the proceedings here so consistently low key. However, this 77-minute ride often gets a little tedious because of it. Recommended only to Savallâs most devout fans.
 https://www.classicstoday.com/review/review-14376/
Jordi Savall & Hespèrion XXI â El Cant Dels Aucells
Jordi Savall & Hespèrion XXI â El Cant Dels Aucells
Album: Mare Nostrum, 2011
for Jordi Savall & Hespèrion XXI: https://www.alia-vox.com/
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#music #antique #jordi #savall #viole

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One of Catalan viol player Jordi Savall 's grand historical projects, Granada - 1013-1526
La veu humil del poble - La voz humilde del pueblo
La veu humil del poble â La voz humilde del pueblo
CatalĂ
De vegades la bellesa apareix de sobte. Com avui, al buscar una cançó i trobar-ne una altra en una versiĂł inconeguda però meravellosa. Una petita joia de la mĂşsica tradicional què, qui ja anem tenint una edat, recordem haver sentit potser a casa la iaia mentre pelĂ vem pèsols o ventĂ vem la cuina econòmica; be cantada per ella o be per veu dâalguna veĂŻna que la llençava al vent mentreâŚ
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(via https://www.youtube.com/watch?v=5mDPRvkkq3M)
Quite possibly the best interpretation of this I could find.