#rockefellerfoundation

We often read the opinion that the most shocking and sensational finds of archeology are kept behind seven seals in the Vatican. Some of them are certainly hidden from the eyes of outsiders, but it is more obvious that such artifacts are kept by billionaires such as the Rothschilds, Rockefellers and other clans of this level. The Vatican plays the role of a distraction maneuver, as it often happens. An example is the space masks of Pharaoh Khaba. Danish archaeologist Karl Ösing was one of the last researchers who had the opportunity to visit the underground levels of Pharaoh Khaba's pyramid and see incredible artifacts with his own eyes. When the findings became known thanks to the NATO scientific expert group, a representative of the Rockefeller Foundation was the first to see the report. And just three days later, on behalf of the fund, a golden box from the pyramid of Pharaoh Khaba was purchased.

Karl Ösing spoke about the mysterious findings in the pyramid of Pharaoh Khaba

Karl Ösing described it as a golden box with images of five pyramidal structures and the sun. According to the documents, it was just a set for astronomical observations of priests from the caste of the god Ra. However, the Dane claimed that this was a complete lie, and the artifacts acquired by the Rockefeller Foundation were extraterrestrial technologies. In his report, the archaeologist pointed out the amazing properties of the items that were sold. The box contained ritual masks made from metals and precious stones. Each of them depicted a separate creature: a crocodile, a cat, a falcon and a jackal. The holes for the eyes were replaced by an elastic material that looked like glass, but was easily bendable. Interestingly, on the side where the masks were attached to the face, there was a substance that had not been identified by anyone. In appearance it was quite sticky honey, however, after the mask was removed, it did not remain on the face. Although Ösing did not wear the items he found, he recorded all the feelings shared by those who decided to do so. Once on the face, the masks had an amazing effect - the air seemed to be purified, even in dusty, locked rooms it became like highland air.  Karl Ösing admitted that in some inexplicable way air purifiers were built into the artifacts, but what was most striking was something else.

Were the mysterious ancient Egyptian artifacts extraterrestrial technology?

Creative Migration is pleased to announce Bangkok 1899, a new cultural and civic hub representing an intersection of art, design, urbanism and social innovation.

Designed by Italian architect Mario Tamagno (under King Rama VI), this historic location (originally built in 1899) is the former home of Chao Phraya Thammasakmontri – considered Thailand’s father of modern education. For the first time ever, this landmark is open to the public. Major support is provided by The Rockefeller Foundation and Ford Motor Company Fund (Ford Fund). This project also has active support provided by the RSA (Royal Society for the Encouragement of Arts, Manufactures and Commerce).

Bangkok 1899 will officially open its doors on February 16, 2019. There will be a night of music and sound performances with our inaugural artist-in-resident, musician and songwriter Shayne P. Carter. Hailing from Dunedin, New Zealand, he has been performing and recording internationally for the past three decades. As part of this international residency, Carter is collaborating with Morlam musician Piyanart "Pump” Jotikasthira (of Studio Lam and The Paradise Bangkok Molam International Band) along with the rhythm section of Toomturn Molam Group, and Chiang Mai based sound artist Arnont Nongyao. This evening kicks off a series highlighting the first of Bangkok 1899's four major event themes for 2019: Arts & Cultural Diplomacy. Each themed event will take place quarterly - including the following: Sustainability, Society, The Future. This event is supported by The Rockefeller Foundation, Ford Motor Company Foundation, Creative New Zealand Foundation, Asia New Zealand Foundation, New Zealand Embassy (Bangkok, Thailand) and Studio Lam.

Introducing Shayne P. Carter to participate in Bangkok 1899’s International Artist Residency December 16, 2018 – February 17, 2019

Shayne P. Carter’s accomplishments include: New Zealand Music Hall of Fame; New Zealand Music Awards (best vocalist, top group, best album); international releases (Arista, Sony, Sub Pop, Rough Trade); four-time APRA Silver Scroll finalist; original work performed with Auckland Philharmonia, Dunedin/Christchurch Symphony Orchestras; and 'She Speeds' voted #9, APRA list of Greatest All Time New Zealand songs. Since last year, he was the Silver Scrolls Musical Director in Dunedin, and toured Asia extensively (China, Taiwan, Korea) as a live musician with the contemporary Maori dance company Atamira.

The long-term goal of this residency is to provide a fluid exchange between Carter and one of his Thai collaborators, extending the opportunity to present work created at Bangkok 1899 and to develop new projects in New Zealand.

Background

Creative Migration developed Bangkok 1899 with the mission to advance cultural diplomacy through the three pillars of art, public engagement and sustainability.

Bangkok 1899's programming is inclusive, accessible and relationship-driven. Furthermore, we encourage individuals to pursue the lost art of leisure, engage in spontaneous discussions and open up avenues of creativity. Our holistic approach is executed primarily through the following:

International Artist Residency - multidisciplinary program requiring collaboration with Thai artists and/or the local community.

Open Spaces - public garden & "Na at 1899" - a social impact café.

Public Events - local and global themes, curated from both within and outside the community.

Models for Sustainability - incorporating Zero Waste practices and urban farming into the hub’s ecosystem.

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