Down from the Shelf #25Â
James Blood Ulmer- Are You Glad To Be In America? (Rough Trade 1980)
An extraordinary, outraged, indignant, full driven punk-funk- jazz revolution captured on vinyl. After stints with Art Blakey, Joe Henderson and Paul Bley, Ulmer joined Ornette Coleman and there began his exploration of guitar harmolodics. This record confused and confounded critics at the time â it raged too hard for the jazz police and was too fractured to be simply funky- but forty years on it remains expansive and boundary pushing.
Side one delivers a prolonged explosive rush from the opening neurotic funk of âLayoutâ, the awkward angular âPressureâ to the organised chaos of âSee-throughâ. âJazz is the Teacher (Funk is the Preacher)â applies some brakes midway sounding almost conventional as it slides into the loose disguise of a song. Â By track seven, after the pounding âTime Outâ, the tempo cools with the tense swinging âTV Bluesâ signposting the deep raunchy soul of albumâs closing title track.
Granted the frenetic pace and restless energy of the album often pushes the bandâs sound to fight with itself. Ulmerâs guitar can lurch between steely fluidity and clattering destruction. The twin sax of David Murray and Oliver Lake often bring solid foundations but then unexpectedly collapse. The rhythms jerk and slap at thrash metal velocity that sometimes seems on the edge of control. But it is such unpredictability and daring that makes âAre You Glad To Be in Americaâ one of the defining records of the No Wave- unsettling political music that rages against the state and the state of jazz.