On this day in sexploitation history: breast-fixated visionary Russ Meyer’s essential b-movie Lorna was released sixty years ago (11 September 1964). (Tagline: "Without artistic surrender, without compromise, without question or apology, an important motion picture was produced: LORNA - a woman too much for one man!”). I definitely would have seen Lorna at London’s Scala Cinema in the early 1990s, possibly on a double bill with Mudhoney (1965), the next film Meyer and memorable leading lady Lorna Maitland made together. (Meyer’s biographer Jimmy McDonough summarizes Maitland as “a stiff swirl of cotton-candy blonde hair, lips like a pair of overstuffed couches mating, a lethal-weapon body – there was something plain wicked about Lorna Maitland. Her terminally unimpressed scowl seemed to suggest your balls were not long for this world … A Venus flytrap in a wighat, Jayne Mansfield’s evil twin”). And I’ve never seen Lorna again, so my memory of it is a bit misty (sadly, whole swathes of Meyer’s filmography are currently difficult to see. His estate is chaotic). Anyway, Lorna represents the start of what Roger Ebert has termed Meyer’s “Gothic period.” For his part, Meyer said he was inspired by Bitter Rice (1949), calling Lorna his attempt at making an American interpretation of Italian neo-realism.






















