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Lavry suggests that the optimal rate is somewhere around 50 or 60kHz, and he’s not alone. The makers of the very first commercial digital recorders from 3M, Mitsubishi and Soundstream calculated this as well, and used rates of around 50kHz until commercial pressures forced the standardization of a slightly lower rate.
The Science of Sample Rates (When Higher Is Better — And When It Isn’t) - SonicScoop