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seen from United Kingdom

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seen from Singapore
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seen from United Kingdom
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Pour Zine Panique (à paraître). Détournement de film (Satyricon).
Couleurs par @samplerman
Yvan Guillo - Samplerman
Untitled -- Samplerman
Untitled — Samplerman
Untitled, 2022 by Samplerman (Yvan Guillo)
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
💙💚♥️💛 Découvrez les collages de Samplerman : Anatomie narrative, éditions Ion @yvang______ #samplerman #graphisme #collage #anatomie #livre #book #librairie #mollat #bookstore #bordeaux (à librairie mollat) https://www.instagram.com/p/CQJFwrWnKvE/?utm_medium=tumblr
Samplerman aka Yvang (Yvan Guillo) (French, b.1971)
digital collages of public domain comics
Multiple Scales of Dizzintegration (four panels made for 4PANEL #2)
Page
Evolution of the Face
Airborne (four panels)
“I've been obsessed with comics all my life. I would have liked to be a comic strip cartoonist, but that career doesn't exist in France. The conventional formats here are the hardcover, annual 44-page book or the black and white, 300-page one-shot graphic novel. I've always been attracted to arts of all kinds: poetry, radio, cinema, animation, the avant-garde, experimentation and the borders of communication. I’m also drawn to abstraction, distortion, destruction, surrealism, sociology and politics. Most of my past comics are kind of absurd and meaningless (nonsensical, to say it nicely). At the end of the day, whatever I am doing, the path from a panel to another has become for me the ordinary way to explore this alternate reality (comics) where I feel at home. So yes, I think am a cartoonist; a weird cartoonist.”
“I don’t really read the stories, but I love how they look: the cheap paper, the bright primary colours, the screen-tone, the drawings, the conventional representation of landscapes, the simplicity of the lines. I have to make a choice among this mountain of graphic elements. I pick what I like: face, hand, clothes, tree, car, text balloon etc. and start to (digitally) cut them out.“
https://samplerman.tumblr.com/
http://www.tcj.com/yvan-guillosamplerman-interview-by-frank-m-young/
https://www.instagram.com/yvang______/?hl=en
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