#rosetint

Saskia Fleishman, Ascending Moon (Crescent Beach), 2020, acrylic and sand on canvas, 24 x 24 in.

Rose Tint curated by Kate Mothes August 14 – September 19, 2021

Tiger Strikes Asteroid New York and Young Space are pleased to present Rose Tint, a five-person exhibition curated by Kate Mothes, featuring the work of Bianca Fields, Esther Ruiz, Leah Guadagnoli, Mark Joshua Epstein, and Saskia Fleishman. There is a psychological phenomenon called rosy retrospection, in which people judge the past in a disproportionately positive light than they judge the present. In the predilection to overlook the challenges of the past, something sinister lurks beneath the enthralling surface of nostalgia, as one can wrap themselves up in it and yet find it more and more difficult to leave it. It’s easy to forget the conflicts and challenges of bygone eras when what we face now feels more difficult than ever before. How will this time be remembered? It seems impossible that we might view it as “simpler” after a few decades have passed, and yet we probably will find a way. The present is always too immediate to place in context. Another psychological phenomenon called the fading affect bias suggests that people have much stronger emotional reactions to positive memories than to negative ones. May we always live in interesting times.

Bianca Fields (b. 1995) Bianca Fields (b. Cleveland, OH, 1995) is a visual artist based in Kansas City, MO. Fields received her BFA from the Cleveland Institute of Art, Cleveland, OH (2019) in Painting. Field's work introduces a manifestation of her perceived imagination and material sensibilities within the paint itself; inviting animals and the world of cartoons along for a frenzied ride of happiness and fear. Her paintings are what she considers her aesthetic, guttural response to pop cultural phenomena. Amplifying the screams and yelps from her beloved exotic creatures, such as the mandrill monkey, she often crowds her compositions seeking to create visual noise and tension within her paintings. A selection of recent exhibitions includes shows with Dragon Crab and Turtle (Kansas City, MO and Bologna, IT), Steve Turner Contemporary (Los Angeles, CA), Ruttkowski;68 (Paris, France), and Bellevue Art Museum (Seattle, WA).

biancafields.weebly.com / IG: @beeyonkerz

Esther Ruiz (b. 1986) uses a minimalist vocabulary to create relics of imagined experiences. Of her creative process, she says: ”The imagery I work with is born out of exploring and researching fictional places imagined in my mind... Ultimately, my work exists as an effort to visually explain an emotional state of mind with mathematical acuteness.” She begins with a collection of emotions, memories, impressions of light, and sounds, then translates them into an abstract geometric aesthetic. Selected recent exhibitions include Torrance Art Museum (Torrance, CA), Cleo Gallery (Savannah, GA), Art in Buildings (NY, NY), De Novo Gallery (Washington, DC), Ladies’ Room LA (Los Angeles, CA), Reynolds Gallery (Richmond, VA), Collar Works (Troy, NY), Jacob’s West for SPRING/BREAK (Los Angeles, CA), and Field Projects (NY, NY).

estherruiz.com / IG: @esther___ruiz (3 underscores)

Leah Guadagnoli (b. 1989) lives and works between Brooklyn, NY and the Hudson Valley and is represented by Hollis Taggart in NYC. Her work incorporates elements of sculpture, painting, graphic design, and architecture into whimsical, idiosyncratic works that defy easy classification. Often drawing on the aesthetics of her Midwestern upbringing, the artist appropriates designs and patterns from the 80s’ and 90s’ -- often considered kitschy -- presenting them in fresh and dynamic ways. She received her BFA in Painting and Art History at the University of Illinois at Urbana-Champaign and her MFA in Visual Arts at the Mason Gross School of the Arts at Rutgers University. Recent solo exhibitions include Asya Geisberg Gallery (New York, NY), Victori + Mo (Brooklyn, NY), Sadie Halie Projects (Minneapolis, MN), and 247365 (New York, NY). Recent group exhibitions include Cooke Latham Gallery (London, England), Hesse Flatow (New York, NY), Allouche Benias Gallery (Athens, Greece), Hollis Taggart Contemporary (New York, NY), Freight + Volume (New York, NY), Hashimoto Contemporary (San Francisco, CA), Ortega y Gasset (Brooklyn, NY), and White Columns (New York, NY). Her work has been reviewed by The New York Times, Hyperallergic, Art F City, Cultured Magazine, and Architectural Digest, among others. Guadagnoli has an upcoming solo exhibition at Hollis Taggart this November.

leahguadagnoli.com / IG: @lavenderladysupreme

Mark Joshua Epstein (b. 1979) received an MFA from the Slade School of Fine Arts, University College London, and a BFA from the School of the Museum of Fine Arts Boston. Selected solo or 2-person shows include SPRING/BREAK Art Show (NY, NY), Handwerker Gallery, Ithaca College (Ithaca, NY), NARS Foundation Project Space (Brooklyn, NY), Caustic Coastal (Salford, England), and Vane Gallery (Newcastle, England). Throughout the past several months, he has reconnected to a vital focus on pure pattern as an expression of entering into a new environment and settling into its pace and local culture. Influenced by geometric abstraction, Op Art, and Pattern and Decoration Movement of the mid-1970s and early 1980s, Epstein’s exuberant patterns explore queer ornament and geometric excess in their hugged edges and dancing colors. The details are precise yet intimate, highlighting the intricacy of Epstein’s process of patternmaking that underscores the presence of the artist’s hand. He is currently based in Ann Arbor, Michigan.

markjoshuaepstein.com / IG: @markjoshuaepstein

Saskia Fleishman (b. 1995) graduated Rhode Island School of Design in 2017 with a B.F.A. in painting. In her recent paintings, landscape photographs are recomposed as geometric abstractions derived from the color studies in Josef Albers' ”The Interaction Of Color.” This process involves tilting the image, flipping the horizon line, cutting out a part of the landscape, or creating colored transparencies with chiffon. These gestures serve to suggest an alternative way of thinking and identifying our memories embedded within landscapes, where nothing is absolute, and everything is relative. The paintings pair flat and smooth masked airbrushed gradients with textural materials such as sand and burlap.

Fleishman has been an artist in residence at Jentel Artist Residency, Vermont Studio Center, Wassaic Project, PADA Studios, ChaNorth and Trestle Studios, and a curator in residence at Otis College of Art and Design. Saskia’s work has been exhibited in a recent solo exhibition at Silo 6776 in New Hope, PA, and in group exhibitions across the United States, and in Rome and Portugal. Fleishman is based in Philadelphia, PA.